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Bobby Deol’s Emotional Appearance at Dharmendra’s Final Film Screening Leaves Fans Teary-Eyed

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The screening of Ikkis, the final film of legendary actor Dharmendra, turned into an emotional evening as Bobby Deol arrived with his family to pay tribute to the iconic star. Ahead of the film’s theatrical release on January 1, 2026, the Deol family made a rare public appearance together, drawing immense attention from fans and paparazzi alike.

Bobby Deol was spotted entering the venue first, dressed in a crisp white shirt with a printed design paired with black trousers. He was followed by his wife, Tanya Deol, who kept it elegant in a black outfit, and their son, Aaryaman Deol, who opted for a formal white shirt and black pants. Joining them was cousin Abhay Deol, who added a casual touch in a T-shirt layered with a jacket and blue denim jeans. The family briefly posed together for photographs, sharing a quiet yet powerful moment before heading inside. Before disappearing into the venue, Bobby flashed a thumbs-up and thanked the paparazzi, a gesture that quickly went viral online.

Several Bollywood heavyweights attended the screening, including Sunny Deol, Salman Khan, and Rekha, making the evening a star-studded yet deeply emotional affair. Directed by Sriram Raghavan and produced by Maddock Films, Ikkis marks Dharmendra’s posthumous screen appearance. The film also stars Agastya Nanda and Jaideep Ahlawat in pivotal roles.

Affectionately called the “He-Man of Bollywood,” Dharmendra passed away on November 24 at the age of 89, just days before he would have turned 90. His passing left a void in Indian cinema, making Ikkis not just a film but a heartfelt farewell to a towering legend.

Recently, Sunny Deol shared a behind-the-scenes video from the sets of Ikkis, captured on Dharmendra’s last day of shooting. In the clip, the veteran actor expressed gratitude to the team and filmmaker Sriram Raghavan, calling the experience joyful yet bittersweet. Sunny accompanied the video with an emotional note, urging audiences to celebrate his father’s legacy in cinemas this New Year.

Ikkis tells the inspiring story of Second Lieutenant Arun Khetarpal, focusing on the historic Battle of Basantar during the 1971 India-Pakistan War. The title reflects the young officer’s age at the time of his martyrdom, adding further emotional weight to Dharmendra’s final cinematic journey.

Dhruv Rathee Clarifies Intent Behind Janhvi Kapoor ‘Fake Beauty’ Video Amidst Backlash

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A single YouTube thumbnail was enough to spark a major social media controversy. Popular content creator Dhruv Rathee recently found himself at the centre of an online storm after using a before-and-after image of actor Janhvi Kapoor in the thumbnail of a video that discussed the concept of “fake beauty” and cosmetic enhancements. What began as criticism over the thumbnail soon escalated when several social media users claimed that Rathee’s video was a targeted response to Janhvi’s recent post supporting Hindus in Bangladesh.

As the narrative gained traction across platforms, Rathee addressed the controversy in a follow-up video, firmly dismissing the claims as misleading and illogical. He directly responded to a viral post accusing him of deliberately attacking Janhvi Kapoor, questioning why people were accepting such conclusions without basic reasoning.

Rathee pointed out that the timeline itself made the accusations unrealistic. He explained that his video, which runs over 30 minutes, was uploaded on the same day Janhvi shared her post. Emphasising the impracticality of scripting, recording, editing, and publishing a detailed video within such a short span solely as a reaction, he asked viewers to apply simple logic before believing social media narratives.

He also rejected the idea that he would criticise someone for speaking out on the issue of Bangladeshi Hindus. Rathee reminded viewers that he has himself created content addressing the same topic in the past. According to him, it would make little sense for him to oppose a stance he personally supports. He reiterated that he prefers direct communication and does not engage in indirect attacks or hidden messaging.

Clarifying the intent of the video, Rathee stressed that the discussion focused on plastic surgery, beauty standards, and their broader impact on society. He stated that the video did not question or criticise Janhvi Kapoor personally and that her image was used only as part of a larger conversation around public perception and cosmetic procedures. He added that throughout the video, he did not pose any questions to Janhvi or comment on her political views.

Following his clarification, the speculation began to slow, though the episode once again highlighted how quickly online debates can spiral based on assumptions. The controversy also reinforced Rathee’s position as one of the most polarising digital voices in India—someone whose content often triggers strong reactions across ideological lines.

Beyond the controversy, Dhruv Rathee’s journey as a creator has been shaped by a long-standing interest in storytelling, travel, and public affairs. Born in 1994 in Rohtak, Haryana, Rathee grew up in a middle-class family. His mother worked as a school teacher, while his father was an engineer. His early years were marked by frequent travel within India, which later expanded internationally when his father took up work in Malaysia.

It was during a visit to Malaysia in 2003 that Rathee first picked up a camera and recorded his earliest video. Though small and informal, the experience left a lasting impression and planted the seeds for what would eventually become a career in content creation.

As a teenager, Rathee’s interests evolved significantly. While he initially enjoyed animation and detective stories, his curiosity gradually shifted toward documentaries, global issues, and current affairs. A defining moment came in 2011 during the Anna Hazare-led anti-corruption movement. Witnessing the scale of public mobilisation and debate sparked his interest in politics, governance, and accountability.

Rathee later moved to Germany for higher education, enrolling at the Karlsruhe Institute of Technology. He completed a Bachelor’s degree in Mechanical Engineering, followed by a Master’s degree in Renewable Energy in 2018. Despite his technical academic background, his passion for understanding economic systems and political structures continued to grow alongside his studies.

To deepen his understanding of these subjects, Rathee went on to pursue a second bachelor’s degree in economics and political science. Over time, he combined his academic learning with digital storytelling, using online platforms to explain complex issues in accessible formats.

The recent thumbnail controversy serves as another reminder of how visual elements and assumptions can overshadow content intent in the age of social media. While Rathee’s clarification may have slowed the backlash, the incident reflects the broader dynamics of online discourse, where narratives can form rapidly and facts often struggle to catch up.

Jaideep Ahlawat To Replace Akshaye Khanna In Drishyam 3?

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The upcoming instalment of the popular Drishyam franchise has been surrounded by controversy following actor Akshaye Khanna’s sudden exit from Drishyam 3. Addressing the speculation and confusion surrounding the casting changes, director Abhishek Pathak has now clarified whether Jaideep Ahlawat will replace Akshaye in the film and shed light on what led to the unexpected departure.

In a recent conversation with The Times of India, Abhishek Pathak made it clear that while Jaideep Ahlawat is indeed part of Drishyam 3, he is not stepping into Akshaye Khanna’s role. “No, Jaideep is not replacing Akshaye. I’m writing a new character,” the director stated, putting an end to rumours that had been circulating on social media and in trade circles.

Abhishek also spoke in detail about the circumstances surrounding Akshaye Khanna’s exit from the project. According to him, the actor walked out just days before the film was set to go on floors, despite having formally committed to the project. “All this happened after the contract was signed in November. He left the movie five days before it was going on the floors,” Abhishek revealed.

The director explained that by the time Akshaye exited, several pre-production steps had already been completed. The character’s look had been finalized, costumes were in the process of being made, and full narrations had already taken place. Abhishek added that Akshaye had loved the script and the direction in which the story was heading, making the sudden withdrawal even more unexpected.

Delving deeper into the creative disagreement, Abhishek said that Drishyam 3 picks up exactly from where the previous film ended. This continuity posed a challenge due to Akshaye’s appearance requirements. “My film starts from the point where it ended. I couldn’t have him in the courtroom in the afternoon and in the evening he comes back with hair. How is it possible?” the director said, explaining the logistical and narrative inconsistency he discussed with the actor while trying to convince him to stay on.

Meanwhile, producer Kumar Mangat Pathak had earlier shared his version of the situation in an interview with news agency ANI. He confirmed that Jaideep Ahlawat has been brought on board in a newly conceptualised role that reworks the dramatic function originally intended for Akshaye’s character. “We have cast Jaideep Ahlawat. We have added a new character. He is doing it now. He will do what Akshaye was doing, but he will come in a new form. We are presenting him in a very good way,” the producer said.

Despite these clarifications, the controversy has escalated into a legal dispute. Kumar Mangat Pathak reportedly sent a legal notice to Akshaye Khanna, accusing him of backing out of Drishyam 3 after accepting the signing amount and committing his dates to the project. The producers have allegedly sought compensation, citing financial losses incurred due to the actor’s abrupt exit at a critical stage of production.

As of now, Akshaye Khanna has not issued any public statement responding to the allegations or the legal notice. His silence has only added to the speculation surrounding the fallout, with fans and industry insiders closely watching how the situation unfolds.

Despite the casting shake-up, Drishyam 3 remains one of the most anticipated films in Bollywood. The movie is scheduled for a worldwide theatrical release on October 2, 2026. Ajay Devgn will once again headline the film as Vijay Salgaonkar, a character that has become iconic for his calm intelligence and moral strength.

Vijay Salgaonkar is portrayed as a simple, middle-class man who takes on powerful forces not through aggression or violence, but with sharp wit, unwavering determination, and deep love for his family. Ajay Devgn’s performance in the earlier films was widely praised, and expectations are high for the third instalment.

The original ensemble cast, including Tabu, Shriya Saran, and Rajat Kapoor, will reprise their roles, ensuring continuity in the story’s emotional and dramatic arcs. The makers have hinted that Drishyam 3 will take the narrative to a new level, promising intense courtroom drama, psychological tension, and unexpected twists.

With Jaideep Ahlawat joining the franchise in a newly written role and the core cast returning, the filmmakers aim to deliver yet another edge-of-the-seat thriller. While the controversy surrounding Akshaye Khanna’s exit has drawn attention, the focus now shifts to whether Drishyam 3 can live up to the high standards set by its predecessors.

Haarsh Limbachiyaa’s Love And Support Help Bharti Singh Through Postpartum Challenges

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Comedian and television personality Bharti Singh recently gave fans an honest glimpse into her emotional state after welcoming her second child. Bharti and her husband, writer-producer Haarsh Limbachiyaa, became parents to a baby boy earlier this month. The couple returned home with their newborn on December 27, and while the arrival of their son brought immense joy, Bharti revealed that she has also been grappling with unexpected emotional challenges.

In her latest vlog, Bharti spoke candidly about her postpartum experience, sharing that she has been dealing with uncontrollable bouts of crying. The usually cheerful comedian appeared visibly emotional as she tried to explain what she has been feeling. She admitted that the tears come without warning and for reasons she herself cannot fully understand.

Bharti said that she had just finished crying moments before recording the vlog and still felt overwhelmed. She shared that she finds herself tearing up even while sitting quietly, without any specific trigger. What confuses her further is that everything around her seems fine—her home environment is supportive, help is readily available, and there is no apparent reason for distress. Despite this, she feels emotionally vulnerable and unsettled.

Expressing her confusion, Bharti questioned why she was experiencing such intense emotions at a time when she should feel completely happy. She spoke about how grateful she is for the blessings in her life, especially her growing family, yet struggled to comprehend what she described as the “postpartum effect.” Her words resonated deeply with many viewers, particularly new mothers who have experienced similar emotional shifts after childbirth.

Later in the vlog, Bharti shared another emotional moment when Haarsh returned home. She spoke about feeling disappointed that she is currently unable to travel or resume normal routines, something she has seen others doing with ease. This realization once again brought her to tears, highlighting how small thoughts can feel overwhelming during this phase.

Haarsh Limbachiyaa’s reaction to Bharti’s emotional breakdown quickly became one of the most talked-about moments from the vlog. He was seen gently hugging her, wiping away her tears, and trying to lift her mood with light-hearted jokes. His calm, affectionate, and reassuring presence struck a chord with viewers, many of whom praised him for being a supportive and understanding partner.

The comments section of the vlog was flooded with messages appreciating Haarsh’s behaviour. Fans called him caring, loving, and thoughtful, with several users describing the couple as “couple goals.” Many viewers also thanked Bharti for being open about her struggles, saying it helped normalize conversations around postpartum emotions and mental health.

Bharti Singh and Haarsh Limbachiyaa’s love story has been admired by fans for years. The two first met in 2009 while working on the comedy reality show Comedy Circus. What started as a professional association soon turned into a close friendship and eventually blossomed into a romantic relationship. After dating for a short period, they tied the knot in a private and intimate wedding ceremony in Goa in 2017.

Since then, the couple has worked together on several television shows and digital projects, becoming one of the most loved husband-wife duos in the entertainment industry. Their chemistry, humour, and mutual respect have consistently won over audiences.

The couple welcomed their first child, a son named Laksh, in 2022. The arrival of their second son, lovingly called Kaju, on December 19 has further completed their family. While Bharti has often shared joyful and humorous moments from her personal life, her recent vlog stood out for its vulnerability and honesty.

By opening up about her postpartum emotions, Bharti has sparked an important conversation around the emotional changes many women experience after childbirth. Her openness, combined with Haarsh’s visible support, has not only strengthened fans’ admiration for the couple but also helped bring empathy and awareness to a topic that is often discussed in hushed tones.

Tu Meri Main Tera Main Tera Tu Meri’s Box Office Collection: Kartik Aaryan Film Faces Tough Competition From Dhurandhar

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Directed by Sameer Vidwans, Tu Meri Main Tera Main Tera Tu Meri has been struggling to find momentum at the Indian box office. Despite opening during the lucrative Christmas holiday window, the romantic drama witnessed a significant drop in collections on its first Monday, raising concerns about its overall theatrical run.

According to trade tracking website Sacnilk.com, the film earned approximately ₹1.75 crore nett in India on Day 5, marking its lowest single-day collection so far. This sharp fall came after a modest weekend performance, suggesting that word-of-mouth has not been strong enough to sustain weekday footfalls. With this, the film’s total domestic collection now stands at around ₹25.25 crore nett.

The film opened on December 25 with a Day 1 collection of ₹7.75 crore, benefiting from the holiday advantage and curiosity surrounding Kartik Aaryan and Ananya Panday’s reunion. However, collections dropped to ₹5.25 crore on Day 2. Day 3 showed a marginal improvement with earnings of ₹5.5 crore, followed by ₹5 crore on Day 4 (Sunday). The steep decline on Monday indicates that the film failed to convert initial interest into sustained audience engagement.

Occupancy figures further highlight the film’s underwhelming performance. On Monday, Tu Meri Main Tera Main Tera Tu Meri recorded an overall Hindi occupancy of just 11.54%, reflecting low turnout across most shows and regions. Multiplexes, in particular, saw sparse attendance during morning and afternoon shows, with only slight improvement in the evening.

Despite the film’s performance, Kartik Aaryan has spoken positively about his experience working on the project. In an earlier interview with news agency PTI, the actor expressed gratitude for being part of the film and praised the creative vision behind it. He said that writer Karan Shrikant Sharma crafted the story and character with depth, while director Sameer Vidwans translated that vision effectively on screen.

Kartik also highlighted that romance is a challenging genre and believes that only a few filmmakers can convey meaningful messages without becoming preachy. According to him, Sameer Vidwans belongs to that rare category of directors who attempt to balance entertainment with emotional substance.

The film marks the second on-screen collaboration between Kartik Aaryan and Ananya Panday after their 2019 hit Pati Patni Aur Woh. While their earlier pairing was commercially successful, the same magic has not translated to Tu Meri Main Tera Main Tera Tu Meri. Audience response suggests that the chemistry, storyline, and emotional payoff did not meet expectations this time around.

Apart from the lead pair, the film also stars Jackie Shroff and Neena Gupta in pivotal supporting roles. Their performances have been appreciated by a section of viewers and critics alike, with many noting that the senior actors lend sincerity and emotional grounding to the narrative. However, even their presence has not been enough to elevate the film overall.

Produced by Karan Johar under the Dharma Productions banner, Tu Meri Main Tera Main Tera Tu Meri was expected to perform better given the studio’s strong track record with romantic dramas. With competition from other releases and diminishing collections during weekdays, the film now faces an uphill task to recover its costs.

As it enters its second week, all eyes will be on whether the film can stabilize its earnings or if it will continue to struggle at the box office.

Twinkle Khanna Celebrates Birthday With Akshay Kumar’s Sweet And Sassy Post

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Actor Akshay Kumar never misses a chance to mix humour with heartfelt emotion, and his latest Instagram post for wife Twinkle Khanna’s 52nd birthday is proof. On Monday evening, Akshay shared a quirky photograph of the two that instantly caught fans’ attention, paired with a witty caption that perfectly reflected their much-loved sense of humour.

The photo shows Twinkle Khanna pulling off what appears to be a playful stunt. With a serious, almost stern expression on her face, she is seen aiming her leg at Akshay, while the actor laughs uncontrollably and holds onto her foot. The contrast in their expressions adds to the comic charm of the moment. Both Akshay and Twinkle are dressed in black outfits, twinning effortlessly, though Twinkle layered her look with a beige sweater, adding a casual yet stylish touch.

Sharing the image, Akshay teased his wife in a way only he could. His caption read, “Behind every action hero is a wife who can knock him out with one look, or one kick. Mrs Funnybones, you still hit me harder than any stunt ever did. Happy Birthday, love you,” followed by heart and cake emojis. The reference to Twinkle’s popular nickname, “Mrs Funnybones,” made the post even more personal and endearing.

As expected, the post quickly drew reactions from fans and fellow Instagram users, who couldn’t get enough of the couple’s playful chemistry. One fan commented, “Hahahaha, this is too funny! Twinkle and Akshay’s expressions are poles apart.” Another wrote, “Their sense of humour is pure gold.” Several users also expressed their wish to see the duo share screen space again, with one comment reading, “A movie starring both of them in action roles will be iconic.”

Akshay Kumar and Twinkle Khanna have long been admired as one of Bollywood’s most grounded and relatable celebrity couples. The two tied the knot in January 2001 and have been going strong for over two decades. They are parents to two children—son Aarav and daughter Nitara—and have often spoken about prioritising family life despite their demanding professional commitments.

Twinkle Khanna, who began her career as an actor, later transitioned into writing and established herself as a successful author and columnist. She released her first non-fiction book, Mrs Funnybones, in 2015, which received widespread appreciation for its candid, humorous take on life, marriage, and society. She went on to author The Legend of Lakshmi Prasad, Pyjamas Are Forgiving, and Welcome to Paradise, further cementing her reputation as a sharp, witty voice in Indian literature.

On the professional front, Akshay Kumar has a packed slate of films lined up. Fans will next see him in Bhooth Bangla, directed by Priyadarshan. The film also stars Tabu and Paresh Rawal and marks yet another collaboration between Akshay and the veteran filmmaker. Produced by Shobha Kapoor and Ekta Kapoor’s Balaji Telefilms along with Akshay’s Cape of Good Films, Bhooth Bangla is slated for a theatrical release on April 2, 2026. Actress Wamiqa Gabbi is rumoured to play a significant role in the film.

In addition to this, Akshay has Welcome to the Jungle and the much-anticipated Hera Pheri 3 in the pipeline, both of which have generated considerable buzz among fans. His collaboration streak with Priyadarshan continues with Haiwaan, a film that also stars Saif Ali Khan. Produced by KVN Productions in association with Thespian Films, the project is jointly backed by Venkat K Narayana and Shailaja Desai Fenn. Actress Sayami Kher will also play a key role in the film, which is expected to hit theatres in 2026.

With his humorous birthday post, Akshay once again reminded fans why his relationship with Twinkle Khanna stands out—rooted in laughter, respect, and an easy camaraderie that continues to charm audiences both on and off screen.

Hrithik Roshan Shares Intimate Father-Son Moments, Internet Can’t Get Enough

Hrithik Roshan recently gave his fans a glimpse into his personal life in the form of a photo dump that includes his two sons from his previous relationship, Hrehaan Roshan and Hridhaan Roshan. This string of pictures posted by Hrithik Roshan was posted in Instagram on Monday and gave a glimpse into a day spent in a reflective state by Roshan.

The carousel introduced Hrithik jogging in a lush green meadow wearing casual clothes such as a T-shirt, trousers, and a cap, exuding serenity and concentration. The next snap featured the actor relaxing in his swimming pool area with his shirt off and completely engrossed in a book, establishing the mood for a meditative and rejuvenating day. A different frame showcased his fitness regimen, as Hrithik pushed himself in a rigorous workout session, reiterating his consistent imprint of prioritizing health and concentration.

Some of the snap shots centered on his sons, Hrehaan, and Hridhaan, who seemed to be enjoying their swimming session thoroughly. The snap shots showed the ease and bonding session that the father and sons seemed to share, giving the public a much-needed glimpse into the real life of the star Hrithik as the father of the two sons in the way he takes care of them and spends quality time with them. One pic showed him chatting with his eldest son, Hrehaan, outdoors, seemingly very deeply into what he was saying.

The final images were of the book which obviously has inspired the actor – Flow, written by leading psychologist Mihaly Csikszentmihalyi. Hrithik himself has given out his views along with these pictures, which read, “Re-reading the pages I highlighted 25 years back. I feel everything is falling into place in my head now. What fun! Finding flow states. That’s all! Thank you, Mihaly Csikszentmihalyi, for this one. #FLOW.”

The post comes just weeks after Hrithik was seen with his sons going all out to dance at the wedding celebrations for Hrithik’s cousin, Eshaan Roshan, who took place in Mumbai. A video from the same occasion had gone viral, where Hrithik and sons Hrehaan and Hridhaan were seen dancing to Sukhbir’s super hit song Ishq Tera Tadpave. They were accompanied by Hrithik’s niece Suranika Soni, cousin Pashmina Roshan, and Hrithik’s girl, Saba Azad.

Hrehan and Hridhan are the sons of Hrithik from ex-partner Sussane Khan. Despite the pair divorcing in 2014, they remain on good terms and are still joint custodians. Hrithik revealed that he is dating the beautiful Saba Azad at a bash marking Karan Johar’s 50th birthday. Professionally, Hrithik Roshan was last seen in the film War 2, directed by Ayan Mukerji, with Jr. NTR and Kiara Advani

Suicideboys – Angel Grove Song Lyrics

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Song Name – Angel Grove
Band – Suicideboys

Check out Angel Grove Song Lyrics by Suicideboys

Two to beam up, Scotty
It’s a smash
Yung Mutt, ayy
7th Ward

From up and out the snake pit, them 7th ward slums, I can’t escape it
I can smell the lies on their tongue, ooh, how them snakes hiss
New Orleans dope boys since them hurricane waves hit
But now the sun is coming up, time to clock out the grave shift
SPT hammerhead, eyes Fuji apple red
Stubborn m*therf*cker, always making sure that the cattle fed

Never looking back, nowadays, I always glance ahead
Staying true to my roots like I’m sleeping in a gravel bed
Uh, prone to being a vagabond, on tour, no, you can’t tag along
Mastered the art of self sabotage, list of mistakes getting long like the Amazon
Even if I had an atom bomb, I wouldn’t drop it
I’d hijack that whole plane and go live from the cockpit
Pacific Ocean bound right now, we high up over Stockton
Going down in flames, nah-uh, eyes set on Heaven, locked in
My name’s forever stuck up on that $uicide watchlist
Sacrifice myself to save the world, now that’s a plot twist

Yeah, this ho got me f*cked up, talking ’bout, “Let’s figure it out”
Told her keep the cigarette, she just had my dick in her mouth (Northside)
One foot in the grave and the other used for kicking ’em out
Them boys nothing but bitches, I’m misogynist, no women around
Roxy color Cadillac, I done f*cked up, thought I had some Oxys in this bag
Blowing up my plug, yelling, “Where the fuck we meeting at?”
Wifey woke me up, she like, “Who the fuck you screaming at?” Thank God, I was dreaming that

Wake up, check the weather, grab my Glock and my Berretta
Used to sleep on couches, now my couch Moroccan leather
Got stress that they can’t measure, still, I’m shining through the pressure
“Who do you think you are? I am,” it’s Pete Young, Wetto Weber
F*ck they know ’bout legacy?
Even when I rot, I’ll be providing for my family
Just pray I have a kid to bury me
Once you make it outta hell, everything feel heavenly

Suicideboys – F*ck Ups Song Lyrics

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Song name – Fuck Ups
Band – Suicideboys

Check out Suicideboys – F*ck Ups Song Lyrics

(Y-y-y-y-y, y-y-y-y)
(Y-y, y-y-y, you did good, $lick)
Woah-woah, woah, woah-woah-woah (It’s a Smash)
Woah-woah, woah, woah-woah-woah (Indiana $licky, F-F-F-Fort Wayne)
Woah-woah, woah, woah-woah-woah (To Indiana, man, fuck these boys)
Woah-woah, woah, woah-woah-woah (2nd World)

Yeah, tell me what you know about me (Uh-uh)
Yung cracker with the all gold teeth (Ayy, turn me up)
I would tell y’all how I really feel, but it would just get hit with the **** (Northside)
I was ten years old with the heat (Woah-wah)
Dead eyes, got cold from the grief (Say wha’)
Call me Northside Wet Lil Yachty
The way I’ll die for the ‘crete (Northside)
Where I’m from, yeah, the sun don’t rise in the east (Rise in the East)
I’m a hybrid of bеasts
Been done it all, even got high with a priеst, t-too high at the least
Just kill ’em, I ain’t got no time for the beef, Gen 5 intervene (Grr)
M*therf*ck police, I vibe with the fiends, t-too live like a stream, *59 the regime

Yeah, ayy, came up with the f*ck-ups
Yeah, ayy, so I can’t help but f*ck up
Yeah, ayy, came up with the f*ck-ups
Yeah, hold up, we tell ’em, “Shut the f*ck up”

Smokin’ ’em back to back, until I can’t feel no pain no more (North, North)
Kickin’ they door from the back, makin’ ’em lay it down on the floor (North, North)
My tolerance high on the dope, but I got no patience for a ho (North, North)
Point me a tone right there to your dome, make that bitch go blow, blow, blow, blow, blow
Young S to the C to the A to the R to the E to the C to the R to the O to the W
Smokin’ that sack till my eyes roll back, system down, issues they can’t troubleshoot
Black mask, gold teeth, yellin’, “Who dat?” (Who dat?)

Wanted fame, so we put him on the news app
If you pull it out, boy, better shoot that
Turn a opp into merch, lemme SKU that, huh
Bro-broke the scale, we smokin’ on Dave Blunts (North)
Sippin’ syrup till my face numb (North)
Chewin’ fent, this that laced gum (North)
Red beam here like a ray gun (North)
Money in the walls like Nagin (North)
Goddamn, call me BP the way I’m spillin’ that oil
Yeah, big stepper, I’m takin’ their souls like Dr. Scholls
Yeah, surgeon with the blade, so I stay on call
Up in New Orleans, put the 3 on my back, young wet Chris Paul
F*ck around and break my jaw before I ever go talk to the laws

Woah-woah, woah, woah-woah-woah (Ruby Da Cherry)
Woah-woah, woah, woah-woah-woah (Nah-nah, nah-nah, nah-nah)
Woah-woah, woah, woah-woah-woah (Yeah)
Woah-woah, woah, woah-woah-woah (7th Ward)

Yeah, I’m just tryna’ dodge all my flaws my whole life in camouflage
$uicide, I’ll take the charge, GREY*59 the entourage
Codeine colored Cayenne, but I wrapped the Macan satin mauve
Praise the Lord with applause, the demons pissed I left they cause
Out the fog, I’ma rawdog all this life shit
Swerve in a ‘Vette, yeah, I’m flirtin’ with death
So I don’t have to feel like life’s b*tch
Range Rover ’96, run me over type shit
6 years sober in October, no leftover crisis, uh
It’s a young man’s dream to wanna die

Livin’ life high, while I was flickin’ off the sky
Born a rebel, now I’ll settle for a little peace and quiet
This life is usually admired, but I’m tired of life not bein’ private
Opps on my radar, I’ma pray for ’em
Lord, have mercy on their soul
For all my dogs, I would catch a stray for ’em
Share the food out of my bowl
Still pack the tool, and it’s still loaded, I’m devoted to the GREY
Until the grave, rotten and bloated, sugarcoat all of my pain
A life so sweet I didn’t know it, so I smile with tooth decay
Don’t try to floss, you could get scraped, take, take no loss in any state (Yeah)
I just came to swang and drag my tank across every lane
Scrapin’ up the interstate, Tabasco sauce, I’m hittin’ stains

Yeah, ayy, came up with the fuck-ups
Yeah, ayy, so I can’t help but fuck up
Yeah, ayy, came up with the fuck-ups
Yeah, hol’ up, we tell ’em, “Shut the f*ck up”

I will always rep the 7th Ward, collectin’ all seven rewards (Seven)
Seven warriors, seven dented swords
Unsheathe my blade and scream, “En garde! *59 captain, all on board”
Former junkie comin’ at you live from the junkyard

Woah-woah, woah, woah-woah-woah (Grey59, b*tch; yeah-yeah-yeah, Northside shit, y’know I’m sayin’) Woah-woah, woah, woah-woah-woah (Yeah-yeah-yeah; $ui-$ui-$uicide, Yung Wetto, $uicide) Woah-woah, woah, woah-woah-woah ([?] East Bloc’ 2nd World shit, 7th-7th Ward) Woah-woah, woah, woah-woah-woah (Grey59, 7th Ward)

Suicideboys – Whatever Floats Your Boat Will Definitely Sink My Ship Song Lyrics

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Song Name – Whatever Floats Your Boat Will Definitely Sink My ShipS
Band – Suicideboys

Check out Whatever Floats Your Boat Will Definitely Sink My Ship Song Lyrics by Suicideboys

(You did good, Slick)
(It’s a smash)
Ooh
Aah
Ooh
Huh

I guess it’s written on my skin (Let’s go)
Stitch my wounds just to open them again
Further than I was, but far from enough
All the voices fill the air of every silent night (Every silent night)
Eyes on me everywhere, but still I’m out of sight, ooh
I got nowhere left to go
If this is high, where the view?
Ain’t no confusion why they stick around (Stick around)
Might not hear from them often, but the intention is loud
Sins of my father worn like hand-me-downs, oh
Hoping my own make him just as proud, oh

Please, Lord, tell me where you are
I don’t wanna be this afraid of the dark
Holding on, shoulda let go from the start
Anything I touch always falls apart (Let’s go)

But I only run for so long (Let’s get it)
Everything right always felt so wrong
I done flew the coop and my wings all torn
Can’t abuse me more than the pills I’m on

Words so sharp
They pierce through my heart just like a knife
Quick flash of light, I feel trapped in ice
Cold and alone, I might cast the dice
Take a fucking chance, always the asking price
Sometimes it takes a lot to make a sacrifice
But in the end, it might enhance your life
Just look down and dive
Life is draggin’ me behind
I’m a stand-in in line, off the wagon, I’m fine
Now I’m climbing up a dragon, I’m high
Dollar signs in one eye, the other’s sagging, I’m blind

Please, Lord, tell me where you are
I don’t wanna be this afraid of the dark
Holding on, shoulda let go from the start
Anything I touch always falls apart

I don’t know my own limits
I’ma break all of my bones
What the f*ck’s a break? I’m a psycho
Never ending, new beginnings, stuck in a cycle