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Imran Khan Explains His Unique Take On Success In Films

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Actor Imran Khan recently spoke about how he views competition and comparisons in the film industry. After making a return to acting, he shared that he has never believed in treating cinema as a competitive field.

In an interview on The Right Angle with Sonal Kalra, Season 3, produced by Gautam Thakker Films, the discussion focused on how actors are often compared to each other. During his earlier years in Bollywood, Imran was frequently compared to actors like Ranbir Kapoor.

Talking about this, Imran explained that he does not agree with the idea of creative competition. “I had never bought into the notion of creative competition. It again reduces cinema and our art form into some kind of a competitive sport and I don’t see that as doing full justice to the films that we make,” he said.

He further shared that films should not be judged only by numbers or comparisons. For him, the emotional impact of a film matters more than its measurable success. “Someone may be emotionally moved by a film, someone may not. That’s fine. But measuring it as a metric of numbers, I have never bought into that. I don’t really subscribe to that,” he added.

Imran also spoke about what motivated him to return to acting after a break. He said that social media and internet trends played a big role in bringing him back. Over the past few years, many fans shared memes and posts remembering his romantic comedy films and asking about him.

“It was the Internet. In the last couple of years, these memes started popping up about where is Imran, life was good when Imran was making romantic comedies and then I kind of felt like telling people I am here and I am doing good. And such appreciation kind of started to stir the creative part of me and I thought I would like to tell more stories,” he said.

For those who may not know, Imran recently made a brief appearance in the film Happy Patel, directed by Vir Das. He will next be seen in Adhoore Hum Adhoore Tum, directed by Danish Aslam and starring Bhumi Pednekar. The film is expected to release later this year, although the exact date has not been announced yet.

Jack Black And Anya Taylor Joy Reveal Why Hosting SNL Feels Scary

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Actors Jack Black and Anya Taylor Joy recently spoke about their experiences of hosting the popular show Saturday Night Live. Both shared that while the opportunity is exciting, it also comes with a lot of pressure and nervousness.

Jack Black, who has hosted the show four times since 2002 and is set to return again, described the experience as both enjoyable and stressful. He said, “It is the best and scariest at the time same time,” and asked if Anya agreed with him.

Anya Taylor Joy, who hosted the show on May 22, 2021, said that she felt both excited and nervous during her time on the show. She explained that she was “terrified” and “thrilled” at the same time. She also said, “I cannot wait to do it again, because I’m hoping that Round 2 is not as scary,”

Jack Black responded by saying that it would not feel as scary the next time.

Anya also spoke about how watching the show while growing up shaped her expectations. Having spent her childhood in London and Buenos Aires, she said, “growing up without SNL, it being something that you could watch and only seeing it on YouTube videos, you really got the feeling that this is how you present yourself to America.”

Jack Black highlighted one particular moment that he finds the most stressful. He said it is the few seconds just before stepping onto the stage. According to him, “It’s all about those 10 seconds before you walk out onto the stage to introduce yourself and introduce the show. It’s crazy. That stress level goes through the roof.”

Anya agreed with him and added that the entire experience feels intense. She said, “those 10 seconds suck.”

She also shared a lighter moment about the backstage area, mentioning the messages written on the dressing room doors, which she remembers fondly.

Both actors also spoke about a staff member named Donna, who helps manage everything behind the scenes. Anya described her by saying, “Donna is the person who is putting you where you are meant to be. She is a magician. I don’t know how she does it.”

Jack Black added that Donna Richards, who has been working on the show since the 1990s, even helped him rest between rehearsals by giving him a pillow. He explained that the schedule during the week is very busy and leaves little time for sleep. He said, “Cause the whole week is a crazy schedule. You don’t have much time to sleep. God bless it, what an amazing experience.”

Jack Black is set to host Saturday Night Live again on April 4, with Jack White as the musical guest.

Janhvi Kapoor Opens Up About Disturbing Online Experience

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Janhvi Kapoor, the talented Bollywood actress, recently shared a disturbing experience from her teenage years that still affects her today. At 15, while in school, she stumbled upon a morphed picture of herself on a porn website. The incident left her shaken, and even now, she faces AI-generated images of herself circulating online.

Janhvi recalled the incident, saying, “I don’t know if it was a deepfake, but it was something like that. I saw a picture of me on a porn site.” She found the picture during an IT class in school, where boys would often visit such sites. “My pictures were on there. And this was in school. So that was a weird experience,” she added.At the time, Janhvi tried to rationalize the incident, thinking it was a cost of being online. “At some point, I was like this is the cost you have to pay. There is no morality in a lot of these things with social media,” she said.

However, her perspective has changed, and she now acknowledges the emotional impact of such experiences. Janhvi admitted that AI-generated images of her still circulate online, deeply affecting her. She feels hesitant to speak out, citing perceptions of privilege and potential backlash. “It upsets me, of course. But I feel like I don’t have that much of a voice to complain,” she said.

Many women in the film industry have also faced similar deepfakes, highlighting the need for change.Janhvi’s experience sheds light on the darker side of social media and the internet. Her story serves as a reminder of the importance of online safety, consent, and respect for individuals’ digital presence. As she bravely shares her story, it sparks a conversation about the need for accountability and support for those affected by online harassment.

Raja Shivaji’ First Look Teaser to Premiere on National Television with Bigg Boss Marathi

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After playing in cinemas and launching digitally, the teaser of the upcoming magnum opus Raja Shivaji, based on the life of Chhatrapati Shivaji Maharaj, will now be shared with audiences across the country on national television tonight on Bigg Boss Marathi. The teaser will make its first national television appearance during the show, hosted by Riteish Vilasrao Deshmukh, turning an already popular evening slot into something even more special.

The teaser peek is scheduled for 8 PM on Colors Marathi, with a simultaneous stream on JioHotstar, giving viewers everywhere a chance to be part of the moment as it unfolds.

Raja Shivaji looks at the life of Chhatrapati Shivaji Maharaj as a living legacy. Directed by Deshmukh, who also takes on the central role, the film has been mounted on a scale never seen before in Marathi cinema. But the biggest draw is his resolute intent to retell the story of a man whose life and legacy continue to inspire generations. Shot across Maharashtra and supported by a strong ensemble, the film focuses as much on the man and his ideals as on the milestones that defined his journey.

For many, the teaser is the first step into a story they’ve grown up hearing, one that still carries meaning today. The choice to unveil it on Bigg Boss Marathi brings that story straight into people’s homes.

Catch the first look tonight at 8 PM and marvel at the story of courage!

Mounted on a grand cinematic canvas, Raja Shivaji features high-octane action, rich world-building, and top technical excellence. With music by the celebrated duo Ajay–Atul and cinematography by internationally acclaimed Santosh Sivan, the film is set to deliver a grand visual spectacle with powerful emotional resonance.

Headlined by Deshmukh, the film amasses a fine ensemble including Sanjay Dutt, Abhishek Bachchan, Vidya Balan, Mahesh Manjrekar, Sachin Khedekar, Boman Irani, Bhagyashree, Fardeen Khan, Jitendra Joshi, Amol Gupte, and Genelia Deshmukh.

Presented by Jio Studios and produced by Jyoti Deshpande and Genelia Deshmukh under the banner of Mumbai Film Company, Raja Shivaji is set to release in cinemas worldwide on May 1, 2026, in Marathi, Hindi, and Telugu ushering in a new era of storytelling that celebrates India’s history with scale, soul, and spectacle.

Project Hail Mary Sees Strong Growth At Indian Box Office In Second Weekend

The Hollywood film Project Hail Mary, starring Ryan Gosling, is performing well at the Indian box office. The science fiction film has shown strong growth in its second weekend, indicating that it is being accepted by the audience.

On its second Friday, the film earned around Rs. 4.50 crore, which is about 35 per cent higher than the previous Friday. The increase was partly supported by the Good Friday holiday, but the film had already been steady during the weekdays. This suggests that the growth is not only because of the holiday, but also due to positive response from viewers.

The film is expected to grow further over the weekend and may record its highest single day collection so far. After nine days in theatres, its total collection stands at around Rs. 34 crore. The second weekend is expected to add about Rs. 18 crore, which could take the total to more than Rs. 47 crore by Sunday.

Based on current trends, the film is likely to cross Rs. 50 crore by Tuesday. Earlier, this number was considered a possible total for its full run, but now it is expected to achieve it much sooner.

Looking ahead, the film’s performance in the coming weeks will be important. In India, Hollywood films usually do well if they are part of a known franchise or based on popular brands. However, some standalone films also perform strongly if they connect with the audience.

A similar example from last year is F1 The Movie, which collected around Rs. 125 crore in India. A large part of its earnings, more than Rs. 35 crore, came after the third week, showing that such films can continue to perform over time.

Project Hail Mary may follow a similar trend. It is expected to cross Rs. 75 crore, and there is a strong possibility that it could reach around Rs. 100 crore depending on how it performs in the next few weeks.

So far, the film is being seen as a rare success among standalone Hollywood releases in India, showing that audience interest can extend beyond franchise based films.

Box Office Collections In India
Week One 8 days Rs. 29.50 crore
2nd Friday Rs. 4.50 crore
Total Rs. 34.00 crore

How supporting actors are stealing the spotlight from Bollywood superstars

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There is something interesting happening in Bollywood right now, and once you notice it, you cannot unsee it. Big stars are still bringing people to theatres, but they are not always the ones people remember when they walk out. Take Animal. It was clearly a Ranbir Kapoor film. He had the main role, the most screen time, and carried the story on his shoulders. The film was a huge success. But when people talked about it later, who did they keep mentioning? It was Bobby Deol. He had limited screen time, barely spoke, yet one song, one presence, and suddenly he became the most talked about part of the film.

Now look at Dhurandhar. Again, a big star like Ranveer Singh leads the film. The movie works, both with critics and at the box office. But the real conversation shifts somewhere else. Akshaye Khanna walks in with a certain style, a small dance step, a unique way of behaving, and suddenly people cannot stop talking about him. Then there is Rakesh Bedi, especially in the final part of the film. His character, his look, and that last stretch leave a strong impact that stays with the audience.

This is not a coincidence. This is a clear pattern.

Earlier, the rule was simple. The hero was everything. The bigger the star, the bigger the memory of the film. Supporting actors were important, but they were never the main takeaway. That is changing now.

Today, people do not consume films the same way. They watch clips, reels, short videos. Attention spans are shorter, and recall is built through moments, not the full story. So even if a hero carries the entire film, it is often one powerful scene or one striking character that people remember and share.

Supporting actors are quietly winning this game. They come in without pressure. They are not expected to carry the whole film. That gives them freedom. They can be louder, more stylish, or even more risky. And when they get it right, they stand out instantly.

Also, let’s be honest, audiences already know what to expect from stars like Ranbir Kapoor or Ranveer Singh. They are brilliant, but they are also familiar. On the other hand, when someone like Akshaye Khanna or Bobby Deol does something unexpected, it feels fresh. And freshness is what people talk about.

Another important point is how these characters are written now. Many supporting roles are designed to have one strong identity. It could be a look, a gesture, a dialogue style, or even just one standout scene. That is enough to make them unforgettable.

But there is also a risk here. If filmmakers start focusing too much on creating viral moments, films can start feeling like a collection of scenes instead of a complete story. The magic works only when the moments come naturally from the story, not when they are forced.

Still, for actors, this is a big opportunity. You do not need two hours of screen time anymore to make an impact. Sometimes, a few minutes are enough if you use them well.

And for the audience, this is actually exciting. It keeps films unpredictable. You walk in for the star, but you might walk out remembering someone else.

Because today, owning a film is not about how long you are on screen. It is about how hard you hit when you are.

BTS – they don’t know ’bout us Song Lyrics

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Song Name – They Don’t Know bout us
Band – BTS

Check out BTS – they don’t know ’bout us Song Lyrics

They don’t know about us
How your voice
Can calm the sea-ea-ea
They know

I can show you love, I can show you
If you wanna know me, what can I do for you?
They keep asking just what was so different
I answer, I don’t know either
Everybody hears the story that they wanna
They popped off ’cause of this one thing, I’m for sure
We just big boys, a.k.a. country kids
Just riding the wave, just shut up, shut up, oh

Hold up, chill, and take a bubble bath, bae (Ayy)
Do the math and go, just say what you say (Just say)
Oh, it’s hard and that we cannot explain (Ayy)
Every time we tryna, tryna explain, we find

They don’t know ’bout us, they don’t know ’bout us (Oh-oh)
They don’t know ’bout us, they don’t know ’bout us (Oh, oh)
Thеy don’t know ’bout us, they don’t know ’bout us (Oh-oh)
They don’t know ’bout us, they don’t know ’bout us

Yеah, damn, ooh, damn right, ooh, damn right (They don’t know)
Yeah, damn, ooh, damn right, ooh, damn right (They don’t know)
Yeah, damn, ooh, damn right, ooh, damn right (They don’t know)
Yeah, damn, ooh, damn right, ooh, damn right (They don’t know)

I can show you love, I can show you
If you wanna know me, what can I do for you? (They don’t)
They keep asking just what was so different
I answer, I don’t know either
Always chasing the easy way out of no reason (Ayy)
Pacific deep in my business, you a slick clown (Uh)
Should I break it down for you, baby?
You don’t need to know, why you so pressed to find out? Ah (Ayy; Woo)
“Those guys are special (Special) among Asians,” ayy
“Some kinda heroic beings (Beings), too hard to break,” uh
Uh, we can’t relate (Late)
We’re just seven people though
Ah, you said we changed? (Changed)
We feel the same, shit

They don’t know ’bout us, they don’t know ’bout us (Oh-oh)
They don’t know ’bout us, they don’t know ’bout us (Oh, oh)
They don’t know ’bout us, they don’t know ’bout us (Oh-oh)
They don’t know ’bout us, they don’t know ’bout us

Yeah, damn, ooh, damn right, ooh, damn right
(They don’t know about us, they don’t know about us; They don’t know)
Yeah, damn, ooh, damn right, ooh, damn right
(They don’t know about us, they don’t know about us; They don’t know)
Yeah, damn, ooh, damn right, ooh, damn right
(They don’t know about us, they don’t know about us; They don’t know)
Yeah, damn, ooh, damn right, ooh, damn right
(They don’t know about us, they don’t know about us)

They don’t know us
How your voice
Can calm the sea-ea-ea

BTS – Aliens Song Lyrics

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Song Name – Aliens
BAND – BTS

Check out BTS – Aliens Song Lyrics

This gon’ be the jam of the year (Ayy)
Everything’s so boring and lame (Lame)
Time goes way too fast, tick-tock, to the stadium, gather up
What else are you worrying about? (Worrying)
Born different, seven aliens (Ayy, ayy)
Green with jealousy, those civilians (Ayy, ayy)
Won’t waste my breath to explain, to the stadium, gather up
What else are you worrying about? (Worrying)

Hello, this your, hello, this your new honey
Clap and shake it to Jungmori rhythm
Oh my God, do I look too funny?
So what? Just move for me, yeah, move for me

From thе Ka-Na to the Ha, watch and learn from us
Yeah, wе aliens
If you wanna hit my house, shoes off at the door
Yeah, we aliens
The nerve on you, shameless
Show some respect, we aliens
Out of the East, the sun’s risin’
Aliens, aliens

Every night, every day (Ooh-ooh, ooh-ooh)
Everything faster (Ooh-ooh, ooh-ooh)
Stay up all night, every day (Ooh-ooh, ooh-ooh)
Yeah, we livin’ that, aliens, aliens
Every night, every day (Ooh-ooh, ooh-ooh)
Everything faster (Ooh-ooh, ooh-ooh)
This era demands us (Ooh-ooh, ooh-ooh)
Yeah, we livin’ that, aliens, aliens

It goes, let me, honey, talk about the business
Everybody know now where the K is
How far are we taking this? Dammit
Still cursing us out? Misfortune turns into blessings
Pardon me, Kim Gu seonsaengnim, tell me how you feel
I’m the only one who can speak English, but that is how we kill
You guys with those big eyes say
Are they for real? For real?

Hello, this your, hello, this your new honey
Clap and shake it to Jungmori rhythm
Oh my God, do I look too funny?
So what? Just move for me, yeah, move for me

From the Ka-Na to the Ha, watch and learn from us
Yeah, we aliens
If you wanna hit my house, shoes off at the door
Yeah, we aliens
The nerve on you, shameless
Show some respect, we aliens
Out of the East, the sun’s risin’
Aliens, aliens

Every night, every day (Ooh-ooh, ooh-ooh)
Everything faster (Ooh-ooh, ooh-ooh)
Stay up all night, every day (Ooh-ooh, ooh-ooh)
Yeah, we livin’ that, aliens, aliens
Every night, every day (Ooh-ooh, ooh-ooh)
Everything faster (Ooh-ooh, ooh-ooh)
This era demands us (Ooh-ooh, ooh-ooh)
Yeah, we livin’ that, aliens, aliens

(One, two) Yeah, we land on it
(One, two) And stand on it
(One, two) Stamp it, put that stamp on it
Stamp on it, stamp on it
(One, two) Yeah, we land on it
(One, two) And stand on it
(One, two) Stamp it, put that stamp on it
Stamp on it, stamp on it

Dacoit Ek Prem Katha Isn’t What It Looks Like

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There is something quite unusual about Dacoit: Ek Prem Katha, and it is not really what the title makes you expect. When you first hear the name, you think it will be a typical story about dacoits, love, revenge, and drama set in a rural backdrop. Hindi films have explored this space many times before, often making it larger than life or emotional in a very familiar way. But this film seems to be going in a different direction. Instead of making the dacoit look heroic or larger than life, it is trying to show him as a flawed human being. It is trying to understand his mind, his emotions, and his choices in a more real and uncomfortable way. That simple change in approach makes the film feel very different from what we are used to seeing.

At the center of the film is Adivi Sesh, who has built a reputation for being deeply involved in his work. He is not just acting here. He is also shaping the character and the way the story unfolds. His role is not designed to be a typical hero that the audience easily likes. Instead, it is someone the audience may question and even judge. This is quite different from the usual style where heroes are simplified and made easy to root for.

Opposite him, Mrunal Thakur appears to have a strong and important role. She is not just reacting to what is happening around her. She is actually driving the story forward. Her character is not necessarily meant to be soft or traditionally likeable. She seems to be someone who takes strong decisions, and those decisions shape the emotional journey of the film.

Then there is the director, Shaneil Deo, who comes from a cinematography background. This is important because it usually means the film will focus a lot on visuals and mood. It may tell parts of the story through images rather than long dialogues. While this can make the film feel more real and immersive, it can also be a challenge because audiences often expect clear and direct storytelling.

From a trade point of view, what makes this film interesting is the gap between how it looks and what it actually is. The title sounds simple and massy, something that a wide audience can easily connect with. But the actual treatment of the story seems deeper and more intense. This difference can work in two ways. It can either surprise the audience in a good way or create confusion if expectations are not met.

There is also a bigger trend being tested here. Instead of relying on scale, big visuals, or larger than life storytelling, this film seems to focus on performances, writing, and emotions that are not always comfortable. At a time when pan India films are often associated with grand visuals, this film is asking whether strong emotions and honest storytelling can connect just as well.

The result of this experiment will matter not just for this film but for many others that may follow. Because sometimes the bigger challenge is not making a grand film. The bigger challenge is making a truthful one.

Kanye West – WHATEVER WORKS Song Lyrics

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Song Name – WHATEVER WORKS
Singer – Kanye West

Check out Kanye West – WHATEVER WORKS Song Lyrics

I always wish you would s—
I always wish you would stop and—

Had a change of heart, I felt different at first
Lot of pain, lot of hurt, but still, could’ve been worse
In a big city, in pole position, when you reverse
She had that new convertible, the Lil Uzi Vert
Down payment on the cars that you love went on her purse
Go to work or whatever she said, whatever works

Unemployed, early in the story, I was startin’ off
Had the Ford Focus before I couldn’t afford a car
Now she finna throw it like she do it for an Audemar
Meetin’ with some ministers and kings, I was noddin’ off
Havеn’t seen a king that was royal as my daughters are
All fallin’ for the fakе news, man, I’m loggin’ off
They sent shots while we spin blocks in an armored car
Now they want the tea ’cause it’s pipin’ hot
Life gave me lemons, made an Arnold Palmer on the rocks
I feel like Arnold Schwarzenegger
Contract terminator on the spot
They wanna back and forth, I’d rather not
Yeezy airbags when I’m crashin’ out
They gon’ hate it with a passion now, I love it
Man

Had a change of heart, I felt different at first
Lot of pain, lot of hurt, but still, could’ve been worse, man
It still could’ve been worse
In a big city, in pole position, when you reverse
She had that new convertible, the Lil Uzi Vert
Down payment on the cars that you love went on her purse
Go to work or whatever she said, whatever works, works

Whatever works, works
Uh, whatever works, works
Whatever works, works
Whatever works, works
Whatever works, works
Whatever works, works
Whatever works, works
Whatever works, works