Description:
Releasing this Diwali, Ek Deewane Ki Deewaniyat is a film that shows its audience the colors of love, affection, and passion. The remarkable thing is that despite the absence of a major star, the film is resonating with audiences. I believe the marketing on TV and digital platforms has been largely successful in bringing the film to audiences.

Details
Written and directed by Milap Zaveri, “Ek Deewane Ki Deewaniyat” is a love story that, true to its title, is based on one-sided, passionate love. The film gives its audience the feel of 90s films, filled with the colors of love, affection, and passion. Harshvardhan Rane plays a politician, while Sonam Bajwa plays a successful actress.

Story

The film revolves around Vikramaditya Bhosale (Harshvardhan Rane), the son of a powerful and influential politician, who is also a politician. His influence in the city is so strong that even the Chief Minister offers him his seat. Vikram sets his sights on Bollywood star Ada Randhawa (Sonam Bajwa) and falls in love with her. Aditya is determined to win her. But for Ada, Vikram is just another arrogant man, and she doesn’t love him.

When Vikram gives Ada an ultimatum to marry him within a month, and begins using all means necessary to force her to marry him, Ada is shaken to her core. She stands up to Vikram and retaliates with a vengeance. To find out Ada’s response, watch the film, as this is the turning point in the film, when a heroine stands up to a powerful politician and confronts him face to face.

Acting

The pairing of Harshvardhan Rane and Sonam Bajwa has been completely successful in portraying the intensity of love and hate. Harshvardhan Rane has won the hearts of the audience with his performance as Vikramaditya, while Sonam Bajwa has impressed the audience with her performance as Ada. Both of their strong performances are a strong point of the film. Some of the other supporting roles are also good, but none have much to do except for a few isolated scenes.

Music

The film’s music is one of its biggest highlights. Songs like “Tere Dil Par Haq Mera Hai,” “Bol Kafaara Kya Hoga,” “Dil Dil Dil Dil,” and “Mera Hua” suit the film and its story. The songs have already been a success. The background music also suits the story and the scenes.

Writing and Direction

The film is directed by Milap Zaveri, while the story has been co-written by Milap Zaveri and Mushtaq Sheikh. The film’s story has many twists and turns, surprising at times. The first half of the film is good, with good dialogues that will make even frontbenchers clap. However, the story loses its grip after the interval. Many scenes after the interval seem unnecessary, while some seem over-the-top or illogical. However, the film’s direction is good. Directed by Milap Zaveri, Ek Deewane Ki Deewaniyat seems successful in providing the audience with a romantic thriller experience.

Also Read:Harshvardhan Rane and Sonam Bajwa’s Chemistry is Electric in Ek Deewane Ki Deewaniyat’s Powerful Dialogues

Overall

“Ek Deewane Ki Deewaniyat” is a film that showcases the colors of love, affection, and passion. The pairing of Harshvardhan Rane and Sonam Bajwa is excellent. The film’s music and direction also work in its favor. If you’re looking for a romantic thriller, “Ek Deewane Ki Deewaniyat” is a good one.

Maddock Films extends its Horror-Comedy Universe (MHCU) with Thamma, pitched as a hor-rom-com (horror romantic comedy) mixing Indian folklore, mythology, and modern satire. Directed by Munjya’s Aditya Sarpotdar, it promises a fresh supernatural romance but collapses under overblown world-building and forced humour.

The film opens in 323 BC, where Sikandar (Alexander the Great) in Bharat, alarming the Betaals. The scene exists only to announce their ancient roots — visually grand, narratively pointless.

In the present, Alok Goyal (Ayushmann Khurrana), a Delhi journalist influencer, stumbles into the hidden world of Betaals. After a brutal encounter, he’s saved by Tadka / Tarika (Rashmika Mandanna), herself a Betaal. As she protects him from her own kind, love brews between them — the film’s only pulse amid chaos.

The story alternates between Delhi and the Betaals’ secret settlement, ruled by their chained leader Thamma / Yakshasan (Nawazuddin Siddiqui), imprisoned for defying their laws. He can only be freed when another Betaal breaks the same rule. Alok’s accidental entry triggers Thamma’s release and a war between humans and Betaals.

In a clumsy attempt to tie into the larger Maddock universe, Bhediya (Varun Dhawan) appears, seeking Alok’s blood to boost his powers. By the end, Alok learns that drinking Bhediya’s blood could make him stronger — a pointless, mechanical crossover that serves the franchise more than the story.

With its soulless structure and franchise-driven plotting, Thamma feels less like a film and more like a marketing extension linking Stree, Bhediya, Munjya, and now Thamma.

Ayushmann Khurrana anchors the film with easy charm, but shallow writing leaves him adrift. His evolution from influencer to reluctant hero feels rushed. Rashmika Mandanna gives Tadka intensity, but uneven dubbing and accent make her dialogue land awkwardly. Their chemistry works only in quiet pauses.

Nawazuddin Siddiqui’s Thamma is disappointingly flat — mythic in setup, lifeless in delivery. Paresh Rawal is underused, Sathyaraj’s cameo as a priest border on parody, and Varun Dhawan’s brief appearance feels contractual.

Tonally, Thamma never settles — not scary enough for horror, not witty enough for comedy, not tender enough for romance. The humour strains, the scares fizzle, and the romance suffocates beneath CGI and uneven pacing. The 1947 flashback looks cliché with no depth. The music by Sachin–Jigar, including the catchy “Tum Mere Na Huye”, feels misplaced, while the background score overwhelms.

Instead of expanding the MHCU organically, Thamma feels engineered. Cameos, callbacks, and name-drops replace heart and coherence. The wit and invention of Stree and Bhediya are missing — replaced by mechanical universe-building.

The film may be positioned as a horror romantic comedy, but the love is bland, and the blood runs thin.

Bottom line: Thamma wants to deepen the Maddock universe with myth and romance but ends up a patchwork of half-baked ideas. Flashy, noisy, and forgettable — a film that bites off more than it can chew.

Movie: Thamma
Director: Aditya Sarpotdar
Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Faisal Malik, Geeta Aggarwal, Rachit Singh, Ankit Mohan
Run Time: 150mins
Theatrical Release Date: 21 October 2025
Streaming Partner: Amazon Prime