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Scary Movie 6 Smashes $105.5 Million Worldwide, Becomes the Biggest Opening in Franchise History

Kriti Pandey
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Scary Movie 6 Smashes $105.5 Million Worldwide, Becomes the Biggest Opening in Franchise History

More than a decade after its last outing, the Scary Movie franchise is back in a big way. Scary Movie 6 has officially debuted with a massive $105.5 million worldwide opening weekend, making it the highest-grossing opening in the franchise’s history and one of the biggest comedy launches of 2026.

The latest installment of the beloved horror-parody series topped the domestic box office with an estimated $55 million from 3,490 locations. Internationally, the film added another $50.5 million across 53 markets, bringing its global debut to an impressive $105.5 million.

The numbers are especially significant considering the film was produced on a reported budget of just $30 million. With its opening weekend alone generating more than three times its production cost, Scary Movie 6 has already emerged as one of the year’s strongest box office success stories.

The film’s performance also sets a new benchmark for the franchise, surpassing previous records held by earlier entries in the series. Industry analysts have described the opening as an extraordinary result for a comedy sequel arriving more than two decades after the franchise first debuted and thirteen years after its previous installment.

A major factor behind the film’s success has been the return of the franchise’s original stars and creators. Anna Faris and Regina Hall reprise their fan-favorite roles as Cindy Campbell and Brenda Meeks, while the Wayans brothers reunited creatively for the project, bringing back much of the energy and humor that defined the series’ earliest entries.

The film has also resonated strongly with longtime fans. Audience data indicates that a significant majority of opening weekend viewers were already familiar with the franchise, highlighting the enduring popularity of the Scary Movie brand.

Internationally, the film performed particularly well in markets including the United Kingdom, Germany, Brazil, France and Australia, where it secured strong openings and topped box office charts. The release reportedly ranked number one across the vast majority of its overseas territories.

The strong debut has reignited interest in the future of the franchise. With Scary Movie 6 already setting records and attracting audiences across generations, discussions surrounding potential future installments have naturally begun to surface.

For now, however, the biggest story is the number itself. More than twenty-five years after the original Scary Movie first arrived in theaters, the franchise has achieved its biggest opening weekend ever, proving that audiences still have an appetite for horror, parody and a healthy dose of nostalgia.

Death of a Salesman Emerges as the Biggest Winner at the 2026 Tony Awards

Kriti Pandey
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Death of a Salesman Emerges as the Biggest Winner at the 2026 Tony Awards

Broadway’s biggest night delivered memorable victories, emotional speeches and historic milestones as the 79th Tony Awards honored the best of theatre in 2026. Leading the evening was Death of a Salesman, Arthur Miller’s timeless drama, which emerged as the most awarded production of the night with six wins. The acclaimed revival took home Best Revival of a Play and earned major acting honors for Laurie Metcalf, who won Best Featured Actress in a Play for her portrayal of Linda Loman. Director Joe Mantello was also recognized for his work on the production, further cementing the show’s status as the evening’s biggest success story.

While Death of a Salesman dominated the headlines, the Tony Awards spread recognition across several productions. Ragtime enjoyed a triumphant night, winning Best Revival of a Musical alongside acting victories for Joshua Henry and Caissie Levy. The production’s success marked a significant moment for the beloved musical, which finally secured one of Broadway’s highest honors.

In the category of new musicals, Schmigadoon! proved unstoppable. The stage adaptation of the popular television series won Best Musical and collected awards for Original Score, Book of a Musical and Orchestrations. The production’s blend of humor, nostalgia and classic Broadway energy clearly resonated with Tony voters.

Another standout was The Lost Boys, the musical adaptation of the cult vampire film. The production earned four awards, including acting wins for Ali Louis Bourzgui and Shoshana Bean, while also receiving recognition for its scenic and lighting design.

As someone who studied English Literature and spent years reading American drama, there was something especially satisfying about seeing Death of a Salesman emerge as the biggest winner of the night. Arthur Miller’s masterpiece remains one of the most powerful critiques of the American Dream ever written. 

Through Willy Loman’s tragic journey, the play exposes how a society obsessed with success, status and wealth can leave ordinary middle-class and lower-middle-class families behind. Having studied the play academically and written examinations on it, it was genuinely rewarding to see a work that continues to challenge society’s ideas about achievement, failure and human worth receive such recognition decades after its debut.

In many ways, the continued success of Death of a Salesman serves as a reminder that Miller’s warning remains relevant even today. The play is not just a family tragedy. It is a wake-up call about the dangers of measuring human value solely through financial success and social status. More than 75 years after it was first published, its themes continue to resonate with audiences around the world.

The ceremony also featured several history-making moments. Veteran actor John Lithgow won Best Leading Actor in a Play for Giant, becoming the oldest male acting winner in Tony Awards history at age 80. Meanwhile, costume designer Qween Jean made history as the first openly transgender person to win a Tony Award, taking home the prize for Cats: The Jellicle Ball.

Hosted by music superstar Pink, the ceremony balanced celebration with reflection. The singer delivered energetic performances throughout the evening while also acknowledging the social and cultural issues that inspired many of this season’s productions.

With Broadway enjoying one of its strongest financial seasons ever, the 2026 Tony Awards showcased both established legends and rising talents. From Death of a Salesman’s dominance to breakthrough victories for new productions, the evening highlighted the creativity, diversity and resilience that continue to define modern theatre.

Charli XCX teases ‘Music, Fashion, Film’ Tour Ahead of New Album Release

Kriti Pandey
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Charli XCX teases ‘Music, Fashion, Film’ Tour Ahead of New Album Release

Charli XCX is officially returning to arenas this fall. The pop star has announced her Music, Fashion, Film Tour, a 12-date North American run supporting her upcoming seventh studio album of the same name. The tour will kick off on September 11 in Philadelphia before making stops in major cities including New York, Toronto, Boston, Washington D.C., Atlanta, Los Angeles and Las Vegas. The announcement comes ahead of the release of Music, Fashion, Film, which arrives on July 24. 

The project marks a noticeable shift in sound for Charli, moving away from the high-energy electronic beats that defined Brat and embracing a more guitar-driven approach. So far, fans have already heard singles “Rock Music” and “SS26,” offering an early glimpse into the album’s new direction.

Joining Charli on the road will be electronic artist Underscores, who is set to open all tour dates.

The upcoming tour is expected to introduce a completely new visual era as well. Following the instantly recognizable lime-green aesthetic that dominated the Brat rollout, Charli appears ready to embrace a darker and more fashion-forward creative identity. The album artwork itself hints at that transition, featuring cultural icons John Cale, Marc Jacobs and Martin Scorsese, representing the album’s three pillars: music, fashion and film.

Beyond her headline tour, Charli has a packed festival schedule lined up for the summer and fall. She is set to perform at Lollapalooza in Chicago, Outside Lands in San Francisco, Reading & Leeds in the U.K., and Austin City Limits later this year.

The artist is also introducing a new ticket initiative called Angel Tickets. A limited number of $20 tickets will become available in August, allowing fans to purchase affordable seats that will be assigned on the day of the show. Additionally, select charity tickets in premium seating sections will support the Transgender Law Center, with half of the net proceeds being donated to the organization.

With a new album, a new sound and a new visual identity, Charli XCX is preparing to leave the Brat era behind and launch what could be one of the most ambitious chapters of her career yet

Angelina Jolie and Brad Pitt’s Son Knox Celebrates Graduation With Unexpected Announcement

Kriti Pandey
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Angelina Jolie and Brad Pitt’s Son Knox Celebrates Graduation With Unexpected Announcement

Angelina Jolie and Brad Pitt’s son Knox Jolie-Pitt marked his high school graduation in a way few graduates ever will. The 17-year-old made headlines after delivering a memorable speech at his graduation ceremony, where he mixed celebration with confidence and a bit of humor. Addressing classmates and their families, Knox revealed that he had another major event planned for later that night: a Muay Thai fight.

“Tonight, I’m gonna be fighting at Total Sonic Knockout 5,” he told the crowd, before enthusiastically predicting victory and earning loud cheers from the audience.

Just hours later, Knox stepped into the ring at a Muay Thai exhibition event in downtown Los Angeles. Videos from the competition showed the teenager trading kicks and punches with his opponent while showcasing the athletic skills he has been developing for years.

According to reports, Knox emerged victorious in the IKF Point Muay Thai Technical event. Among those supporting him from the crowd were his mother, Angelina Jolie, and twin sister Vivienne, who reportedly kept a low profile while cheering him on.

Jolie has long encouraged her children’s individual passions, and Knox’s interest in martial arts is no exception. The actress has previously been spotted supporting him at competitions, including a martial arts event last year where he earned a gold medal.

While Knox largely stays out of the public eye, his latest achievement offers a glimpse into the path he is carving for himself outside of Hollywood. Rather than pursuing acting, at least for now, the teenager appears focused on athletics and combat sports.

The graduation celebration also comes amid continued public interest in the Jolie-Pitt family. Knox and several of his siblings have maintained a distance from their father, Brad Pitt, in recent years, while Jolie has remained a visible presence in their lives. For Knox, however, the focus this week was on two personal milestones: graduating high school and stepping into the ring. Judging by the crowd’s reaction and his performance later that night, it was a memorable day on both fronts.

Savannah Guthrie Shares Emotional Message as Search for Missing Mother Reaches Four-Month Mark

Kriti Pandey
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Savannah Guthrie Shares Emotional Message as Search for Missing Mother Reaches Four-Month Mark

Savannah Guthrie has shared another emotional update as the search for her missing mother, Nancy Guthrie, continues more than four months after her disappearance. The Today co-host took to Instagram Stories over the weekend to post a religious image depicting the ascension of Jesus Christ. The artwork featured the words, “Oh my, my soul, it cries out, soul, it cries out,” while Savannah added her own heartfelt message: “bring her home,” accompanied by a yellow heart emoji.

The post comes as the Guthrie family continues to search for answers following Nancy Guthrie’s disappearance from her Arizona home in February. Yellow has become a powerful symbol of hope throughout the search efforts, with supporters displaying yellow ribbons and flowers in solidarity with the family.

Savannah briefly stepped away from Today earlier this year to focus on her family during the difficult period before returning to the morning show in April. Since then, viewers have noticed her frequent use of yellow clothing and accessories, a quiet tribute to her mother and the ongoing hope of bringing her home.

The journalist has repeatedly used her platform to keep public attention on the case. Around Mother’s Day, she shared another emotional message dedicated to Nancy, promising that her family would never stop searching.

As the investigation enters its fifth month, authorities continue to pursue leads, though officials have reportedly shifted their focus from a rescue effort to a recovery and criminal investigation. Despite the challenges, Savannah and her family remain committed to finding answers.

Nancy Guthrie was last seen in Arizona before her disappearance, and the family has offered a $1 million reward for information that could lead to her return.

Savannah’s latest post serves as a reminder that, despite the passing months, hope remains at the center of her family’s search

He Man And The Masters Of The Universe Sees Strong Weekend Growth At Indian Box Office

Shweta Ghadashi
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He Man And The Masters Of The Universe Sees Strong Weekend Growth At Indian Box Office

He Man And The Masters Of The Universe completed its opening weekend with a total collection of Rs. 5.50 crore gross at the Indian box office. The live action fantasy drama earned an estimated Rs. 2.25 crore on Sunday, helping the film show steady growth over its first 3 days in theatres.

Directed by Travis Knight, the film has performed reasonably well so far, particularly for a Hollywood release that is not backed by a major ongoing film franchise. While the opening numbers are not extraordinary, the film has managed to attract a section of moviegoers and record an upward trend during the weekend.

According to available figures, the day wise box office collections are as follows:

Day 1: Rs. 1.30 crore

Day 2: Rs. 2.00 crore

Day 3: Rs. 2.25 crore (est.)

Total: Rs. 5.50 crore

The growth from Friday to Sunday indicates that audience interest increased over the weekend. However, the film has received mixed reactions from viewers, which could impact its performance in the coming days. The real test for the movie will begin during the weekdays when collections typically depend more on audience word of mouth and repeat viewership.

Based on current trends, trade estimates suggest that He Man And The Masters Of The Universe could finish its theatrical run in India with collections in the range of Rs. 12 crore to Rs. 15 crore gross. Whether the film reaches or exceeds those numbers will largely depend on how well it holds during the week.

Hollywood films have generally performed well at the Indian box office this year. Several releases have managed to attract audiences, including films that were not considered major franchise titles. One recent example is Obsession, which has gained popularity among horror movie fans and emerged as a strong performer.

A major attraction of He Man And The Masters Of The Universe is its cast. Nicholas Galitzine plays the lead role of He Man and Prince Adam. Jared Leto appears as the villain Skeletor, while Idris Elba takes on the role of Duncan, also known as Man At Arms.

The cast also includes Camila Mendes as Teela, Morena Baccarin as The Sorceress and Alison Brie as Evil Lyn. The combination of well known actors and familiar characters has helped generate interest in the film among audiences.

With an opening weekend total of Rs. 5.50 crore, attention will now turn to its weekday performance and whether it can maintain its momentum at the Indian box office.

Bobby Deol’s Bandar Faces Tough Box Office Battle Despite Positive Audience Response

Shweta Ghadashi
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Bobby Deol’s Bandar Faces Tough Box Office Battle Despite Positive Audience Response

Bandar had a modest start at the Indian box office, collecting slightly above Rs. 2 crore nett during its opening weekend. The film earned Rs. 80 lakh on Day 3, taking its total collection to Rs. 2.10 crore after its first 3 days in theatres. Starring Bobby Deol in the lead role, the film has received a positive response from a section of the audience. However, the box office numbers have remained limited so far. The coming weekdays will now play an important role in determining whether the film can build momentum and improve its overall performance.

One of the major challenges facing Bandar is the strong competition at the box office. The film released alongside Varun Dhawan’s Hai Jawani Toh Ishq Hona Hai and Ram Charan’s Peddi. Both films have occupied a significant share of screens and audience attention, making it more difficult for Bandar to gain wider visibility in theatres.

Limited screen availability has also affected the film’s ability to attract larger collections during its opening weekend. Despite this, the makers will be hoping that positive audience feedback helps the film maintain stable collections in the days ahead.

The movie features an ensemble cast alongside Bobby Deol. Actors including Sanya Malhotra, Sapna Pabbi, Saba Azad, Jitendra Joshi and Raj B Shetty play important roles in the film. The presence of several well known performers has generated interest among moviegoers, although that interest has not yet translated into strong box office numbers.

According to available figures, the film’s day wise collections are as follows:

Day 1: Rs. 50 lakh

Day 2: Rs. 80 lakh

Day 3: Rs. 80 lakh

Total: Rs. 2.10 crore

The collection pattern shows that the film witnessed growth from its opening day and then remained steady on Day 3. While this stability is a positive sign, the overall numbers remain on the lower side compared to other recent releases.

Industry observers will now be closely watching the film’s weekday performance. If Bandar manages to benefit from positive word of mouth and retain audience interest, it could improve its box office standing over the coming days. However, with strong competition from bigger releases continuing in theatres, the film faces an uphill task in expanding its reach and achieving a stronger overall total at the Indian box office.

Obsession Earns More In Its Second Weekend Than Anyone Expected

Shweta Ghadashi
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Obsession Earns More In Its Second Weekend Than Anyone Expected

Obsession continued its impressive run at the Indian box office during its second weekend. The film collected Rs. 8.75 crore on Sunday, taking its second weekend total to Rs. 20.75 crore. What makes this performance notable is that the second weekend collection was more than double the film’s opening weekend and nearly matched the total earnings of its entire first week.

The film has shown strong momentum since its release and has continued to attract audiences despite already completing several weeks in theatres. This trend has not only been seen in India but has also been reported in several international markets where the film has been performing steadily over the past three weeks.

According to available figures, Obsession earned Rs. 0.55 crore from previews before collecting Rs. 1.60 crore on its opening Friday. Collections increased to Rs. 3.25 crore on Saturday and Rs. 3.75 crore on Sunday, helping the film finish its first weekend on a solid note.

The film maintained its hold during the weekdays as well. It collected Rs. 2.50 crore on Monday and then earned Rs. 3.40 crore each on Tuesday, Wednesday and Thursday. During its second weekend, the collections increased significantly. The film earned Rs. 4.00 crore on 2nd Friday, followed by Rs. 8.00 crore on 2nd Saturday and Rs. 8.75 crore on 2nd Sunday.

With these numbers, the film’s total gross collection in India has reached Rs. 42.60 crore.

Day wise collections are as follows:

Previews: Rs. 0.55 crore

Friday: Rs. 1.60 crore

Saturday: Rs. 3.25 crore

Sunday: Rs. 3.75 crore

Monday: Rs. 2.50 crore

Tuesday: Rs. 3.40 crore

Wednesday: Rs. 3.40 crore

Thursday: Rs. 3.40 crore

2nd Friday: Rs. 4.00 crore

2nd Saturday: Rs. 8.00 crore

2nd Sunday: Rs. 8.75 crore

Total: Rs. 42.60 crore

The film’s financial performance is particularly notable because of its reported production cost. Obsession is said to have been made on a budget of approximately USD 750K, or around Rs. 6.75 crore. Even after accounting for marketing and release expenses, the total investment is estimated to remain relatively low compared to its earnings. Based on current trends, the theatrical share from India alone is expected to reach around Rs. 30 crore, making the film one of the more profitable theatrical releases in recent times.

Is Jennifer Winget Ready to Marry Again? Reports Link Her to Singapore Businessman

Pooja Tiwari
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Is Jennifer Winget Ready to Marry Again? Reports Link Her to Singapore Businessman

Television actress Jennifer Winget is once again making headlines, but this time it is not because of a new show or project. Reports about her alleged relationship with Singapore based businessman William Ishmael and possible wedding plans have sparked major curiosity among fans. While neither Jennifer nor William has officially confirmed the rumours, social media is buzzing with speculation.

The discussion picked up after Jennifer left a comment on a wedding dance reel that quickly went viral online. Soon after, several reports claimed that the actress is in a relationship with William Ishmael and may be planning to get married later this year. According to these reports, the couple is considering either a wedding between September and October or a celebration during December and January.

As the rumours continue to spread, many fans are eager to know more about the man being linked to one of television’s most popular actresses. Unlike Jennifer, who has spent years in the public eye, William prefers a private lifestyle. Although he is active on social media, his Instagram account is private and he keeps a low profile online.

Professionally, William is a well established finance expert based in Singapore. He currently works as the Director of Business Development and Trading at MHC Digital Group, a position he has held since 2022. Before joining the company, he worked in several senior roles in the finance industry, including positions as a Product Manager and Vice President. He also spent nearly ten years with UBS Investment Bank, building extensive experience in trading and foreign exchange markets.

William studied Economics and Finance at the University of York, where he earned a Bachelor of Science degree. His career achievements have made him a respected name in the financial sector.

According to media reports, Jennifer has reportedly started looking into wedding preparations. It is claimed that she has begun shortlisting vendors and services and has even created a mood board to plan the celebrations. Reports also suggest that the wedding, if it takes place, is expected to follow Christian traditions.

Some reports further claim that William proposed to Jennifer during a vacation and that she accepted. The couple is also said to be exploring possible wedding venues. A few of Jennifer’s close friends, including Genelia Deshmukh and Harleen Sethi, are reportedly aware of the plans.

Jennifer was previously married to actor Karan Singh Grover, whom she met while working on the television show Dill Mill Gayye. The couple married in 2012 but separated in 2014. Karan later married actress Bipasha Basu.

For now, Jennifer has remained silent about the rumours. Until an official statement is made, fans can only wait and see whether the wedding speculation turns into reality.

Why female characters deserve more than being love interests

Nitin Jain
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Why female characters deserve more than being love interests

There was a time when mainstream cinema could get away with treating female characters as little more than decorative additions to a hero’s journey. A song here, a romantic track there, a few glamour shots in between, and the job was considered done. Audiences accepted it, filmmakers repeated it, and an entire generation of commercial cinema turned it into an unquestioned formula.

That formula is finally being challenged. The recent debate surrounding the portrayal of Janhvi Kapoor‘s character in Peddi is not really about one film, one actress, or one director. It is about a question that audiences are increasingly asking every time they walk into a theatre: Why is this character even here?

It is a simple question, but one that exposes a much larger problem. If a character can be removed from a story without affecting the plot, the emotional stakes, or the thematic core, then that character does not truly belong to the narrative. More often than not, it is the female lead who finds herself trapped in this position.

For decades, commercial cinema has operated under the assumption that every hero needs a heroine, regardless of whether the story requires one. The result is a familiar pattern. The male protagonist drives the action, makes the decisions, faces the conflicts, and undergoes the transformation. The female lead appears as a romantic reward, a source of visual appeal, or a reason to insert songs into the screenplay. She exists around the story rather than within it.

The problem is not romance. Great cinema has produced some of the most memorable love stories ever told. The problem is when romance becomes a substitute for characterisation. A love interest who has no agency, no ambitions, no influence on the story, and no existence beyond the hero’s gaze is not a character. She is a narrative accessory.

What makes this conversation particularly important is that audiences have changed. Viewers today are more media literate than ever before. They consume films and shows from across the world. They are exposed to stories where women are written as complex human beings rather than props. As a result, they are less willing to accept outdated storytelling shortcuts.

This is also why certain scenes that were once dismissed as harmless now face scrutiny. Behaviours previously packaged as romance are increasingly recognised for what they are. Camera choices that repeatedly reduce women to body parts are no longer seen as artistic decisions but as reflections of deeper attitudes. The audience is not becoming overly sensitive. It is becoming more aware.

Some filmmakers argue that these are conventions inherited from earlier eras of cinema. That may be true. But tradition alone is not a defence. Cinema has evolved in countless ways over the decades. Its treatment of women must evolve as well.

What is interesting about the backlash surrounding Peddi is not that audiences criticised the film. Audiences have always criticised films. What is notable is the nature of the criticism. The conversation was not centred on visual effects, pacing, or box office numbers. It was about representation, consent, and narrative purpose. That shift signals a broader cultural change.

The irony is that stronger female characters do not weaken commercial cinema. They strengthen it. Some of the most beloved films in recent years have featured women who challenge protagonists, influence outcomes, and shape narratives in meaningful ways. Such characters enrich stories because they feel like people rather than obligations.

Filmmakers often insist that cinema reflects society. The truth is that cinema also shapes society. It influences how generations understand relationships, power, and gender. With that influence comes responsibility. Not a responsibility to be politically correct, but a responsibility to be thoughtful.

The audience is no longer asking for perfection. It is asking for effort. It is asking filmmakers to move beyond formulas that belong to another era. It is asking them to write women who matter.

That should not be considered a radical demand. It should be considered the minimum requirement of good storytelling.

This version is written as a broader cultural commentary rather than a direct attack on Peddi, which generally gives an op-ed longer shelf life and wider appeal.

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