For years, Emraan Hashmi ruled Bollywood’s charts and box office alike. Known for hits like Zeher, Awarapan, and Jannat, he was once one of the industry’s most bankable stars. But at the peak of his career, Emraan made the unexpected decision to step away from the limelight — not for lack of success, but for something far more personal. A single afternoon in 2014 changed his life forever.

Emraan opened up about the devastating moment he learned that his young son, Ayaan, had been diagnosed with Wilms’ Tumour, a rare form of kidney cancer. What began as a normal family outing quickly turned into a nightmare no parent ever imagines.

“On January 13, 2014, we had gone for brunch,” Emraan recalled. “We were eating pizza with my son when the first symptom appeared. He passed blood in his urine. Within three hours, we were in a doctor’s clinic. The doctor told us our son had cancer. He needed surgery the very next day, followed by chemotherapy.”

The actor described how his world collapsed in a matter of hours. “My entire life flipped within 12 hours,” he said. Calling it the most difficult phase of his life, Emraan admitted that no words could truly express what he felt at the time. Suddenly, stardom, success, and professional ambitions took a back seat. His only focus became his son’s survival.

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The treatment journey was long and exhausting. Ayaan underwent surgery and chemotherapy, followed by years of close medical monitoring. The ordeal lasted nearly five years, a period during which Emraan largely withdrew from films, choosing instead to be a constant presence for his family. It was a test of patience, strength, and faith — one that reshaped his outlook on life completely.

Emraan married Parveen Shahani in December 2006 after six and a half years of dating. Their son Ayaan was born on February 3, 2010. After years of relentless treatment and hope, the family finally received the news they had prayed for — in January 2019, Ayaan was declared cancer-free.

Today, as Emraan reflects on that chapter, he speaks not as a movie star, but as a father whose priorities were rewritten overnight. His story stands as a powerful reminder that behind the glamour of cinema lie real struggles, real fears, and extraordinary resilience.

The excitement surrounding Tu Yaa Main is growing by the day, and the recently released trailer has only heightened audience curiosity. Starring Adarsh Gourav and Shanaya Kapoor, the film promises a unique blend of romance, suspense, and unexpected thrills. Now, a fresh update reveals another exciting layer to the project — Adarsh Gourav is not just acting in the film but also lending his soulful singing voice to its soundtrack.

In a significant creative milestone, Adarsh has sung three songs for Tu Yaa Main, marking an important step in his artistic journey. One of these tracks, which he has also co-composed, is set to be released on January 28, giving fans a taste of the film’s musical soul ahead of its theatrical debut. Sharing his excitement, Adarsh said, “It was an amazing experience to sing for Tu Yaa Main. I’ve done singles and covers before, but this film feels very different creatively. Singing three songs and co-composing one makes it extra special. Each track has its own vibe, and together they reveal a side of my journey that audiences haven’t seen yet. I’m really excited for everyone to hear the first song.”

The film is directed by Bejoy Nambiar, known for his genre-defying storytelling and visually striking narratives. Production is led by Aanand L Rai and Himanshu Sharma under Colour Yellow Productions, along with Vinod Bhanushali and Kamlesh Bhanushali of Bhanushali Studios Limited. Tu Yaa Main is scheduled to hit cinemas during Valentine’s Week on February 13, setting the stage for a love story with a dangerous twist.

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In the film, Shanaya Kapoor plays a glamorous social media influencer known as Miss Vanity, while Adarsh Gourav portrays Aalaa Flowpura, a small-town content creator from Nalasopara. Their worlds collide through a social media collaboration that quickly blossoms into romance. However, the dreamy tone takes a dark turn when the couple embarks on a trip together.

The trailer reveals a shocking twist — Shanaya’s character discovers a crocodile in the swimming pool of a secluded villa where they are staying. From that moment, the narrative spirals into fast-paced chaos. Panic sets in as the couple finds themselves trapped, fighting for survival while being repeatedly attacked by the predator. The shift from romance to survival thriller has left viewers intrigued and eager to know how the story unfolds.

Adding music, mystery, romance, and terror into one gripping package, Tu Yaa Main is shaping up to be an unconventional cinematic experience. With Adarsh Gourav’s voice adding emotional depth and Shanaya Kapoor stepping into a bold new role, the film promises to keep audiences hooked — both musically and emotionally.

Director Atlee has finally addressed the speculation surrounding Jawan 2, confirming that a sequel toShah Rukh Khan’s 2023 blockbuster is not happening anytime soon. In a recent interview, the filmmaker clarified that while he fully intends to collaborate with SRK again, it won’t be for Jawan 2 in the near future.

Speaking to Hindustan Times, Atlee shared, “I think Shah Rukh sir and I will definitely work on something together. But Jawan 2, I personally feel, will happen some years later. It’s not the immediate next project. When the right flow comes, we’ll look into it.” His statement has put to rest ongoing rumours that the sequel was already in development.

Adding fuel to speculation, fans had also wondered if Atlee would be directing Don 3, the much-awaited reboot of the iconic franchise starring Shah Rukh Khan. However, the director quickly dismissed those claims. “Oh oh! That’s a rumour. I also read it. No no, nothing like that,” he said, laughing off the reports.

Atlee also opened up about his admiration for Shah Rukh Khan during a recent public appearance, where he was asked to pick the best pickleball partner among the actors he has worked with. Without hesitation, he named SRK. “All my heroes are great players, but Shah Rukh sir is into sports with KKR. He’s into cinema, he’s on shooting schedules, and still finds time for coaching, planning, and team strategy. I’m inspired by him. That’s why I’d call him my partner,” Atlee said, highlighting SRK’s multitasking brilliance.

Released in 2023, Jawan went on to become a historic box office phenomenon. The film told the gripping story of a prison warden who joins forces with inmates to expose corruption and injustice through daring missions. Shah Rukh Khan delivered a powerhouse performance in dual roles — Captain Vikram Rathore, an ex-commando, and Azad, the jailer of a women’s prison and Vikram’s son.

The film’s mix of high-octane action, emotional depth, and strong social messaging struck a chord with audiences nationwide. Jawan went on to collect over ₹600 crore at the domestic box office, becoming India’s highest-grossing film of the year.

While fans may have to wait longer for Jawan 2, Atlee’s confirmation that another SRK collaboration is in the pipeline is enough to keep excitement alive. For now, the blockbuster duo is simply waiting for the right story — and the right moment — to reunite on screen.

Diljit Dosanjh is winning widespread praise for his performance in Border 2, with audiences applauding his acting range, comic timing, and emotional depth. However, the road to his casting in the film was not without controversy. Last year, online backlash erupted after Diljit featured Pakistani actress Hania Aamir in Sardaarji 3, leading some to demand his removal from Border 2. Now, producer Bhushan Kumar has finally addressed why the makers stood by the actor despite the pressure.

In an interview with Hindustan Times, Bhushan Kumar revealed that the team refused to bow down to social media outrage. “We were lucky to get all the actors on board. We had already started filming when the pressure came. If a company like ours starts replacing actors because of trolls, then we shouldn’t be making movies,” he stated firmly. His words underline the production house’s decision to prioritize artistic integrity over online noise.

Director Anurag Singh also defended Diljit, criticizing how quickly people form assumptions. “You watch him on screen or in interviews, but you don’t know him personally or his beliefs. People assume things and start saying anything. But he isn’t what they think he is,” Singh explained, emphasizing that the actor was unfairly judged based on misinformation.

Directed by Anurag Singh, Border 2 is set against the backdrop of the 1971 India–Pakistan war, but expands its storytelling far beyond the original Border. This time, the film brings together the Army, Air Force, and Navy, portraying a large-scale coordinated military operation. At the heart of the story is Sunny Deol’s character, Lt Col Fateh Singh Kaler — a commanding officer who acts as mentor, leader, and emotional backbone to a younger group of soldiers portrayed by Varun Dhawan, Diljit Dosanjh, and Ahan Shetty.

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The film has received strong critical feedback. News18 Showsha awarded Border 2 four stars, praising its emotional depth. A portion of the review noted, “The emotional core is where Border 2 scores its biggest win. The camaraderie between the younger actors feels natural, not written for effect. Sunny Deol is a pleasant surprise in quieter moments — joking, smiling, and teasing his men adds warmth. When the big speeches arrive, they feel earned.”

However, the review also acknowledged minor flaws. The film’s lengthy runtime occasionally tests patience, certain romantic sequences feel stretched, and some war scenes could have been sharper. Additionally, while most action sequences are impactful, a few naval VFX shots lack realism. Still, critics agree that the film’s biggest strength lies in its emotional resonance rather than spectacle alone.

Despite early controversy, Diljit’s presence has proven to be a winning choice — both creatively and commercially — as Border 2 continues to strike a chord with audiences nationwide.

The music industry and millions of fans are still coming to terms with Arijit Singh’s surprising decision to retire from playback singing. The announcement, made by the celebrated singer earlier this week, has sent shockwaves across Bollywood and beyond, marking the end of an era defined by soulful melodies, emotional depth, and an unmistakable voice that became the soundtrack of a generation.

While several celebrities, including Shreya Ghoshal, Chinmayi, and Shilpa Rao, expressed shock and sadness over the news, many also lauded Arijit for having the courage to step away at the peak of his career. Now, veteran filmmaker Mahesh Bhatt has shared his thoughts, offering a deeply philosophical perspective on the singer’s decision.

Speaking to The Telegraph Online, Mahesh Bhatt reflected on the nature of artistic journeys and the need for introspection. “At the height of their powers, some artists step away — not from art but from noise,” Bhatt said. “They choose silence, solitude, and truth over constant performance.” His words resonated with many who see Arijit’s move not as an end, but as a conscious pause rooted in self-awareness.

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Bhatt also revisited his earliest memory of Arijit Singh, taking listeners back to the moment when the singer’s extraordinary journey truly began. He recalled meeting Arijit during the making of Aashiqui 2, the 2013 romantic musical that Bhatt produced and which went on to redefine Bollywood music.

“When I heard about Arijit’s decision to stop singing for others, I was unexpectedly taken back to an afternoon at Super Sound Service in Khar—the old T-Series building—where the journey of Aashiqui 2 truly began,” Bhatt shared. He described the music launch where Arijit was invited to sing Tum Hi Ho, a song that would soon become a cultural phenomenon.

“A shy, self-effacing young man walked up to the dais and sang a song that would quietly mesmerise the world,” Bhatt recalled. “That moment became a springboard into a life that would never be the same again.” The song catapulted Arijit into superstardom and cemented his place as one of the most sought-after playback singers in the country.

Arijit stunned fans on Tuesday evening when he announced that he would no longer accept new assignments as a playback vocalist. Sharing a heartfelt note on Instagram, the singer expressed gratitude and calm acceptance as he closed this chapter of his career.

“Hello, Happy New Year to all,” Arijit wrote. “I want to thank you all for giving me so much love all these years as listeners. I am happy to announce that I am not going to be taking any new assignments as a playback vocalist from now on. I am calling it off. It was a wonderful journey.”

The announcement triggered an outpouring of emotion online, with fans expressing disbelief, heartbreak, and gratitude in equal measure. Many acknowledged that Arijit’s voice had been a constant companion through their happiest and most painful moments.

Over the years, Arijit Singh delivered an extraordinary catalogue of songs that shaped modern Hindi film music. From the aching romance of Tum Hi Ho and Channa Mereya to the quiet longing of Agar Tum Saath Ho and Raabta, his voice carried emotional authenticity that few could replicate. Tracks like Ae Dil Hai Mushkil, Kesariya, Tera Yaar Hoon Main, and Tujhe Kitna Chahne Lage further showcased his range, vulnerability, and command over melody.

His most recent work includes Hum To Tere Hi Liye The from Vishal Bhardwaj’s upcoming film O Romeo, as well as Ghar Kab Aaoge from Border 2, now being remembered as some of his final playback contributions.

As Mahesh Bhatt’s words suggest, Arijit Singh’s departure from playback singing may not signify a withdrawal from music itself, but rather a step toward inner quiet and artistic truth. Whether he returns in a different form or remains silent, his legacy is already etched deeply into the heart of Indian cinema.

For fans and the industry alike, Arijit Singh’s voice may step back from the recording studio, but its echo will continue to linger for generations.

Actor Prabhas recently took to social media to shower praise on Rasha Thadani for her singing debut in the song Chaap Tilak from her upcoming film Laikey Laikaa. The warm gesture from the pan-India superstar delighted fans and added to the growing buzz around Rasha’s artistic journey, as she continues to explore new creative avenues in cinema.

Sharing a video of Rasha performing Chaap Tilak on his Instagram Stories, Prabhas congratulated the young actor-singer with a heartfelt note. “Such a lovely singing debut @rashathadani,” he wrote. “Your performance in #ChaapTilak is honest, heartfelt and comes straight from the heart.” He ended the message with a congratulatory note and a white heart emoji, further highlighting his appreciation for her effort.

Touched by the gesture, Rasha re-shared Prabhas’ post on her own Instagram Stories and responded with warmth and gratitude. “Prabhas sir,” she wrote, followed by a red heart and folded hands emoji, adding, “Forever grateful!!” The exchange quickly caught fans’ attention, with many applauding the mutual admiration and encouragement between the actors.

In the music video for Chaap Tilak, Rasha showcases her vocal abilities alongside singer IP Singh. The song has been composed by the band Faridkot, comprising Rajarshi Sanyal and IP Singh, while the lyrics have been penned by the celebrated writing duo Sidharth-Garima along with Singh. The track highlights a soulful, emotional tone, allowing Rasha to present a more personal and expressive side of her artistry.

Ahead of the song’s release, Rasha had already shared her excitement with fans. Taking to Instagram Stories, she wrote, “My first song, with all your blessings,” expressing both gratitude and anticipation. The release of Chaap Tilak marks an important milestone in her career, as she steps beyond acting to explore music as a form of storytelling.

The buzz around Laikey Laikaa had already begun building after the makers unveiled the film’s first-look poster. Shared by Phantom Studios on Instagram, the striking image featured the blood-drenched shoes of a boy and a girl standing on a staircase, hinting at an intense and emotionally charged narrative. Accompanying the poster, the production house wrote a brief but intriguing caption: “Earn Love!”

Soon after, a series of character posters were released, offering glimpses into the world of the film and the relationship between Rasha and co-star Abhay Verma. Abhay was last seen in the horror-comedy Munjya, which also featured Mona Singh and Sathyaraj. Directed by Aditya Sarpotdar, the film was well received for its performances and storytelling, further raising expectations for his role in Laikey Laikaa.

Rasha Thadani made her Bollywood debut with Azaad in 2025, a period drama set in pre-independence India. Directed by Abhishek Kapoor, the film also starred Ajay Devgn and earned praise for its powerful performances and engaging narrative. Rasha’s debut was noted for its confidence and screen presence, positioning her as a promising new face in the industry.

Meanwhile, Prabhas continues to remain one of Indian cinema’s most sought-after stars. He was recently seen in The RajaSaab, a Telugu horror-comedy directed by Maruthi, which featured an ensemble cast including Sanjay Dutt, Nidhhi Agerwal, Malavika Mohanan, Riddhi Kumar, and Zarina Wahab. Fans are eagerly awaiting his next project, Spirit, directed by Sandeep Reddy Vanga, where he will share screen space with Triptii Dimri.

With Chaap Tilak, Rasha Thadani not only adds another feather to her cap but also signals her willingness to experiment and grow as a performer. Encouragement from a star like Prabhas has only strengthened the excitement around her journey, as audiences look forward to seeing—and now hearing—more from her in the future.

Actor Ranveer Singh has landed in legal trouble following a controversy surrounding his public remarks and stage performance at the International Film Festival of India (IFFI) 2025. Months after facing criticism online, an FIR has now been registered against the actor at the High Grounds Police Station in Bengaluru, as reported by NDTV. The complaint alleges that Ranveer insulted Hindu religious sentiments and disrespected the Chavundi Daiva tradition of coastal Karnataka.

According to the FIR, the case has been registered under Sections 196, 299, and 302 of the Bharatiya Nyaya Sanhita (BNS). The complaint was filed by Bengaluru-based advocate Prashanth Methal, who accused the actor of making derogatory remarks and performing a mocking stage act that allegedly demeaned sacred elements of the Daiva worship tradition.

The incident in question reportedly took place on November 28, 2025, during the closing ceremony of IFFI in Goa. Actor Rishab Shetty, whose film Kantara: A Legend – Chapter 1 draws heavily from the Daiva worship traditions of Karnataka’s coastal belt, was also present at the event. Ranveer Singh took to the stage and imitated a Daiva possession scene performed by Rishab in the Kantara films, which soon sparked backlash from sections of the audience and social media users.

In his complaint, advocate Prashanth Methal alleged that Ranveer imitated expressions associated with Panjurli and Guliga Daiva in a crude, comical, and derogatory manner. The complaint further claimed that Ranveer referred to Chavundi Daiva as a “female ghost,” a description the complainant said was deeply offensive and factually incorrect. According to the advocate, Chavundi Daiva is a revered guardian deity symbolising divine feminine energy in the coastal regions of Karnataka, and referring to the deity as a ghost amounted to a serious misrepresentation.

The FIR stated that such remarks and actions hurt the religious sentiments of devotees who hold the Daiva tradition sacred. The complainant maintained that the stage act trivialised an ancient spiritual practice and crossed the line between appreciation and mockery.

The matter has now been referred to the 1st Additional Chief Metropolitan Magistrate (CMM) Court in Bengaluru and is scheduled for a hearing on April 8. Notably, a private complaint had been filed earlier on December 27 last year before the Additional Judicial Magistrate in Bengaluru. Subsequently, on January 23 this year, the court directed the High Grounds Police Station to register an FIR under Section 175, clause 3 of the Bharatiya Nyaya Sanhita, leading to the current proceedings.

Following widespread criticism and outrage on social media, Ranveer Singh issued a public apology. In a note shared online, the actor clarified that his intention was never to offend religious sentiments. “My intention was to highlight Rishab’s incredible performance in the film,” Ranveer wrote. “Actor to actor, I know how much it takes to perform that particular scene the way he did, for which he has my utmost admiration.”

He further added, “I have always deeply respected every culture, tradition, and belief in our country. If I’ve hurt anyone’s sentiments, I sincerely apologise.” Despite the apology, the controversy continued to gain traction, with several users calling the act insensitive and disrespectful, particularly given the cultural and spiritual significance of the Daiva tradition.

Videos from the IFFI event that circulated online showed Ranveer praising Kantara Chapter 1 before referring to a scene as one where “the female ghost (Chamundi daiva) enters your body.” He then proceeded to imitate the possession sequence on stage. This reportedly happened despite Rishab Shetty having earlier requested Ranveer not to recreate the act publicly.

While some defended Ranveer’s intent as admiration for a fellow actor’s performance, critics argued that sacred rituals and spiritual traditions should not be reduced to performative mimicry on public platforms. The controversy reignited broader discussions around cultural sensitivity, representation, and the responsibilities of public figures when engaging with religious and traditional practices.

As the legal process unfolds, the case is expected to draw continued attention, especially given the popularity of Kantara and the cultural significance of Daiva worship in Karnataka. All eyes will now be on the upcoming court hearing as authorities examine whether the actor’s actions constitute a legal offence under the Bharatiya Nyaya Sanhita.