After setting an upbeat and youthful tone with Aashiqon Ki Colony, Sajid Nadiadwala’s O’Romeo shifts gears to unveil the teaser of its next romantic track, Ishq Ka Fever. The song, sung by Arijit Singh, arrives as a gentle, emotionally rich offering—one that quietly reminds listeners why his voice has come to define love songs for an entire generation. Intimate, aching, and profoundly human, Ishq Ka Fever captures the fragile beauty of love in its most vulnerable form.

What makes the song’s arrival even more evocative is its timing. Coming at a moment when Arijit Singh has spoken publicly about stepping away from playback singing, Ishq Ka Fever carries an added layer of poignancy. It feels less like just another romantic track and more like a heartfelt expression—an echo of the emotional depth and sincerity that have long been central to his musical identity. Each note is restrained yet powerful, allowing silence and subtlety to speak as loudly as melody.

Adding to the song’s quiet magic is a recently surfaced glimpse of celebrated filmmaker and composer Vishal Bhardwaj jamming on Ishq Ka Fever alongside Arijit Singh and Rekha Bhardwaj. That candid moment, filled with warmth and creative intimacy, reflects the soul of the song itself. It offers a rare look into the collaborative process behind the music—one driven not by spectacle, but by shared emotion and instinctive understanding.

This emotional tenderness seamlessly flows into the on-screen world of O’Romeo, where Shahid Kapoor and Triptii Dimri bring the song to life through unspoken glances and understated expressions. Their chemistry is quiet yet compelling, allowing the music to do much of the emotional storytelling. Rather than dramatic declarations, Ishq Ka Fever relies on what is felt but not said, making the romance feel personal and deeply relatable. The song lingers, not because it demands attention, but because it gently earns it.

The emotional depth of Ishq Ka Fever is further enriched by the coming together of three legendary creative voices—Vishal Bhardwaj, Gulzar, and Arijit Singh. Each brings a distinct sensibility to the song, resulting in a composition that feels both timeless and intimate. Gulzar’s poetic lyricism adds layers of meaning without excess, Vishal Bhardwaj’s composition balances restraint with emotional weight, and Arijit Singh’s voice binds it all together with raw sincerity. Together, they craft a love song that transcends trends and speaks directly to the heart.

O’Romeo, presented by Nadiadwala Grandson Entertainment and directed by Vishal Bhardwaj, promises to be a romantic drama shaped by emotion, music, and nuanced storytelling. With Ishq Ka Fever, the film offers a glimpse into its emotional core—one rooted in tenderness rather than spectacle. The song stands as a reminder that romance does not always need grandeur; sometimes, it is the quiet moments that leave the deepest imprint.

Scheduled for a theatrical release on 13th February 2026, O’Romeo continues to build anticipation by revealing its emotional layers one note at a time. As Ishq Ka Fever unfolds, it sets the tone for a love story that values feeling over flourish, and sincerity over noise—making it a melody that is likely to stay with audiences long after the music fades.

The teaser of Shatak: Rashtriya Swayamsevak Sangh ke 100 Varsh has been officially released, marking a significant cinematic tribute to the 100-year journey of the Rashtriya Swayamsevak Sangh (RSS). Conceived to coincide with the centenary celebrations of the Sangh, the film seeks to chronicle its evolution, ideology, and social contributions, while offering a deeper insight into its impact on India’s social and cultural landscape.

Inspired by this historic milestone, Shatak presents the story of an organisation that has traversed a long and complex path over the last century. The film positions itself as more than a historical account—it aims to be an exploration of ideas, resilience, and continuity, highlighting how the Sangh has sustained itself through changing political, social, and cultural environments. By tracing this journey, the film attempts to contextualise the RSS’s role in shaping various aspects of national life.

Adding to the film’s growing anticipation is the release of its patriotic song, ‘Bhagwa Hai Apni Pehchan’, which was unveiled by RSS Sarsanghchalak Dr. Mohan Bhagwat Ji at Keshav Kunj in Delhi. Sung by acclaimed playback singer Sukhwinder Singh, the song captures the spirit and emotional core of the film. With its stirring composition and evocative lyrics, the track reflects themes of identity, dedication, and unwavering commitment, resonating strongly with the film’s central message.

The teaser positions Shatak as an attempt to explore what it describes as the “untold story” of the RSS. Moving beyond long-standing debates and controversies, the film aims to address misconceptions surrounding the organisation by presenting its history and philosophy in a broader, narrative-driven framework. It sheds light on lesser-known chapters, including the Sangh’s role during the freedom struggle, the challenges it faced during periods of restriction, and its resilience during the Emergency. Through these episodes, the film seeks to offer audiences a more nuanced and balanced understanding of the organisation’s journey.

Director Aashish Mall described the project as a deeply personal endeavour. He shared that extensive research revealed dimensions of the Sangh that are rarely discussed or widely understood. According to him, the objective of the film has been to present these facets with honesty and sensitivity, while placing the organisation’s journey in its true historical and social context. Mall emphasised that the film does not aim to provoke debate, but rather to invite reflection by presenting documented realities through a cinematic lens.

Producer Vir Kapur echoed these sentiments, stating that the film is rooted in books, archival documents, and available literature. He noted that the challenge lay in presenting the Sangh’s ideological tradition through a unified cinematic language. Kapur also pointed out that among the many movements that emerged between 1875 and 1950, the RSS was unique in its ability to continue evolving without fragmentation—an attribute he described as its greatest strength. This enduring spirit is reflected in the film’s tagline, “Na Ruke, Na Thake, Na Jhuke”, symbolising perseverance and continuity.

Shatak: Rashtriya Swayamsevak Sangh ke 100 Varsh is co-produced by Aashish Tiwari and presented by ADA 360 Degrees LLP. The concept was developed by Anil D. Agarwal, with direction by Aashish Mall. The film is slated for a nationwide theatrical release on February 19, 2026, positioning itself as a landmark cinematic project that seeks to document a century-long journey and its enduring imprint on the nation.

Twinkle Khanna recently launched her new book Mrs Funnybones Returns, and during one of its promotional interviews, the author and columnist opened up about parenting, relationships, and the valuable life lessons she has passed on to her children. Speaking candidly, Twinkle shared insights into her son Aarav’s personality, describing him as “soft-hearted” and “generous,” traits she says sometimes make him vulnerable.

In an interview with The Print, Twinkle was asked about the best dating advice she has given her son. Rather than offering a one-size-fits-all rule, she stressed the importance of tailoring advice based on a child’s personality. “With your children, you have to see their personalities, and then give advice accordingly,” she said.

Talking about Aarav, Twinkle explained, “My son is a very kind person, very soft-hearted, since he was a child. Not just in dating, but also with friends and other people. I’ve always had to tell him to create boundaries because he’s so generous that sometimes people can take advantage of that.”

Twinkle also spoke about her daughter Nitara, revealing how her advice differs completely. “With my daughter, I tell her to lower her boundaries,” she said with a smile. “She’s just 13 and can be a little aggressive, so I tell her to soften a bit. Whether it’s friendships, dating, or any relationship, the core advice remains the same—balance is important.”

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Twinkle Khanna and Akshay Kumar’s own relationship has often been admired for its grounded nature. The couple met in the late 1990s while working on a film and gradually formed a strong friendship away from the limelight. They tied the knot on January 17, 2001, in an intimate ceremony attended by close friends and family.

After marriage, Twinkle stepped away from acting to pursue writing and interior design. She has often credited humour and laughter as the secret to her long-lasting marriage. The couple welcomed their son Aarav in 2002 and daughter Nitara in 2012.

Twinkle made her literary debut with Mrs Funnybones in 2015 and has since authored popular books such as The Legend of Lakshmi Prasad, Pyjamas Are Forgiving, and Welcome to Paradise. With Mrs Funnybones Returns, she continues to charm readers with her honesty, wit, and real-life wisdom.

Shah Rukh Khan and Priyanka Chopra are two of Bollywood’s most globally recognised stars, admired not only for their talent but also for the way they have built their careers with discipline and vision. The duo, who shared screen space in Don and Don 2, continue to enjoy massive international respect. Recently, producer Shailendra Singh drew comparisons between the two icons and strongly criticised Bollywood for how it treated Priyanka Chopra before her move to Hollywood.

Speaking in a conversation with Siddharth Kannan, Shailendra Singh said that stars like Priyanka Chopra should have been the true representatives of the Hindi film industry on a global stage. He questioned why Bollywood lacks a defined voice and why certain individuals are allowed to dominate that space. “People like Priyanka Chopra should be the brand ambassadors of our industry,” he said. “I’ve asked this question many times — who is the voice of Bollywood? Anyone just stands up and starts owning it.”

Taking a pointed dig at the industry, Shailendra added that while filmmaker Karan Johar has often been perceived as Bollywood’s spokesperson, he questioned whether that representation was fair. According to him, Priyanka Chopra had all the qualities needed to represent Indian cinema internationally, but was failed by the industry. “Priyanka should have been the voice of Bollywood, but we treated her so badly that she left the country,” he stated.

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Calling Priyanka a rare combination of talent and intelligence, Shailendra described her as “three people in one — the brand, the person, and the actor.” He added that she was a “firecracker” who could have carried Bollywood’s reputation across the world. Drawing parallels with sports, he also mentioned Virat Kohli, noting how global achievers no longer feel rooted in India once their professional commitments are fulfilled.

Shailendra then compared Priyanka Chopra with Shah Rukh Khan, praising both for their clarity and professionalism. “If you look at Shah Rukh Khan, he understands stardom completely. He knows who he is and what cinema means to him,” he said, adding that Shah Rukh is a silent operator who never puts others down.

Summing up his thoughts, Shailendra said that Shah Rukh Khan and Priyanka Chopra are remarkably similar in mindset, business approach, and work ethic. “They are supremely talented, focused, and no-nonsense. These are the people who should be ambassadors of our industry.”

On the work front, Shah Rukh Khan will next be seen in King, while Priyanka Chopra is set to appear in Varanasi.

Rani Mukerji and Shah Rukh Khan share one of Hindi cinema’s most beloved on-screen partnerships, having delivered iconic performances together over the years. From the youthful charm of Kuch Kuch Hota Hai to the emotional intensity of Kabhi Alvida Naa Kehna, their collaborations have consistently resonated with audiences. As Mardaani 3 hits theatres today, Rani reflected on this enduring bond and opened up about why romancing Shah Rukh Khan on screen has always come naturally to her.

In a recent conversation with Zoom, Rani spoke candidly about the comfort and ease she feels while working with Shah Rukh Khan. She credited his warmth and emotional generosity for creating a safe space for his co-stars. “I’ve always loved romancing Shah Rukh because there’s a different kind of love that Shah Rukh has for everybody,” she said. “Anyone who’s in his company feels that Shah Rukh loves them the most.”

The actress further shared that she feels most relaxed and uninhibited around Shah Rukh Khan and Aamir Khan. According to Rani, both actors allow her to be completely herself without any pressure or judgment. “I guess the love they have for me comes from the fact that they’ve seen me since I was 17,” she explained. “They’ve seen me grow from a little girl to a young woman, and now as a mother. They’ve witnessed my entire journey.”

While reminiscing about her personal and professional relationships, Rani is currently commanding the screen once again as the fearless police officer Shivani Shivaji Roy in Mardaani 3. The film opens on a dark and unsettling note, revolving around a child trafficking racket and the mysterious disappearance of several young girls.

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As Shivani’s investigation deepens, she comes face-to-face with her most dangerous adversary yet—Amma, the ruthless leader of a beggar mafia that exploits children for profit. With her vast network and brutal methods, Amma poses a threat unlike any Shivani has encountered before.

The trailer promises intense action, emotionally charged confrontations, and high-stakes drama, highlighting Shivani’s relentless pursuit of justice at any cost. Rani returns to the franchise with renewed intensity, while Mallika Prasad delivers a chilling performance as the antagonist. Janaki Bodiwala, last seen in Shaitaan, also plays a significant role.

Written by Aayush Gupta and directed by Abhiraj Minawala, Mardaani 3 is produced by Aditya Chopra under the Yash Raj Films banner, continuing the franchise’s legacy of socially relevant and hard-hitting cinema.

Rani Mukerji believes her 2012 romantic drama Aiyyaa was far ahead of its time and didn’t receive the appreciation it truly deserved. Looking back, the actress feels that if the film were released today, it would strike a strong chord with Gen Z audiences and emerge as a cult favourite—or even a box-office success.

In an exclusive conversation with Zoom, Rani reflected on the quirky film and described it as one of the most enjoyable experiences of her career. “I love Aiyyaa. I’ve had the most fun shooting this film,” she said, reminiscing about filming in Pune. She also spoke fondly of her collaboration with actors from the Marathi film industry, calling them immensely talented and deeply inspiring.

Discussing what made Aiyyaa stand apart, Rani highlighted its unconventional premise and playful tone. “The story was so quirky. Imagine falling in love with somebody who smells good,” she said with a laugh. According to the actress, the film broke norms by openly portraying female desire—something rarely seen in mainstream Hindi cinema at the time.

Rani believes this is precisely why the film struggled to find its audience back then. “It was way ahead of its time. If it released today, Gen Z would’ve made it a superhit,” she stated. She explained that Aiyyaa was among the first Hindi films to show that it’s okay for women to fantasise and express attraction without guilt or judgment.

She added that themes explored in the film are far more acceptable today. “For Gen Z, these ideas are very normal now. But at that time, they weren’t,” Rani said. “The film talked about how it’s okay to fantasise and be open about desire—that was new for Hindi cinema.”

Directed by Sachin Kundalkar, Aiyyaa tells the story of Meenakshi Deshpande, a Marathi woman whose life takes an unexpected turn when she falls for Surya, a mysterious Tamil artist played by Prithviraj Sukumaran. Drawn to him by his intoxicating scent, Meenakshi’s journey unfolds through surreal humour, vibrant music, and unapologetic fantasy, making the film truly unique.

On the professional front, Rani Mukerji is currently back on the big screen with Mardaani 3, which released in theatres today. The film marks her return as DCP Shivani Shivaji Roy in Yash Raj Films’ popular female-led cop franchise. This time, Shivani joins the NIA to take on a ruthless beggar mafia network and rescue missing girls. Early reactions to the film have been positive, reaffirming Rani’s strong screen presence.