“Tere bina zindagi se koi shikwa to nahin…
Tere bina zindagi bhi lekin zindagi to nahin…”
These lines feel apt, for though R.D. Burman’s music still surrounds us, his absence is felt deeply. On his death anniversary, we pay homage to the musical genius and revisit a fascinating anecdote from his early life.
R.D. Burman, fondly known as ‘Pancham’, made his debut as a music director with Mehmood’s home production ‘Chhote Nawab’ (1961). How he landed his first film is an interesting story in itself.
Mehmood, who shared a warm bond with Pancham’s father, the legendary S.D. Burman, naturally thought of him when he launched his maiden production. At that time, S.D. Burman was among the most sought-after composers in the industry, busy with prestigious projects. When Mehmood approached him to score ‘Chhote Nawab’, the senior Burman flatly refused, explaining that he could not commit to a newcomer’s film while juggling big banners.
Mehmood, however, was not one to give up easily. The very next day, he returned to the Burman household. Seeing him again, a visibly annoyed Burmanda snapped, “Arre! Main bol diya na main teri picture nahin karoonga. Phir kyon aaya hai?” (“Didn’t I tell you I won’t do your film? Then why are you here again?”)
With his characteristic wit, Mehmood replied, “I am not here to sign you. I am signing Pancham! Agar baap nahin, to beta chalega!” (“If the father won’t do it, the son will!”)
S.D. Burman, both surprised and amused, protested, “Arre pagla! Pancham abhi baccha hai. Tu kisi aur ko kyon nahin le leta?” (“Are you mad? Pancham is still a child. Why don’t you take some other music director?”)
But Mehmood was firm, “If you don’t work with newcomers, no problem. I work with newcomers.”
And so, the young R.D. Burman got his first big break. When the film’s music was ready, even the skeptical S.D. Burman was deeply impressed. Smiling at Mehmood, he said, “Wah re! Tune to kamaal kar diya. Ab jab agli picture banayega to mujhe sangeet ke liye lega na?” (“Wonderful! You’ve done a great job. When you make your next film, you’ll take me for the music, won’t you?”)
That was the beginning of Pancham’s remarkable journey—one that would eventually redefine the soundscape of Hindi cinema and leave behind a treasure trove of melodies that still resonate with generations.
