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Vivian Dsena’s Style is Contagious! Watch How He Turns a White Shirt into a Fashion Statement!

This time, the fan-favorite comedy-cooking reality show Laughter Chefs is coming back with its highly-anticipated Season 3, which claims to be double in fun, flavor, and laughter. The upcoming season has a brand-new lineup of celebrities, with popular television heartthrob Vivian Dsena joining the kitchen chaos.

Fresh from the success of Bigg Boss 18, Vivian is all geared up to show his comic and culinary side. Recently, he was spotted on the sets of Laughter Chefs Season 3. He looked dashing as he wore a black tee, fitted pants in the same color, and an oversized blue shirt. He rounded off his casually cool look with a pair of white sneakers, a silver chain, and a stack of bracelets. His fans couldn’t get enough of his dashing avatar. Comments like “Effortlessly handsome”, “Dapper Dsena”, and “Sweet like candy, hot like fire” flooded social media soon after his video surfaced online.

Replete with more laughter, drama, and mouth-watering delights, Laughter Chefs will be back on Colors TV. The new season is all set to bring together a host of celebrities in a rib-tickling cooking challenge packed with unexpected turns. Everybody’s favorite Bharti Singh, who is expecting her second child, is back to hosting the show, while celebrity chef Harpal Singh Sokhi will once again don the mantle of judge.

Joining Vivian Dsena in the kitchen are popular television stars Krushna Abhishek, Kashmera Shah, Tejasswi Prakash, Karan Kundrra, Isha Malviya, Eisha Singh, Samarth Jurel, Abhishek Kumar, Elvish Yadav, Aly Goni, and Jannat Zubair.

Also Read: Vivian Dsena’s Laughter Chefs 3 Journey Begins! Actor Shares Fun BTS Video from Shoot

Inspired by the Tamil hit Cooku With Comali, the first two seasons of Laughter Chefs Unlimited Entertainment instantly topped the TRP charts by pairing celebrities in chaotic cooking challenges. Previous contestants included Rubina Dilaik, Rahul Vaidya, Ankita Lokhande, and Aly Goni. With new faces and fresh energy, Season 3 promises even more unlimited entertainment.

Get Ready to GROOVE! Ram Charan and Janhvi Kapoor’s ‘Chikiri’ from Peddi is Taking Over the Internet!

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The wait is finally over! The first song from Ram Charan and Janhvi Kapoor’s highly anticipated film Peddi, titled “Chikiri,” has been released and is already creating waves on social media. The energetic dance number, featuring the lead pair, has struck a chord with fans, who can’t stop grooving to its infectious beats.

Taking to Instagram, Ram Charan shared the vibrant track, showcasing Janhvi Kapoor in a rugged and captivating avatar. In the video, Ram Charan appears smitten by Janhvi, serenading her with his charismatic charm. Fans flooded the comments section, hailing him as a “superstar.” Earlier, when Ram Charan shared the promo of the song, his striking beedi hook step became an instant trend, with fans dropping fire emojis in excitement. A recent behind-the-scenes video also went viral, showing the actor performing daring stunts near a cliff.

Composed by the legendary A.R. Rahman and sung by Mohit Chauhan, “Chikiri” blends high energy with catchy rhythms, adding to the anticipation surrounding Peddi.

Recently, the film’s makers unveiled Janhvi Kapoor’s first look as Achiyyamma, describing her as “fierce and fearless.” In one poster, she stands atop a jeep, hands raised in a powerful pose, while in another, she exudes confidence with her hand resting gracefully on her head. Sharing the posters, the makers wrote, “Our #Peddi’s love with a firebrand attitude. Presenting the gorgeous #JanhviKapoor as #Achiyyamma. #PEDDI GLOBAL RELEASE ON 27th MARCH, 2026.”

Also Read: Ram Charan’s Peddi to Get a High-Energy Love Anthem! “Chikiri” Song Details Revealed

Directed by Buchi Babu Sana, Peddi is touted as a high-octane action entertainer. Currently being shot in Sri Lanka, the film is scheduled for a global theatrical release on March 27, 2026, and has already generated massive buzz among fans and film enthusiasts alike.”Get Ready to GROOVE! Ram Charan and Janhvi Kapoor’s ‘Chikiri’ is Taking Over the Internet! “

Millie Bobby Brown and David Harbour’s Hug Says It All… But What’s Really Going On?

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Actors Millie Bobby Brown and David Harbour reunited on Thursday night at the Stranger Things Season 5 premiere in Los Angeles. The duo, who play the beloved on-screen father-daughter pair Eleven and Chief Jim Hopper, shared a warm hug and laughter on the red carpet, delighting fans with their close bond. Posing together for photos, they radiated joy as they celebrated the highly anticipated final season of the hit Netflix series.

Netflix shared a video of their reunion on social media, captioned, “David Harbour and Millie Bobby Brown arrive together for one last Stranger Things premiere .” The moment came just days after The Daily Mail reported that Brown, 20, had allegedly filed a harassment and bullying complaint against Harbour before filming began on the show’s fifth and final season.

According to the report, the complaint—filed before production started—led to a months-long internal investigation, though the claims reportedly did not involve s*xual misconduct. A source claimed Brown had “pages and pages of accusations” and that she was accompanied by a representative on set throughout filming for her comfort and safety. Representatives for Netflix, Brown, and Harbour have not yet responded to PEOPLE’s requests for comment.

Set in 1987, Stranger Things Season 5 picks up as Hawkins reels from the chaos caused by the Rifts. The gang must reunite to find and destroy Vecna, whose whereabouts remain unknown. Meanwhile, the government’s hunt for Eleven forces her back into hiding. The epic finale promises a climactic showdown as the full party stands together one last time.

Also Read: Millie Bobby Brown’s Bombshell Accusation Against David Harbour Revealed!

The final season will release in three parts on Netflix: Volume 1 on November 26, Volume 2 on Christmas Day, and The Finale on New Year’s Eve at 5 PM PT.

Salman Khan’s Family Moments are the Best! Salma Khan Cuddles with Ahil and Ayat – Aww!

Bollywood superstar Salman Khan’s sister, Arpita Khan Sharma, recently melted hearts on social media by sharing a tender family moment featuring their mother, Salma Khan, with her grandchildren Ahil Sharma and Ayat Sharma. Arpita took to Instagram to post a beautiful picture showing Salma Khan lying comfortably on a bed, smiling affectionately as Ahil and Ayat cuddled close to her.

Expressing her love and gratitude, Arpita captioned the photo, “Counting my blessings for the memories my babies get to create spending time with their nani… mom, my best friend & my most favourite person in the whole wide world.” The post quickly gained attention from fans and well-wishers, who flooded the comments section with heart emojis and warm messages for the Khan family.

Arpita, the youngest sibling of Salman Khan, married actor Aayush Sharma in 2014. The couple welcomed their son Ahil in 2016 and their daughter Ayat in 2019. Aayush made his Bollywood debut in 2018 with Loveyatri, a Salman Khan production, opposite newcomer Warina Hussain. He later appeared in the 2020 music video Manjha alongside Saiee Manjrekar. His breakthrough role came in 2021 with Antim: The Final Truth, where he starred opposite Salman Khan as a gangster.

Aayush was last seen in the 2024 action film Ruslaan, directed by Karan Lalit Butani. The movie tells the story of Ruslaan, the son of a terrorist who joins RAW to prove his loyalty to the nation. Up next, Aayush will appear in Kwatha, co-starring Isabelle Kaif, a project delayed since 2019.

Also Read: The Big Reveal! Salman Khan’s Battle Of Galwan Release Date Leaked, Fans are Going Crazy

Meanwhile, Salman Khan continues to charm audiences as the host of Bigg Boss 19 and is gearing up for his upcoming film, The Battle of Galwan, based on the 2020 India-China border standoff.

The Wait is Over! Katrina Kaif and Vicky Kaushal Welcome Their Baby Boy with a Heartwarming Announcement

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Bollywood’s beloved couple, Katrina Kaif and Vicky Kaushal, have become proud parents to a baby boy. On Friday, the duo shared a joint statement on social media announcing the joyful news. “Our bundle of joy has arrived. With immense love and gratitude, we welcome our baby boy. 7th November 2025. — Katrina & Vicky,” the post read. Vicky captioned the post simply with the word “blessed” and a red heart emoji.

The announcement was met with a flood of love and congratulations from fans and fellow celebrities. Actress Rakul Preet Singh commented, “Omggggggg congratulationsssss u two so happy,” while singer Neeti Mohan added, “OMG!!!! Vadhayiaannnnn ”

The couple had first revealed their pregnancy in September 2025, sharing a heartwarming black-and-white Polaroid photo of themselves smiling joyfully. In the picture, Katrina was seen gently cradling her baby bump as Vicky tenderly placed his hand on her belly. They captioned the post, “On our way to start the best chapter of our lives with hearts full of joy and gratitude.”

Shortly after the announcement, a controversy erupted when a media portal published unauthorized photographs of a pregnant Katrina standing on the balcony of her Mumbai apartment. Fans and celebrities alike condemned the invasion of privacy. Actress Sonakshi Sinha strongly criticized the outlet, writing, “What is wrong with you’ll? Photographing a woman in her own home without consent and publishing it publicly? You’ll are nothing less than criminals. Shameful.”

As Katrina and Vicky embrace parenthood, the entertainment industry and fans across the globe continue to shower the new parents with love and blessings for their baby boy.

Haq Movie Review | Yami Gautam Excels

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Bollywood’s recent fascination with courtroom dramas finds a rare gem in Haq, directed by Suparn S Varma. This isn’t the kind of film that shouts to make its point — it argues, reasons and lingers with quiet conviction. Inspired by the historic Shah Bano case, Haq turns a legal landmark into an intimate human story about faith, justice and the right to dignity.

Yami Gautam Dhar, playing Shazia Bano, anchors the film with unflinching grace. From her early moments of silent endurance to her resolute stand in court, she internalizes every emotion rather than performing it. The progression is seamless — pain turns into principle, and vulnerability into assertion. Yami has been refining her craft steadily since Vicky Donor, but Haq feels like her most mature and complete performance yet. The courtroom sequence in the film’s latter half is a masterclass in controlled expression and dialogue precision. Her line, “Q u r a n rakhna, padhna aur samajhna alag baat hai,” lands like a truth bomb — neither dramatic nor rhetorical, just profoundly human.

Opposite her, Emraan Hashmi plays Abbas Khan, the husband whose actions trigger the storm that follows. His portrayal is refreshingly measured — not the stereotypical antagonist, but a man trapped between ego, conditioning and belief. Emraan brings a quiet complexity to the role, suggesting remorse beneath rigidity and conflict behind conviction. His restrained energy complements Yami’s emotional clarity, allowing their confrontations to resonate beyond the obvious. It’s a performance that underscores how far Hashmi has come from his early screen image — here, he trades flamboyance for nuance and earns it.

Adapted from a book ‘Bano: Bharat ki Beti’ by (journalist) Jigna Vora, the narrative unfolds as a pseudo-autobiography. It takes its time to set up Shazia’s emotional landscape before turning the courtroom into its main arena. The legal debate — though largely concentrated in the second half — is the film’s intellectual core. A more consistent integration of legal argumentation through the narrative might have given it even greater depth, especially considering the subject’s potential for constitutional and moral exploration. Yet, when it finally ignites, the exchanges are sharp, dignified and gripping.

Technically, Haq impresses with its restraint. Pratham Mehta’s cinematography frames the courtroom with a muted palette, contrasting it against warmer domestic tones, while Vishal Mishra’s background score weaves seamlessly through the film, amplifying emotion without overwhelming it. The music reinforces the film’s sense of dignity and control.

Suparn S Varma directs with assurance and empathy. He doesn’t sensationalize faith or law, nor does he sermonize. Instead, he lets perspective emerge organically through dialogue and silence. The tone remains consistent — intelligent, introspective and human.

If there’s one limitation, it’s structural. The film’s first half, while emotionally immersive, occasionally lingers too long before the legal fire ignites. For those who came expecting a full-fledged courtroom battle, the payoff comes late. But once it does, it grips with the weight of truth rather than theatrics.

Also Read: HAQ’s Most Powerful Dialogues: Yami Gautam and Emraan Hashmi’s Intense Confrontation

Ultimately, Haq stands apart because it refuses to treat its subject as spectacle. It’s a story told with humility and conviction, powered by two exceptional performances. Yami Gautam is magnificent; Emraan Hashmi, quietly brilliant. Together, they embody two sides of a truth — one seeking justice, the other trapped by pride.

Haq is cinema of conscience — reflective, courageous and profoundly relevant. It doesn’t deliver a verdict; it leaves you to arrive at your own.

Jatadhara Review: A blend of faith, science and mystery

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The film Jatadhara, based on a supernatural and mythological tale, attempts to transport the audience to a unique world. The story revolves around an ancient power called the “Pishaach Bandhan,” which was created to protect a treasure. When this bond is broken, the Dhan Pishaachini is reborn, and Shiva faces this terrifying world.

Jatadhara features some aspects of faith and science that may provoke thought. Directors Venkat Kalyan and Abhishek Jaiswal have attempted to portray a blend of spirituality and science in the story, but the narrative falters at several points. The visuals and locations are stunning, especially the camerawork in the temple and supernatural scenes is impressive. The direction and technical aspects are well thought out, but the execution feels incomplete.

The script needs to be tightened, as the pace is slow in some areas, which may bore the audience. However, the visuals are captivating, especially the temple and supernatural scenes.

Some songs in Jatadhara break the film’s flow. Rajiv Raj’s music doesn’t fully do justice to the film’s theme. Tracks like “Shiva Stotram” add some energy, but other songs disrupt the flow. At times, the background score feels overly loud and overly sharp.

Sudheer Babu has brought simplicity and honesty to the character of Shiva, but the script doesn’t allow him to explore any depth. Sonakshi Sinha seems to be making a different effort in this film, but her performance feels overly loud and unnatural. Sonakshi plays a Dhan Pishachini in the film.

Jatadhara is an interesting idea, but feels incomplete. Viewers who enjoy mysteries, mythological symbols, and supernatural stories can watch it once, but don’t go in with high expectations. Jatadhara is a film that may captivate with its subject matter, visuals, and suspense, but fails to deliver the same depth in terms of emotions and performances. 2.5 stars for the film.

Predator: Badlands Movie Review | Predator becomes the Prey

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Predator: Badlands is the franchise’s boldest move yet—not just a shift in setting, but a shift in soul. Forget Earth, human marines, and macho one-liners. This time, we step inside the world of the Yautja, and it’s raw, emotional, and wildly alien. At the centre is a young Predator (Elle Fanning) who, ironically, earns the label no warrior ever wants – weakness.

Born physically imperfect, he’s considered a shame to his clan—a blemish on the sacred warrior code. His father, ruthless in the way only a species built on survival pride can be, believes weakness deserves extinction. In a heartbreaking introduction, the young Yautja’s brother Kwei (Mike Homik) sacrifices his own life to protect him, only to be killed by their father. But in a tragic turn, the “weak” one attempts to retaliate and ends up dying in the process—yet his final act frees the younger brother. Trauma doesn’t just shape him—it defines him. This isn’t a hunter born. It’s a hunter carved by loss.

From here, the young Yautja chooses the only path that can rewrite his fate – prove his worth by bringing home the ultimate trophy—Kalisk, a legendary, nearly indestructible beast. Honour, revenge, identity, belonging… the stakes are deeply primal. But before he can even track his mythical quarry, destiny throws him a curveball in the form of Thia, a damaged (half-bodied) Weyland-Yutani (Wey-Yu) synthetic (synth) who literally has to drag herself through life.

Their first encounter flips the script—he saves her, she saves him, and suddenly this isn’t just a hunt anymore. Thia is hunting Kalisk too, but she’s also on a mission to reclaim her lost lower body. And yes, there’s an absolutely bonkers, crowd-pleasing sequence where her severed lower half goes full parkour-combat mode on its own. It’s the kind of idea that makes you smirk and say, “Okay, that’s new.”

The film then becomes an offbeat survival-and-bonding odyssey. The duo faces bizarre alien creatures, traps, terrains, and inner turmoil—more creature adventure than space thriller. Their connection is wordless but surprisingly touching. Neither fits in their world; both are broken in body or spirit. Together, they turn that brokenness into something fierce.

But here’s the truth – the storyline is slender. Like… wafer-thin. This movie lives and dies on vibes, visuals, and raw imagination. The world-building is genuinely spectacular—creature designs, Yautja language, weapon concepts, biome ecosystems—it’s like watching an intergalactic wildlife documentary where everything wants to kill you. Think art-house Predator with combat and creature psychology.

Also Read: The ‘Predator Badlands’ Dialogues Reveals a Gripping Storyline – Get Ready!

And then there’s the ending. Right when the young Yautja returns, trophy earned, honour restored, and destiny rewritten, the screen hints at the arrival of his mother. It’s a sharp tease—suggesting emotional, political, and mythic expansion in whatever comes next.

Is this for everyone? Nope. Traditional Predator fans may find it too weird, too quiet, or too “vibe-first, story-second.” But Gen Alpha—the TikTok-raised, lore-loving, sensory-hungry crowd? They might absolutely devour this inventive creature-warfare energy.

It’s not a popcorn blockbuster—it’s a cinematic experiment with adrenaline and art stitched together (sometimes literally, in Thia’s case). And even when it stumbles, you kind of admire the audacity. Because in a world full of safe sequels, Predator: Badlands would rather go strange than go stale.

Movie: Predator: Badlands
Directed by: Dan Trachtenberg
Cast: Elle Fanning, Dimitrius Schuster-Koloamatangi, Mike Homik
Theatrical Release Date: November 7, 2025
Running time: 1hr 47 minutes

I  Kicked Him  While  I  Was  In  Bed, He  Sat  Next  To  Me!’ – Farah Khan’s BOMBSHELL  Confession  About  Harassment!

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One of Bollywood’s veteran filmmakers and choreographers, Farah Khan, who has spent over four decades in Bollywood, recently shared one such disturbing experience in her early days. Recently on Too Much With Twinkle and Kajol, Farah opened up about how although her career is filled with success, it has also tested her personal boundaries. She remembered when a filmmaker tried to cross the line while she was doing her job.

Om Shanti Om director Farah shared, “He came into my room to discuss a song or something while I was in bed, and he sat next to me. I had to kick him from there.” Host Twinkle Khanna, who was then present, corroborated the incident: “He was after her, no matter what. She had to physically kick him. This happened. I was the witness.” Farah’s frank disclosure brings to light the uncomfortable moments actresses in the industry have had to put up with all along, fending off unwanted advances while being professional.

But beyond all the glitz and glamour of Bollywood, Farah admitted that the industry has also shaped her resilience and work ethic. Sharing what motivates her today, she said her drive is largely caused by financial insecurity during her childhood. “I don’t know where this drive comes from. But I think it is an insecurity. When you don’t have money in your childhood… so I feel that every day I go to work, there will be more money for my kids,” Farah articulated, adding that her fear of financial struggle keeps pushing her to work harder.

Also Read: Farah Khan’s Surprise Move: Ananya Panday to Join the Tees Maar Khan 2 Cast as Katrina Kaif’s ‘Younger Sister

Farah also compared her work ethic with that of actor Akshay Kumar, whom she greatly admires. “Other than that, I enjoy working and going out. It is pretty much what Akshay does. I’m not saying this in a bad way — I admire it. It’s very commendable when you know what you’re doing will get you this much, and you love the work you’re doing,” she said. Farah’s journey from a background dancer to one of Bollywood’s most successful choreographers and directors has been remarkable. After her father’s film failed and the family faced financial hardship, she entered the film industry at just 15. Over the years, she has directed several blockbuster films, including Main Hoon Na, Om Shanti Om, and Tees Maar Khan, solidifying her position as one of Indian cinema’s most influential creative forces.

Mouni Roy Reveals a Dark Chapter: ‘Man Misbehaved, Held My Face, Showed Me…’ When I Was Just 21!

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Recently, actor Mouni Roy, who has had a successful transition from television to films and digital platforms, spoke about a traumatic experience in the early days of her career. Appearing on Apoorva Mukhija’s show, Mouni revealed that when she was all of 21 years old, a man misbehaved with her during a script narration — an incident that had shaken her up and kept her emotionally scarred for a long time.

When asked if she had ever faced the casting couch, Mouni clarified, “Casting couch toh nahi hua, but badtameezi hui hai” (I never faced a casting couch, but I was misbehaved with). She recalled that during a narration session at someone’s office, surrounded by others, the script involved a scene where the heroine faints in a pool and the hero revives her with mouth-to-mouth resuscitation. “The man literally held my face and showed me mouth-to-mouth respiration,” she recounted. “In that split second, I didn’t understand what happened. I started shaking and ran out. It really scarred me for a long time.”

Her entry into the entertainment industry started with the famous television serial Kyunki Saas Bhi Kabhi Bahu Thi. Then, she acted in a number of shows and reality programs and slowly built her reputation as a talented and hardworking performer. She finally got her big break with the mythological series Devon Ke Dev… Mahadev, in which she played Sati, earning wide recognition.

But it was her iconic role as Shivanya in the supernatural series Naagin that turned her into a household name. The show’s massive popularity established Mouni as one of television’s most bankable stars.

After ruling the small screen, Mouni started her Bollywood career with the 2018 sports drama Gold, opposite Akshay Kumar. She then went on to do other notable films like Romeo Akbar Walter, Brahmastra: Part One – Shiva, Blackout, Vedaa, and LSD 2. She was also a part of several hit songs in blockbuster films like K.G.F: Chapter 1. Expanding her horizons further, Mouni ventured into the digital space with Sultan of Delhi and the web series Showtime, co-starring Emraan Hashmi.

Also Read: Mouni Roy’s Diwali Dhamaka: Royal Blue Lehenga Steals the Show!

Despite the challenges she faced early in her journey, Mouni Roy’s story stands as a testament to resilience and self-belief. She continues to be an inspiration to many young actors trying to make their mark in the industry.