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Ananya Panday’s Chand Mera Dil Struggles at Box Office as Dance Scene Faces Heavy Trolls

Pooja Tiwari
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Ananya Panday’s Chand Mera Dil Struggles at Box Office as Dance Scene Faces Heavy Trolls

Chand Mera Dil starring Lakshya and Ananya Panday released in theatres on Friday but has had a slow start at the box office. The romantic drama received mixed reactions from both critics and audiences, and the film has struggled to show strong growth over its opening weekend. On Monday, the movie witnessed a major drop in collections, raising doubts about its long term performance in theatres.

According to the latest reports from Sacnilk, the film earned around ₹2.25 crore on its first Monday, which was its fourth day in theatres. This is a noticeable fall compared to Sunday’s collection of ₹4.25 crore, which remains the film’s highest single day earnings so far. On its opening day, the movie collected ₹3 crore. With this, the film’s total India gross collection has reached ₹15.76 crore, while the India net collection currently stands at ₹13.25 crore.

Backed by Dharma Productions and directed by Vivek Soni, the film tells the story of a young couple who meet during their college days in Hyderabad and fall in love. Their relationship takes a serious turn when they face an unplanned pregnancy. The female lead decides to keep the baby, and the couple eventually gets married. However, after marriage, they begin struggling with emotional pressure, frustration, and constant arguments. One heated fight turns violent, becoming the main conflict of the story.

Apart from the film’s box office performance, social media has also been buzzing about one particular scene featuring Ananya Panday performing a Bharatanatyam fusion dance. Clips from the sequence quickly went viral online, but many viewers reacted negatively. Well known dancer and Sangeet Natak Akademi Award winner Anita R Ratnam strongly criticised the performance on X. She said watching the dance felt like Bharatanatyam was being misunderstood and poorly presented onscreen.

However, not everyone agreed with the criticism. Ananya R Kurup, who worked as the assistant choreographer for the dance sequence, defended Ananya’s performance. Sharing a behind the scenes video, she praised the actress for her hard work and said Ananya performed the dance beautifully in the film. Ananya also reacted warmly to the post by replying with heart emojis, showing appreciation for the support amid the online debate.

Arjun Sarja Reveals What Vijay Told Him After Becoming Tamil Nadu Chief Minister

Pooja Tiwari
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Arjun Sarja Reveals What Vijay Told Him After Becoming Tamil Nadu Chief Minister

Actor Arjun Sarja recently spoke about his meeting with actor turned politician Vijay during the promotions of his upcoming Tamil Telugu film Blast Zone in Hyderabad. The actor shared an interesting conversation he had with Vijay after he became the Chief Minister of Tamil Nadu and revealed that Vijay had also seen the many memes comparing his political journey to the classic film Mudhalvan.

Directed by S. Shankar, Mudhalvan was first offered to Vijay in the late 1990s. At that time, Vijay was still very young and reportedly decided not to take up the project. The role later went to Arjun Sarja, and the film became one of the biggest hits of his career. In the movie, Arjun played a journalist who becomes the chief minister for a single day and fights corruption in the system. Over the years, the film became iconic, especially after Vijay entered politics and eventually became the Chief Minister of Tamil Nadu. Fans on social media started sharing memes calling him the “real life Mudhalvan” because he achieved in real life what he once rejected in cinema.

Speaking about their recent meeting, Arjun said Vijay himself brought up those memes during their conversation. According to Arjun, Vijay told him that when he first sat in the chief minister’s chair, he immediately remembered the story of Mudhalvan and the scenes from the film. Arjun said he felt proud seeing someone from the film industry rise to such an important political position. He added that becoming chief minister in the very first election contest is a huge achievement.

Arjun and Vijay had earlier worked together in Leo, directed by Lokesh Kanagaraj, where they played brothers. After meeting Vijay recently, Arjun even shared pictures on Instagram and wished him strength and good health as he handles the responsibilities of leading the state.

When reporters asked Arjun if he also plans to join politics, he gave a humorous reply, saying people probably do not want him to stay happy. Later, he explained seriously that politics today is very different and requires a strong inner drive, money, and massive public support. Arjun admitted that he does not think he has the same level of popularity and influence that Vijay currently enjoys.

After 45 Films, David Dhawan Hints at Retirement and Talks About Bollywood’s New Restrictions

Pooja Tiwari
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After 45 Films, David Dhawan Hints at Retirement and Talks About Bollywood’s New Restrictions

Veteran filmmaker David Dhawan recently spoke openly about how comedy films in Bollywood have changed over the years. Known for delivering some of Hindi cinema’s biggest comedy hits like Judwaa, Coolie No. 1, Raja Babu, and Partner, the director said that filmmakers today have to work under many restrictions, especially while making comedy movies.

David made these comments during a special conversation with his son, actor Varun Dhawan, at the launch of the David Dhawan Film Festival organised by PVR INOX. During the discussion, the veteran director explained that comedy today is very different from the 1990s, the period when many of his blockbuster films were released.

Talking about censorship and changing audience expectations, David said filmmakers can no longer portray women in a disrespectful manner onscreen. He shared that if such scenes are included in films today, the censor board immediately raises objections and sends detailed notices regarding restrictions. Because of this, he has become more careful and sensitive while writing and directing female characters. However, he jokingly added that he can still do almost anything with male characters in comedy films.

David Dhawan started his film journey as an editor in Saaransh, directed by Mahesh Bhatt. He later became a director with Taaqatwar. Although his early films did not perform well at the box office, he finally found success with Shola Aur Shabnam. After that, he became one of Bollywood’s most successful comedy directors with films like Hero No. 1 and Bade Miyan Chote Miyan.

After directing 45 films over a career spanning nearly four decades, David admitted that age and health have started slowing him down. He said he still enjoys making films and believes he can direct several more movies, but he also wants to focus on his health and spend more time with family. Recently, filmmaker Karan Johar hinted that David may retire after his upcoming film Hai Jawani Toh Ishq Hona Hai. The film stars Varun Dhawan, Mrunal Thakur, and Pooja Hegde, and is scheduled to release in theatres on June 5.

Colman Domingo Says Euphoria Season 3 Finale Will “Smack People in the Face” After Nate’s Brutal Death

Kriti Pandey
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Colman Domingo Says Euphoria Season 3 Finale Will “Smack People in the Face” After Nate’s Brutal Death

After Episode 7 of Euphoria completely shattered fans emotionally with Nate Jacobs’ horrifying death, Colman Domingo is now teasing that the Season 3 finale is somehow even crazier. And honestly? That sounds terrifying. In a brand-new interview with The Hollywood Reporter, Domingo opened up about Ali finally stepping out from behind the “wise diner mentor” role and becoming one of the emotional centers of the season. According to him, the groundwork for the finale has apparently been building “for seasons,” and viewers genuinely “do not see it coming.”

His exact words?

“It’s going to smack people in the face.”

Yeah. That does not sound good for Rue.

Episode 7 already felt like the beginning of the end for multiple characters. Nate Jacobs, played by Jacob Elordi, died in one of the most disturbing scenes the show has ever done after being buried alive and bitten by a rattlesnake inside a coffin. Even Jacob Elordi himself later admitted he thought the death scene was “cool” and strangely “peaceful” to film.

But while fans were busy processing Nate’s death, Ali quietly became the emotional core of the episode.

For the first time ever, Euphoria finally showed Ali’s past in full detail instead of just hinting at it through conversations. The flashback revealed him abusing drugs, cheating on his wife with another addict played by Natasha Lyonne, and bringing violent anger back home to his family.

According to Domingo, that darker side was necessary because he did not want Ali to remain “just Buddha at a diner” forever.

“We already did that,” he said.

And we know, he’s right.

This season feels much darker, heavier, and far more spiritual than previous seasons. Ali’s scenes with Zendaya’s Rue now feel less like sponsor meetings and more like a father desperately trying to save someone before it’s too late.

One of the most heartbreaking reveals from the interview is that Ali keeps a notebook filled with the names of recovering addicts he’s lost over the years. Domingo explained that Ali helping Rue is not entirely selfless anymore. In his mind, keeping Rue alive is also keeping himself alive.

That line genuinely changes the way you view every interaction between them.

Meanwhile, Rue’s situation has become completely catastrophic.

She’s now trapped between rival drug gangs, the DEA, Laurie’s stolen money, and her increasingly fractured relationships with everybody around her. Even when Rue tells the truth now, nobody believes her anymore. Lexi thinks she’s using again. Jules has emotionally disconnected. Everybody keeps assuming she’s lying because that’s all they’ve known from her for years.

And honestly, Euphoria has been throwing death symbolism around Rue nonstop this season.

Near-death accidents. Religious imagery. Redemption scenes. Ali literally discussing all the addicts he couldn’t save. It genuinely feels like the show is preparing viewers emotionally for something devastating.

Domingo even described the entire season as being deeply shaped by grief and death, both inside and outside the show.

“There was death all around us,” he explained.

That honestly explains why Season 3 feels so emotionally exhausting compared to previous seasons. Even when characters are trying to help each other, everything still feels doomed somehow.

At the same time, Domingo defended creator Sam Levinson’s larger vision for the series, calling Euphoria “cinema” rather than television. He even compared the show’s structure to a modern Western, with morality, addiction, power, sex, faith, and survival all crashing into each other.

And whether people love this season or hate it, one thing is undeniable:

Nobody can predict where this finale is going anymore.

Nate is dead. Cassie is spiraling. Maddie is becoming terrifyingly controlling. Rue is cornered from every direction. Ali is emotionally breaking apart. And now the cast themselves are warning fans that the finale is about to completely blindside everyone.

At this point, all we know for sure is this:

Next Sunday is probably going to emotionally destroy the internet.

Pope Leo Warns AI Could “Destroy Humanity” as Fear Around Artificial Intelligence Reaches the Vatican

Kriti Pandey
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Pope Leo Warns AI Could “Destroy Humanity” as Fear Around Artificial Intelligence Reaches the Vatican

The AI panic has officially reached the Vatican. nIn what’s becoming one of the biggest global conversations of 2026, Pope Leo XIV has now issued one of the strongest warnings yet about artificial intelligence, claiming that AI could become a direct threat to humanity if governments and tech companies continue developing it without proper control. And honestly? The timing feels terrifyingly perfect.

According to reports, the Pope released his first major Vatican document focused entirely on AI this week, where he compared modern artificial intelligence to the Biblical “Tower of Babel”  humanity’s attempt to reach heaven through unchecked ambition and power.

That comparison alone is huge. Because this isn’t just another celebrity saying “AI is scary.” This is literally the Pope publicly warning that society may be moving too fast without understanding the long-term consequences.

Watch full video on TMZ

One of the biggest concerns raised was AI warfare. Pope Leo specifically called for “the most rigorous ethical restraints” when it comes to military AI systems, warning that humanity is dangerously close to handing life-and-death decisions over to machines, algorithms, and corporations obsessed with speed, efficiency, and profit.

Over the last few years alone, AI has gone from helping people edit photos and write emails to generating fake videos, cloning voices, creating misinformation campaigns, replacing jobs, manipulating elections, and even being tested in military systems.

The Pope also warned that AI could slowly strip away human dignity itself.

That part really stands out. Because the fear isn’t just “robots taking over.” It’s the idea that human beings slowly stop thinking, creating, connecting, and feeling authentically because technology becomes easier, faster, and more profitable than actual humanity.

And if we’re being honest, we already see signs of that everywhere.

Students using AI to write essays.
People using chatbots instead of therapy.
Deepfakes confusing reality.
Entire industries quietly replacing workers.
Social media algorithms controlling attention spans and emotions.

The scary part is that most of this already feels normal.

Pope Leo reportedly pushed for stronger laws, independent oversight, and more accountability from the companies leading the AI race, essentially warning that a handful of powerful tech corporations should not be allowed to control something this world-changing without regulation.

And that statement absolutely feels aimed directly at Silicon Valley.

Especially because right now, the AI industry genuinely feels like a competition to dominate first and ask ethical questions later.

What makes this warning even more interesting is that it comes during a moment where public fear around AI is already exploding globally. Actors, musicians, writers, teachers, tech experts, and even governments are openly debating whether artificial intelligence is becoming too powerful too quickly.

Even inside entertainment, anxiety is everywhere now. Writers, actors, musicians, and filmmakers keep warning that AI could destroy creativity itself if corporations prioritize cheap machine-generated content over actual human art.

And honestly, when even the Vatican starts sounding alarm bells, you know the conversation has reached a completely different level.

The biggest takeaway from Pope Leo’s statement is not necessarily that AI itself is evil.

It’s that humanity might be rushing into something world-changing without slowing down long enough to ask what the long-term damage could actually look like.

And considering how fast AI is evolving right now?

That fear honestly doesn’t feel exaggerated anymore.

Olivia Rodrigo’s “The Cure” Music Video Was Made Almost Entirely From Cardboard and Handmade Sets

Kriti Pandey
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Olivia Rodrigo’s “The Cure” Music Video Was Made Almost Entirely From Cardboard and Handmade Sets

Olivia Rodrigo is entering a completely new creative era, and fans are obsessed with the handmade aesthetic behind her latest music video for “The Cure.” The singer released the visual on Friday, and while the emotional storytelling already has people talking, one detail has especially blown fans away: almost the entire set was handmade using cardboard, felt, yarn, string, and recycled materials.

Instead of relying on giant CGI-heavy production design, the “The Cure” video embraces a raw arts-and-crafts style that makes the entire thing feel strangely intimate, unsettling, and beautiful at the same time.

The video opens with Olivia dressed as a nurse inside a tiny hospital world built entirely out of cardboard walls, stitched fabric, strings, paper props, and handmade miniatures. Even the operating rooms, medicine cabinets, hallways, and hospital beds look intentionally rough around the edges, giving the visual a stop-motion diorama feel.

Throughout the video, red yarn streams out of Olivia’s body as she sings about emotional toxicity, insecurity, heartbreak, and trying to find healing through love. The yarn acts almost like veins or blood vessels unraveling from her body, visually representing the song’s central theme of emotionally falling apart.

One of the coolest details is how tactile everything feels. You can literally see the stitching, glue, cardboard folds, felt textures, and handcrafted props throughout the video. Nothing feels overly polished, which actually makes the emotional message hit harder.

As the story progresses, Olivia walks through the hospital sewing tally marks into charts with red thread before accidentally pricking her finger. Soon after, strands of yarn begin unraveling uncontrollably from her body while nurses attach tiny hearts to the strings inside the operating room.

Then comes the biggest reveal.

Near the end of the video, the camera pulls back to show that the entire hospital world is actually a handmade diorama sitting inside a room filled with cardboard boxes. The “real” Olivia picks up the miniature set, places it on the ground, and crushes it beneath her foot before walking away.

It is honestly one of the most visually creative pop videos released this year.

Fans online are praising the video for proving that strong artistic direction and practical handmade design can sometimes feel more impactful than expensive visual effects. The handcrafted look also perfectly matches the emotional vulnerability of the song itself.

Olivia later shared behind-the-scenes photos from the set on Instagram and revealed just how important “The Cure” is to her upcoming album, You Seem Pretty Sad for a Girl So in Love.

“This song is the thesis statement of the album,” she wrote, adding that the track was the one that made the entire project finally click for her creatively.

“The Cure” is the second single released from the album following “Drop Dead,” and if these visuals are anything to go by, Olivia’s new era looks much darker, stranger, more theatrical, and way more emotionally chaotic than ever before — in the best way possible.

Drake Makes Billboard History as Iceman, Habibti and Maid of Honour Take Over Top 3 Albums

Kriti Pandey
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Drake Makes Billboard History as Iceman, Habibti and Maid of Honour Take Over Top 3 Albums

Drake has officially made Billboard history, and this time it is not just about another No. 1 album. The rapper’s three new albums, Iceman, Habibti and Maid of Honour, have debuted at No. 1, No. 2 and No. 3 on the Billboard 200 chart at the same time. This makes Drake the first artist ever to hold the top three album spots in the same week since the chart began publishing weekly in 1956. All three projects were released on May 15, with Iceman leading the pack at No. 1. The album earned 463,000 equivalent album units in the U.S. during its first week, making it the second-biggest album week of 2026 and the biggest week of the year for an R&B or hip-hop project.

Habibti followed at No. 2 with 114,000 units, while Maid of Honour debuted at No. 3 with 110,000 units. All three albums were mainly powered by streaming, with Iceman alone pulling in more than 462 million official on-demand streams for its 18 tracks.

This also gives Drake his 15th No. 1 album on the Billboard 200, pushing him past Jay-Z for the most No. 1 albums among solo male artists and R&B or hip-hop acts. He is now tied with Taylor Swift for the most No. 1 albums among solo artists. Only The Beatles remain ahead with 19 No. 1 albums.

The achievement is even bigger because Habibti and Maid of Honour were not heavily promoted before release. While fans had been waiting for Iceman for months, Drake only revealed the other two albums during a livestream shortly before all three dropped together.

With this chart takeover, Drake now has 20 top 10 albums on the Billboard 200, making him the rap artist with the most top 10 albums in the chart’s history.

Iceman also scored the biggest streaming week of 2026 so far, proving that Drake’s dominance on streaming platforms is still unmatched. The only albums to post bigger recent numbers in the genre were major releases from The Weeknd and Travis Scott.

The rest of the Billboard 200 top 10 still had strong names, including Noah Kahan, Ella Langley, Morgan Wallen, Michael Jackson, BTS and LUCKI, who earned his first top 10 album with Dr*gs R Bad.

But this week clearly belongs to Drake. Dropping three albums at once could have easily split attention, but instead, he turned it into a historic chart moment. With Iceman, Habibti and Maid of Honour, Drake has once again proved that even after years at the top, he still knows how to completely dominate the conversation.

Ray J Brutally Knocked Out During Celebrity MMA Fight Months After Alarming Health Claims

Kriti Pandey
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Ray J Brutally Knocked Out During Celebrity MMA Fight Months After Alarming Health Claims

Ray J just had one of the roughest public moments of his career, and fans are seriously worried about him after everything that’s happened over the past few months. The singer and reality star was brutally knocked out during a celebrity MMA fight at streamer Adin Ross’ UFC Apex event in Las Vegas, where he faced YouTuber Supa Hot Fire in what quickly turned chaotic. The match ended in the second round after Supa Hot Fire landed a hard punch directly to Ray J’s face, leaving the 45-year-old visibly dazed. 

He stumbled backward into the ropes before collapsing to the floor. Even though he managed to stand up afterward, he looked completely out of it and eventually had to sit back down on a stool while the referee stopped the fight. But the weirdest part happened after the knockout.

During the post-fight interview, Ray J seemed genuinely upset and hinted that the fight may have been planned differently behind the scenes. He appeared shocked by how aggressive the knockout was and implied they may have agreed not to go that hard.

“Damn bro… like that? For real?” Ray J said after the match. “That’s janky as f–k.”

He then added, “I don’t want to say too much because I don’t want to get nobody in trouble, but damn… we took an L tonight. You know how much money we lost?”

The moment instantly went viral online, with fans debating whether Ray J was joking, being serious, or exposing the event in real time.

What’s making the situation even darker is the fact that this comes only months after Ray J made extremely concerning comments about his health.

Back in January, the singer alarmed fans after posting videos claiming that doctors had told him he may not have much time left. At one point, he even said, “2027 is definitely a wrap for me.”

He later revealed he had been prescribed medications commonly used for heart failure and cholesterol management, including Jardiance, Entresto, and Lipitor. He also claimed doctors advised him to stay on bed rest while he explored possible treatment options, including traveling to Haiti.

Because of those health concerns, many fans were already confused about why Ray J decided to step into an MMA ring in the first place.

And of course, because this is Ray J, the internet is also bringing up the completely insane statements he made just last month during an appearance on Cam Newton’s podcast, where he claimed he had slept with over 12,500 women throughout his life.

According to Ray J, there was a period where he was allegedly sleeping with “five to ten women a day” while touring. He later joked that now that he’s older, he only has the energy for “a thousand more.”

The internet never really knows what version of Ray J it’s going to get anymore. One moment he’s making people laugh with completely outrageous interviews, the next he’s making deeply emotional comments about his mortality, and now he’s getting knocked out in viral celebrity fights.

Still, despite the chaos surrounding him, sources close to the singer say he’s continuing to focus on his health and family life. Fans online are now hoping this latest knockout serves as a wake-up call for him to slow things down a little, especially after the frightening medical claims he’s made this year.

Because honestly, watching Ray J stumble across that ring after talking about not having long to live was genuinely uncomfortable to watch.

Jacob Elordi Reacts to Nate Jacobs’ Horrific Euphoria Death

Kriti Pandey
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Jacob Elordi Reacts to Nate Jacobs’ Horrific Euphoria Death

Euphoria fans are still trying to process the absolutely insane death of Nate Jacobs, and somehow, the person taking it the calmest is probably Jacob Elordi himself. After Episode 7 of Season 3 aired, viewers watched Nate meet one of the most horrifying deaths the show has ever done. Buried alive inside a coffin by debtors, trapped underground, unable to escape, and eventually bitten by a rattlesnake, Nate’s ending felt brutal, claustrophobic, and honestly difficult to watch. But according to Elordi, filming it was strangely relaxing.

The actor appeared in HBO’s behind-the-scenes segment after the episode and admitted he actually thought Nate’s death was “a cool way to go.” He explained that being locked inside the coffin became oddly peaceful during filming because the darkness and stillness forced him to completely disconnect from everything around him.

“My shoulders were touching the side and they couldn’t move my arms,” Elordi explained. “Then they would drill the lid on it, and it would get dark. It was really nice, actually. It was quite peaceful in there.”

Which is honestly such a terrifying sentence to hear after watching that scene.

The craziest part is that the snake used during filming was apparently real. Elordi revealed that production used an actual boa constrictor with a fake rattlesnake tail attached to it for the sequence. While the sound effects made the experience scary, he described the snake itself as “cute,” “cuddly,” and surprisingly sleepy.

Apparently, the snake was so relaxed that Elordi had to physically nudge it to make it move during the scene.

Meanwhile, Sam Levinson explained that Nate’s death was designed to give audiences the karma they had been waiting for while also making them deeply uncomfortable about it at the same time.

According to Levinson, he wanted viewers to finally get Nate’s “comeuppance,” but in a way so horrific and anxiety-inducing that fans would question whether they actually wanted to see it happen.

And honestly, mission accomplished.

Nate Jacobs has been one of Euphoria’s most hated and most complicated characters since Season 1. Manipulative, violent, emotionally abusive, and deeply broken, Nate spent years terrorizing almost everybody around him. But despite all of that, his death still landed with emotional weight because the show forced audiences to sit with the horror of it rather than celebrate it.

The imagery alone was nightmare fuel. Nate screaming underground, trapped in sand, unable to move, while a snake slowly slithered toward him was one of the darkest scenes the series has ever done.

Elordi also admitted that leaving Euphoria feels bittersweet because the show changed his life completely. Before the HBO series, he was mostly known for Netflix’s Kissing Booth movies, but Nate Jacobs transformed him into one of Hollywood’s biggest rising stars.

“This show is a massive part of not just my career but my life,” Elordi said. “It’s been amazing and I’m so proud of being a part of this.”

And now, with Nate officially dead before the Season 3 finale, the entire emotional balance of Euphoria has shifted. Cassie is completely shattered, Maddie is furious and grieving in her own way, Rue’s situation is getting darker by the episode, and fans genuinely have no clue how this season is going to end anymore.

One thing is certain though: Euphoria really just buried one of its biggest characters alive and somehow made the actor call it peaceful. Only this show could pull that off.

Pati Patni Aur Woh Do Crosses Rs. 35 Crore Despite Slow Start At Box Office

Shweta Ghadashi
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Pati Patni Aur Woh Do Crosses Rs. 35 Crore Despite Slow Start At Box Office

Pati Patni Aur Woh Do showed steady growth at the box office during its second weekend. The film collected Rs. 3.25 crore on its second Sunday, which was more than 20 per cent higher than its Saturday collection. With this jump, the total collection for the second weekend reached Rs. 8 crore. The film’s overall India nett collection now stands at Rs. 35 crore.

Although the movie is maintaining a decent trend during weekends, the overall business remains on the lower side. Trade analysts believe the film is likely to cross Rs. 40 crore soon and may even touch the Rs. 50 crore mark during its full theatrical run. However, despite this growth, the collections are still being viewed as moderate because the film had a weak start in its opening week.

Reports also suggest that some support from discounted ticket pricing and promotional offers may have helped increase footfalls during the second weekend. Because of this, industry experts are closely watching how the film performs during weekdays.

The performance of Pati Patni Aur Woh Do also reflects the current situation of small and medium budget comedy films in Hindi cinema after the pandemic period. Before 2020, small town comedy dramas were performing very strongly at the box office. During 2018 and 2019, several films from this genre became successful and attracted large family audiences to theatres.

Actors like Ayushmann Khurrana played an important role in making this genre popular by delivering multiple successful films during that period. Trade experts believe that if Pati Patni Aur Woh Do had released before the pandemic, its opening collections could have been three to five times higher than its current numbers because audience behaviour in theatres has changed significantly in recent years.

The day wise box office collections of Pati Patni Aur Woh Do are as follows:

Week 1: Rs. 28.00 crore

2nd Friday: Rs. 1.25 crore
2nd Saturday: Rs. 2.50 crore
2nd Sunday: Rs. 3.25 crore

Total Collection: Rs. 35 crore

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