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Guess which actress was the first choice for HASEENA PARKER!

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At the trailer launch event of HASEENA PARKER director Apoorva Lakhia had some interesting revelations to make. Apoorva revealed that Sonakshi Sinha was his first choice to play Haseena parker in this film.

APOORVA LAKHIA, SHRADDHA KAPOOR and SIDDHANTH KAPOOR AT HASEENA PARKAR TRAILER LAUNCH

Apoorva shared, “We had first approached Sonakshi. Our shoot kept on getting postponed. She was doing FORCE 2 at that time and John was injured. Shraddha was totally my second choice. I knew she could play a 17-year-old and a 45-year-old too.”

Talking about his experience of working with sibling Shraddha in the film, Siddhanth said, “I was cast with Sonakshi Sinha but she could not do the film so my sister came on board which was the best that happened to my life and my career. She has been working so hard to pull it off.”

HASEENA PARKER is all set to hit the silver screens on August 18.

Amy Jackson is excited about dance number in 2.0

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Post FREAKY ALI, actress Amy Jackson will now be seen in Rajinikanth and Akshay Kumar starrer 2.0.

As per our sources, Amy Jackson has completed shooting for Shankar’s 2.0 and now she is eagerly waiting to shoot a dance number for this magnum-opus.

AMY JACKSON WALLPAPERS

Touted as one of the biggest tracks ever, the song featuring Amy and megastar Rajinikanth is set to break the record of the Aamir Khan-Katrina Kaif’s song ‘Malang’ (DHOOM 3) which took 10 days to finish.

Talking about the big song and dance sequence to be shot over a period of 12 days, Amy informs, “We have completed the shoot for 2.0. Only a song is left. Rajini and I are going to shoot for a 12-day long schedule next month. We are not travelling for the song, it will be indoors. There will be a huge set erected for the same, much like Shankar’s style.”

“AR Rahman is composing the song which will have a lot of dancing and romance. It has a bit of both, but it’s going to be a dance track,” Amy adds.

Amy will be rehearsing for around 10 days for the song. “Apart from the 12-day song shoot, I have been told to block at least 10 days for rehearsals. Shankar works like that, so for the song you have to block the whole month. But then, the results are always fabulous. From past experiences on I (Shankar’s film), the song ‘Ennodu Nee Irundhal’, took us 14 days to film. Bosco choreographed it and I think he’s doing it again for 2.0,” shared Amy.

Song lyrics : Apni Manzil Apni Duniya

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Singer : Mohammed Rafi
Music Director : Chitragupta Shrivastava
Writer : Farooq Qaiser

Apni mnjil apni duniya
Sat samundar par
Apni mnjil apni duniya
Sat samundar par
Jise ham jane miyad
Apni mnjil apni duniya
Sat samundar par

Pyar se milna pyar se rahna
Pyar ke ham diwane
Pyar se milna pyar se rahna
Pyar ke ham diwane
Pyar hamara rakha hai duniya me
Lekin ham to leke rahenge
Apni mnjil apni duniya
Sat samundar par

Shan se jina shan se marna
Kaisa hi tufa aaye
Shan se jina shan se marna
Kaisa hi tufa aaye
Yaad karega war hamara
Hamse jo takraye
Josh hai dil me aag nazar me
Apni mnjil apni duniya
Sat samundar par

Desh alag hai besh alag hai
Phir bhi ham hai sathi
Desh alag hai besh alag hai
Phir bhi ham hai sathi
Hath pakad ke ham to
Sache hai zazbati
Jaisi niyat vaisi barkat
Beda lagega par o
Apni mnjil apni duniya
Sat samundar par
Apni mnjil apni duniya
Sat samundar par
Apni mnjil apni duniya
Sat samundar par
Apni mnjil apni duniya
Sat samundar par.

Song lyrics : Jine Na Dega Tumko

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Singer : Krishna Kalle
Music Director : Chitragupta Shrivastava
Writer : Farooq Qaiser

Jine Na Dega Tumko Andaj Ka Tarana
Jine Na Dega Tumko Andaj Ka Tarana
Julfo Ki Piya Ghataye
Aakhir Sharab Khana
Jine Na Dega Tumko Andaj Ka Tarana

Chheda Hai Saze Dil O Jane Jaha
Khilna Kaliya Kante Hai
Jo Chahe Sanam Chunna
Chheda Hai Saze Dil O Jane Jaha
Khilna Kaliya Kante Hai
Jo Chahe Sanam Chunna
Aisi Kismat Mili Hai Tumhe
Jalta Hai Zamana
Jine Na Dega Tumko Andaj Ka Tarana
Jine Na Dega Tumko Andaj Ka Tarana

Mehfil Me Charche Hai Afsana Banana Na
Parde Hai Parde Me Diwana Banana Na
Mehfil Me Charche Hai Afsana Banana Na
Parde Hai Parde Me Diwana Banana Na
Tu Bhi Dilbar Kabh Na Kabh
Hoga Mera Diwana
Jine Na Dega Tumko Andaj Ka Tarana
Jine Na Dega Tumko Andaj Ka Tarana
Julfo Ki Piya Ghataye
Aakhir Sharab Khana
Jine Na Dega Tumko Andaj Ka Taran.

Song lyrics : Andaz Hasino Ke

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Singer : Kamal Barot, Mohammed Rafi
Music Director : Chitragupta Shrivastava
Writer : Farooq Qaiser

Andaz Hasino Ke
Duniya Se Nirale Hai
Andaz Hasino Ke
Duniya Se Nirale Hai
Upar Se Bade Gore
Andar Se Ye Kale Hai
Andaz Ye Mardo Ke
Duniya Se Nirale Hai
Andaz Ye Mardo Ke
Duniya Se Nirale Hai
Ye Pyar Ke Dhokhe Me
Dil Lutnne Wale Hai
Andaz Ye Mardo Ke
Duniya Se Nirale Hai

Milte Hi Nazar Pahle
Madhosh Banate Hai
Phir Chand Se Chehare Ko
Aanchal Me Chhupate Hai
Milte Hi Nazar Pahle
Madhosh Banate Hai
Phir Chand Se Chehare Ko
Aanchal Me Chhupate Hai
Do Rangi Ada Inki Ab Tak
Koi Na Samjha
Kuch Phul Bhi Rakhte Hai
Kuch Khar Bhi Kale Hai
Kuch Phul Bhi Rakhte Hai
Kuch Khar Bhi Kale Hai
Ye Pyar Ke Dhokhe Me
Dil Lutnne Wale Hai
Andaz Ye Mardo Ke
Duniya Se Nirale Hai

Aaj Hamse Kiye Wade
Kal Unse Mohabbat Ki
Khate Hai Kasam Jhuti
Din Rat Sharafat Ki
Aaj Hamse Kiye Wade
Kal Unse Mohabbat Ki
Khate Hai Kasam Jhuti
Din Rat Sharafat Ki
Dildar Na Puchho Tumko
Duniya Me Aane Diya Kaise
Allah Ki Kasam Ye To
Dil Todne Wale Hai
Allah Ki Kasam Ye To
Dil Todne Wale Hai
Upar Se Bade Gore
Andar Se Ye Kale Hai
Andaz Hasino Ke
Duniya Se Nirale Hai

Aawaz Ye Kahti Hai
Dil Tod Diya Tumne
Aawaz Ye Kahti Hai
Dil Tod Diya Tumne
Kya Hamne Bigada Hai
Kyu Chhod Diya Tumne
Ab Soch Samjh Ke Tum
Najdik Mere Aana
Talwar Kamar Me Hai
Aur Hath Me Bhale Hai
Talwar Kamar Me Hai
Aur Hath Me Bhale Hai
Talwar Kamar Me Hai
Aur Hath Me Bhale Hai
Talwar Kamar Me Hai
Aur Hath Me Bhale Hai.

Song lyrics : Ek Baat Meri Manoge Sanam

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Singer : Asha Bhosle
Music Director : Chitragupta Shrivastava
Writer : Farooq Qaiser

Ek Bat Meri Manoge Sanam
Itna Na Mujhe Tum Pyar Karo
Ek Bat Meri Manoge Sanam
Duniya Na Mujhe Badnam Kare
Duniya Na Mujhe Badnam Kare
Bas Itna Karam Din Rat Karo
Ek Bat Meri Manoge Sanam
Itna Na Mujhe Tum Pyar Karo
Ek Bat Meri Manoge Sanam

Bhule Fija Gam Ya Rakh Do Kadam
Aa Jaye Bahare Hanske Sanam
Bhule Fija Gam Ya Rakh Do Kadam
Aa Jaye Bahare Hanske Sanam
Aa Jaye Bahare Hanske Sanam
Tum Chaho Jise Guljar Karo
Tum Chaho Jise Guljar Karo
Ek Bat Meri Manoge Sanam
Itna Na Mujhe Tum Pyar Karo
Ek Bat Meri Manoge Sanam

Ek Pal Bhi Mile Na Chain Mujhe
Tadpaye Tumhare Nain Mujhe
Ek Pal Bhi Mile Na Chain Mujhe
Tadpaye Tumhare Nain Mujhe
Tadpaye Tumhare Nain Mujhe
Dil Bhar Ke Sitam Sar Aankho Par
Tum Aise Sitam Sau Bar Karo
Ek Bat Meri Manoge Sanam
Itna Na Mujhe Tum Pyar Karo
Ek Bat Meri Manoge Sanam.

Song lyrics : Chori Chori Aap Pe Dil Aaya

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Singer : Asha Bhosle, Usha Mangeshkar
Music Director : Chitragupta Shrivastava
Writer : Farooq Qaiser

Chori Chori Aap Pe Dil Aaya
Uff Tauba Tauba
Chori Chori Aap Pe Dil Aaya
Uff Tauba Tauba
Kaisa Kaisa Pyar Ne Tadpaya
Uff Tauba Tauba
Chori Chori Aap Pe Dil Aaya

Banke Sawar Ke Dekha
Banke Sawar Ke Dekha
Jadu Chala Na Koi
Kya Kya Na Karke Dekha
Kya Kya Na Karke Dekha
Dil Ko Bh Samjhaya
Chori Chori Aap Pe Dil Aaya
Uff Tauba Tauba
Kaisa Kaisa Pyar Ne Tadpaya
Uff Tauba Tauba
Chori Chori Aap Pe Dil Aaya

Darte Ho Dil Hi Dil Me
Mare Na Duniya Tana
Darte Ho Dil Hi Dil Me
Mare Na Duniya Tana
Roka Hajar Maine
Aankho Ne Hanske Mana
Aankho Ne Hanske Mana
Dil Ne Jo Farmaya
Chori Chori Aap Pe Dil Aaya
Uff Tauba Tauba
Kaisa Kaisa Pyar Ne Tadpaya
Uff Tauba Tauba
Chori Chori Aap Pe Dil Aaya

Thoda Sa Bholapan Hai
Thoda Sa Bankpan Hai
Thoda Sa Bholapan Hai
Thoda Sa Bankpan Hai
Chhup Chhup Ke Dekhu Tumko
Mera Diwanapan Hai
Mera Diwanapan
Ab Duniya Se Takraya
Chori Chori Aap Pe Dil Aaya
Uff Tauba Tauba
Kaisa Kaisa Pyar Ne Tadpaya
Uff Tauba Tauba
Chori Chori Aap Pe Dil Aaya.

Song lyrics : Bairi Balma Mora

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Singer : Asha Bhosle, Usha Mangeshkar
Music Director : Chitragupta Shrivastava
Writer : Farooq Qaiser

Bairi Balma Mora Jiya Liye Jaye
Koi Bataye Ab Kya Hoga
Jiya Leke Chala Daga Deke Chala
Badi Mushkil Me Haye Ab Kya Hoga Re
Bairi Balma Mora Jiya Liye Jaye
Bairi Balma Mora Jiya Liye Jaye
Koi Bataye Ab Kya Hoga

Khel Nahi Pyar Nibhana
Bhola Dil Bairi Zamana
O Samne Jab Aayi Sawariya
Bhul Gayi Aankhe Churana
Khel Nahi Pyar Nibhana
Bhola Dil Bairi Zamana
O Samne Jab Aayi Sawariya
Bhul Gayi Aankhe Churana
Phir Mari Sitam Itne Uthaye
Ab Kya Hoga Re
Bairi Balma Mora Jiya Liye Jaye
Bairi Balma Mora Jiya Liye Jaye
Koi Bataye Ab Kya Hoga

Pir Laga O Ho
Mujhko Lage Jaan Se Pyara
Haye Chain Mile Ya Bekarari
Chhed Liyo Sab Hai Gavara
Ab Hoga Kya
Jiya Leke Chala Daga Deke Chala
Bairi Balma Mora Jiya Liye Jaye
Ab Kya Hoga.

Harry & Sejal encourage for Tongue Twister Challenge through conversational ads

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Keeping up the streak of unique promotional ideas, the marketers of JAB HARRY MET SEJAL have been making the most of every platform using it to its full potential.

Over a series of innovations, the makers have introduced to the digital audience, the characters of Harry & Sejal. These innovations include FB chat bot, customised posters, travel map & postcards, camera effects on Facebook. The latest to join this interesting list is the Twitter Conversational Ads. With this, JAB HARRY MET SEJAL becomes the first Indian film to use Conversational Ads feature on Twitter. Shah Rukh Khan and Anushka Sharma who play the characters of ‘Harry’ & ‘Sejal’ respectively have taken up the tongue twister challenge and they encourage the audiences to do the same.

SRK, who plays a Punjabi character, Harry in the film aces a Punjabi tongue twister like a pro. Anushka Sharma, playing a Gujarati character Sejal pulled off a Gujarati tongue twister quickly and effortlessly. It's quite exciting for fans to watch them candidly attempt this fun challenge.

The contest appears on Twitter with a teaser video, following which there are two options for users to choose: #HarrysChallenge #SejalsChallenge 

Fans have to tweet with the challenge hashtag they want to see first by selecting these. The video will then pop up as per their selection. The fans can then try these tongue twister challenges themselves.

Harry's Punjabi or Sejal's Gujarati? Which Tongue Twister Challenge are you up for? Take your pick! @RedChilliesEnt

Produced by Red Chillies Entertainment, Jab Harry Met Sejal is slated to release on the 4th of August, 2017

Remembering Rajesh Khanna: The most KAABIL superstar!

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Kaka.. aka Rajesh Khanna – the ‘original’ King of Romance and India’s first superstar has surprisingly remained an inspiration. Be it the icon for the icons like Amitabh Bachchan, King of Romance Shah Rukh Khan. Even one of Rajesh Khanna starrer draws an uncanny resemblance with a Hollywood blockbuster. Certainly Rajesh Khanna is the most KAABIL’ superstar India ever had.

RAJESH KHANNA

Today on his 5th death anniversary, we underline and highlight in bold the charisma, aura he had on people who during his hey days was nothing short of hysteria all around.  It’s overwhelmingly surprising to note that today Rajesh Khanna holds significance not only in the life of the Shahenshah and Baadshah of Bollywood but to a common movie enthusiast like me who was first awed by the charm of Rajesh Khanna, he was my hero before Mr. Bachchan. Big B with his supremely distinguished Angry Young Man avatar knocked the pleasant looking and charming Kaka out from the race like his famous left punch that knocked his opponents in his movies. Romance was out and action was in but the same Mr. Bachchan who knocked Kaka away always dreamt to be a ‘star’ like him and was amongst the first who rushed to pay his homage to the superstar when he passed away. In fact Bollywood from today, and those days when Kaka was at his peak paid their homage. Perhaps, even Rajesh Khanna couldn’t have imagined such a turnaround.

Romance bounced back again with SRK and the audience like me who once admired Rajesh Khanna as a small kid without understanding the meaning of his films and what is stardom and love, was now a college going guy and awed by the infectious charm of King Khan Shah Rukh Khan in DDLJ. Amitabh Bachchan remained the ultimate no.1 choice but the world was changing and globalization during the 90’s gave DDLJ that brought cross culture love (NRI love stories) on celluloid a new life to love on reel and may be in reality as well in some cases.  With a little more understanding of movies by now, I am still surprised to find SRK in his illustrious career has adapted Rajesh Khanna trademark mannerism in his on screen romanticism to such a winning effect!

Not many people know – King Khan Shah Rukh Khan also hailed as the King of Romance has adapted the trademark mannerism of the ‘original’ King of Romance in his on screen romanticism.

The famous tilted nod especially seen in SRK’s chartbusters is similar to Rajesh Khanna's trademark tilted shake/nod of face; we have him repeatedly repeating in his songs and during the end of his dialogue deliveries!

Pages can be written on Rajesh Khanna’s moody ways and his stardom, those times actors had their own style, swag and mannerisms and Kaka’s titled nod was something quite cute and original. Today’s generations biggest stars lack this phenomenon and no doubt find themselves in that ‘insecurity’ zone.

Today when the world is observing the 5th death anniversary of India’s first ‘superstar’ Rajesh Khanna, an interesting update on Hrithik Roshan’s KAABIL is making headlines. Hrithik Roshan when he debuted in the year 2000 with KAHO.. NA PYAAR HAI, became an overnight sensation with some people comparing his fan following with the hysteria surrounding Rajesh Khanna but that was very short lived. Hrithik’s KAABIL has got one of top Hollywood studio interested in its remake.

Interestingly, Rajesh Khanna’s debut AAKHRI KHAT the 1966 film by Chetan Anand is lost in the memory even after India’s entry for the Best Foreign Language Film at the 40th Academy Awards in 1967, Rajesh Khanna’s debut which was earned by the actor as a prize for winning the United Producers Talent Contest starred as the city-based sculptor. AAKHRI KHAT is said to have inspired Hollywood's 1994 blockbuster BABY’S DAY OUT. Like the Hollywood movie, AAKHRI KHAT centered on the heroic escapades of a fifteen-month-old wandering the city streets, Rajesh Khanna played the second fiddle to the child played by Master Bunty.

But later he went on to win hearts and ruled the way nobody has done before and probably will not be done by anyone in near future. The ‘Anand’ to see him on screen is incomparable and still intact. The superstar mastered the art of dying on screen in classics like ANAND, SAFAR, etc only to remain immortal forever.

As Mr. Bachchan puts it in the eternal classical ANAND – ANAND marta nahi, ANAND marte nahi…

Long live Kaka aka Rajesh Khanna: The most KAABIL superstar who inspired Mr. Bachchan and Shah Rukh Khan