Hamza-Yalina’s Lyari Bungalow in Dhurandhar The Revenge: A Glimpse Into the Luxurious Life

Dhurandhar 2’s Karachi mansion is actually a luxury home in Amritsar, showing how filmmakers used Indian locations to recreate Pakistan on screen

In Dhurandhar The Revenge, one of the most striking visuals is the large mansion linked to the character Hamza Ali Mazari played by Ranveer Singh. The film shows long arched corridors, glass walls and a wide, carefully designed space that reflects power and control. The house plays an important role in the story, especially as it represents the rise of a man who has a lot at stake.

On screen, this house is shown as being in Karachi, adding to the film’s setting and storyline. However, in reality, the property is not located in Pakistan. The bungalow is actually in Amritsar, Punjab, and is known as Ananda. It is a modern luxury residence designed with a focus on space, light and comfort.

The house becomes an important part of the film’s narrative. In the story, the villa is a gift from Hamza to Yalina and is used to show his growing influence in the underworld. Its large size and detailed design help create an image of wealth and authority. For viewers, the setting feels real and believable, which adds to the overall impact of the scenes.

According to its designers, 23DC Architects, Ananda is a 16,000 square foot private home completed in 2024. It was designed as a calm and peaceful space that combines modern architecture with natural surroundings. Even though it was not built for film use, its layout and design made it suitable for cinematic storytelling.

What stands out is how easily the house fits into the film’s world. There is no visible difference that breaks the illusion. The clean design, open spaces and thoughtful interiors help the location adapt to the story without feeling out of place. This shows how filmmaking can transform a real location into something completely different on screen.

The use of this house is part of a larger approach taken by director Aditya Dhar. Instead of filming in Pakistan, the team recreated the setting using locations across India. Places in Punjab, Himachal Pradesh, Ladakh and Maharashtra were used to build the film’s environment. Some scenes were also shot in Bangkok.

Punjab played a key role because of its architectural similarities to areas shown in the film. Another property, Lal Kothi, was also used earlier to represent a location in Lyari. Together, these choices helped create a believable setting without leaving the country.

Overall, the film shows how careful planning and design can turn real locations into convincing cinematic worlds, allowing audiences to stay fully engaged in the story.

SourceAkassh

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