AP Dhillon and Shinda Kahlon recently shared their passionate love for the Punjab Kings (PBKS) in an interview with Ranveer Allahbadia, expressing both their admiration and frustration over the team’s inability to win the IPL trophy despite their potential. Dhillon emphasized that the team has always had the talent to clinch the title, but often falls short because they tend to play with emotion rather than strategy.
He jokingly remarked, “Punjab uses their heart, instead of their brains while playing these matches. You can only win such matches, if you use your brains,” suggesting that an emotional approach to the game often results in missed opportunities. This emotional rollercoaster is something the duo, long-time supporters of the team, find both endearing and frustrating.
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Despite this, the duo remains hopeful for PBKS’s future. The 2025 season, in particular, looks promising as the franchise made some exciting acquisitions during the IPL auction earlier this year, sparking hopes that this might finally be the year they secure the coveted trophy. Their most notable achievement came in 2014 when PBKS reached the IPL finals, but heartbreakingly lost to Kolkata Knight Riders.
PBKS discussions in a AP Dhillon podcast Loved that Reply from Shinda ❤️ pic.twitter.com/3SzUOO0UAm
— Dhillon (@sehajdhillon_) December 25, 2024
In the same interview, AP Dhillon also took a swipe at fellow Punjabi artist Diljit Dosanjh over the issue of “sold-out” concerts. Dhillon criticized the way some artists mislead the public by claiming their shows are sold out, suggesting that it’s often a marketing gimmick where promoters are given tickets and fans are left paying inflated prices. He expressed frustration at the manipulation of ticket sales, saying, “Artists are being unfair with their own fans… They sell tickets to promoters… Fans have to wait and buy tickets at higher prices.” Dhillon also shared his commitment to ensuring fans are treated fairly, stating that while others may play the game of manipulated sales, he prefers to keep the relationship with his fans genuine.
Dhillon’s critique highlights a growing concern within the music and entertainment industry about transparency and fairness in ticket sales, while also showcasing his desire to keep music authentic and enjoyable for the fans who support the artists.
