British musician and producer Labrinth has stunned fans after posting a blunt message on Instagram that appears to distance himself from the hit HBO series Euphoria and even hint at his retirement from the music industry. The composer, who has been closely associated with the show since its first season, shared a cryptic statement late Thursday night that quickly spread across social media. “I’m done with this industry,” Labrinth wrote in the post, before directing strong language toward both his record label and the HBO series that helped define his recent career. “F*** Columbia. Double f*** Euphoria. I’m out. Thank you and good night,” the message read. Labrinth is currently signed to Columbia Records.

The musician posted the statement without any caption or additional explanation, leaving fans and industry insiders speculating about what may have prompted the sudden outburst. Representatives for Labrinth and HBO have not publicly clarified the situation so far.

Labrinth has been a major creative force behind Euphoria’s sound since the show premiered in 2019. His atmospheric score became one of the defining elements of the series and earned him significant acclaim. He even won a Primetime Emmy Award for Outstanding Original Music and Lyrics for the track “All for Us,” which became closely associated with the show’s main character Rue Bennett.

Despite his explosive post, Labrinth was recently involved in the upcoming third season of the series. HBO had announced last year that he would return to compose the music alongside legendary film composer Hans Zimmer. The long awaited third season of Euphoria, created by Sam Levinson, is scheduled to premiere on April 12 and is expected to feature a time jump that takes the characters beyond their high school years.

The new season will once again star Zendaya as Rue Bennett, alongside returning cast members Jacob Elordi, Sydney Sweeney, Hunter Schafer, Alexa Demie and Maude Apatow. New additions to the cast include singer Rosalía, former NFL star Marshawn Lynch and actor Adewale Akinnuoye-Agbaje.

Labrinth was also recently seen attending the Balenciaga Winter 2026 fashion show in Paris earlier this week, where Levinson teased footage from the upcoming season of Euphoria. The timing of his post has only added to the confusion surrounding his relationship with the show.

For now, it remains unclear whether Labrinth’s statement signals a genuine departure from the industry or simply a moment of frustration. But if the composer truly walks away, it would mark a surprising exit for one of the most influential musical voices behind modern television.

The annual Academy Awards, widely known as the Oscars, has long been one of the most prominent events in the global film industry. While the ceremony is primarily associated with recognising achievements in filmmaking, its organisers also aim to create a show that resonates emotionally with audiences. For the upcoming 2026 ceremony, the production team is focusing on maintaining the traditional mix of celebration and reflection while introducing elements that acknowledge a particularly significant year for the film community.

Executive producer Raj Kapoor and producer Katy Mullan are leading preparations for the ceremony. According to the producers, the event will include a number of thoughtful adjustments to reflect recent developments within the film industry. One of the most notable changes will be an expanded version of the ceremony’s In Memoriam segment, which honours members of the film community who have passed away over the past year.

The decision to lengthen this portion of the broadcast follows the deaths of several prominent figures in cinema, including Robert Duvall, Diane Keaton, and Diane Ladd. Their contributions to the industry spanned decades and influenced generations of filmmakers and performers. As a result, the producers felt it was important to ensure the tribute segment offers enough time to acknowledge these losses appropriately.

Katy Mullan explained that planning the tribute has required careful discussion and preparation. According to her, the production team has spent considerable time deciding how best to present the memorial while ensuring that each person being honoured receives thoughtful recognition. She noted that the process has involved extensive deliberation and will likely continue right up until the live broadcast.

Raj Kapoor also highlighted the level of detail involved in preparing the In Memoriam segment. Elements such as graphic design, title cards and the order in which individuals are presented are all carefully considered. The sequence of tributes, he explained, is important in shaping how audiences experience the segment emotionally. Because the list of honourees and the visual material used may change as the ceremony approaches, the editing process continues almost until the day of the event.

The In Memoriam segment has become one of the most emotionally resonant parts of the Oscars broadcast. For many viewers, it provides an opportunity to remember influential actors, directors, writers and technicians who have shaped the art of filmmaking. Kapoor emphasised that the production team treats the responsibility seriously because the segment allows audiences to revisit the work and legacy of people who played important roles in cinema.

Alongside the reflective tone created by the memorial tribute, the ceremony will still include the competitive categories and recognitions that define the Oscars. This year’s nominations have already generated attention within the industry. The film Sinners leads the nominations with 16 nods, setting a new record for the highest number of nominations in Oscars history. It is followed by One Battle After Another, which has received 13 nominations across several major categories.

The ceremony will once again be hosted by comedian and television personality Conan O’Brien, who returns for the second consecutive year. O’Brien’s involvement as host reflects the Academy’s continued effort to combine humour and entertainment with the more formal aspects of the awards presentation. In addition to hosting duties, he also recently appeared as an actor in the film If I Had Legs I’d Kick You, in which he performed alongside Rose Byrne, who has received a Best Actress nomination.

The 2026 Academy Awards are scheduled to take place on March 15 at the Dolby Theatre, the long-time venue for the ceremony in Los Angeles. As in previous years, the event will bring together filmmakers, actors and industry professionals from around the world to celebrate achievements in cinema.

While the awards themselves remain the centrepiece of the evening, this year’s ceremony is expected to carry a slightly more reflective atmosphere due to the losses experienced by the film community. By expanding the In Memoriam segment and carefully shaping its presentation, the producers aim to ensure that the event not only recognises the achievements of the present year but also honours the legacy of those who helped shape the history of filmmaking.

Renowned filmmaker Steven Spielberg is returning to the science-fiction genre with a new film titled Disclosure Day. Known for shaping some of the most influential sci-fi movies in Hollywood, Spielberg has previously directed widely discussed films such as E.T. the Extra-Terrestrial, Close Encounters of the Third Kind, Minority Report, and War of the Worlds. With Disclosure Day, the director once again explores themes of extraterrestrial life and humanity’s reaction to discovering that it may not be alone in the universe.

The newly released trailer for the film has sparked curiosity among viewers by revealing parts of the story while leaving many questions unanswered. The premise revolves around the idea of a world-changing revelation: what if governments confirmed that alien life exists and has already established contact with humans? Instead of focusing only on alien encounters, the film appears to examine how society might respond if such a truth were suddenly made public.

Actor Josh O’Connor plays a central role in the film. In the trailer, he appears as a cybersecurity professional who has access to highly confidential information. His character is responsible for protecting sensitive data, but he secretly plans to expose a major secret. The information he wants to reveal suggests that humans are not the only intelligent beings in the universe and that contact with extraterrestrial life has already taken place. As he prepares to make this information public, he becomes involved in a dangerous situation that could have global consequences.

During the course of the story, his character forms an unlikely partnership with a television weather reporter from Kansas City, portrayed by Emily Blunt. Her role introduces one of the film’s more unusual elements. In several moments shown in the trailer, her character begins speaking in strange clicking sounds while reporting live on television. The sudden and unexplained behavior raises questions about whether she has been influenced or controlled by an unknown force connected to the alien presence hinted at throughout the film.

Another key figure in the story is played by Colin Firth. His character appears to hold significant power and influence within the narrative. The trailer portrays him as a mysterious administrator with access to advanced technology, including a device that allows him to travel between locations and manipulate the minds of others. His motives remain unclear, but the scenes suggest that he may play a critical role in controlling or concealing the truth about extraterrestrial contact.

The preview also features a series of striking and unexplained visuals that add to the film’s sense of mystery. Among these are scenes showing large crop circles forming in fields, a phenomenon often linked to theories about alien activity. Another moment depicts a deer leading a young girl toward a glowing doorway, hinting at a deeper or symbolic connection between nature, humans, and unknown forces. These brief glimpses suggest that the story may combine elements of suspense, science fiction, and psychological drama.

According to the official synopsis, the film asks a central question: how would humanity react if definitive proof of alien life were suddenly revealed? The tagline emphasizes the scale of the revelation by suggesting that such knowledge would belong not to governments or secret organizations but to the entire global population. The phrase “Disclosure Day” in the story refers to the moment when the hidden truth about extraterrestrial life becomes impossible to conceal any longer.

Spielberg’s earlier films often explored the emotional and societal impact of encounters with alien life, and Disclosure Day appears to continue that tradition while introducing new narrative elements involving technology, secrecy, and public information. By combining suspenseful storytelling with science-fiction themes, the film seems designed to examine both the fascination and fear surrounding the idea of contact with extraterrestrial civilizations.

Disclosure Day is scheduled to be released in theatres on June 12. With a cast that includes Josh O’Connor, Emily Blunt, and Colin Firth, along with Spielberg’s long-standing reputation for influential sci-fi storytelling, the film has already generated considerable interest ahead of its release.

The iconic fashion film The Devil Wears Prada is officially getting a sequel nearly two decades after the original became a cultural phenomenon. The new film, titled The Devil Wears Prada 2, is set to bring back several beloved characters while exploring a new chapter in the high fashion world. The original movie, released in 2006, was based on the novel by Lauren Weisberger and followed young journalist Andy Sachs navigating the demanding world of fashion under the ruthless editor Miranda Priestly.The sequel is scheduled to hit theaters on May 1, 2026, marking the long awaited return of one of Hollywood’s most recognizable fashion dramas. 

Production on the film began in June 2025 after it was officially announced by Disney. Fans got their first glimpse of the project when Anne Hathaway shared an early look at her return as Andy Sachs on social media.

Several major stars from the original film are returning. Meryl Streep will once again play the powerful and intimidating editor in chief Miranda Priestly, while Hathaway returns as Andy Sachs. Emily Blunt will reprise her role as Miranda’s sharp tongued assistant Emily Charlton, and Stanley Tucci returns as the beloved fashion director Nigel.

The sequel will also introduce new characters. Kenneth Branagh has joined the cast and will play Miranda Priestly’s husband. Additional cast members include Simone Ashley, Lucy Liu, Justin Theroux, B.J. Novak and Pauline Chalamet. Actors Rachel Bloom and Patrick Brammall are also set to appear in the film, while Tracie Thoms and Tibor Feldman will reprise their roles from the original movie.

Story details are still mostly under wraps, but early reports suggest the film will focus more heavily on Miranda Priestly’s perspective as she navigates the decline of traditional print magazines and the changing media landscape. With the fashion industry evolving and digital media dominating the market, Miranda is expected to face new professional challenges that test her influence and power.

Behind the scenes, several key creatives from the original movie are returning. Screenwriter Aline Brosh McKenna, who wrote the first film, is back to write the sequel. Director David Frankel, who helmed the original movie, has also been in discussions to return, along with producer Wendy Finerman.

A teaser for the sequel has already been released. The first preview dropped in November 2025, and a fuller teaser was shown during the Grammy Awards 2026, giving fans their first official glimpse of the returning fashion world.

Nearly twenty years after Miranda Priestly first delivered the unforgettable line “That’s all,” the sequel is poised to revisit the glamorous but ruthless industry that made the original film a classic. With its original stars returning and a new story reflecting the modern fashion landscape, The Devil Wears Prada 2 is shaping up to be one of the most anticipated film releases of 2026.

The Oscars are just days away and the race for Hollywood’s biggest prizes is getting intense. Prediction markets are beginning to show clear favorites across several major categories. According to forecasts from Polymarket, the current frontrunner for Best Actor is Michael B. Jordan, who is projected to win his first Academy Award with a probability of around 51 percent. That places him ahead of Timothée Chalamet, who had been considered one of the strongest contenders earlier in the awards season. One of the biggest stories emerging from the prediction markets is the dominance of One Battle After Another. 

The film is currently projected to have a major night at the Academy Awards, with a 77 percent probability of winning Best Picture according to Polymarket forecasts. The film is also predicted to take home Best Cinematography, where it holds a projected probability of around 76 percent. The project is directed by Paul Thomas Anderson, who is also predicted to win Best Director based on the same market projections.

In the acting categories, the predictions show a strong consensus in several races. Jessie Buckley is projected to win Best Actress with an overwhelming 97 percent probability according to Polymarket’s numbers. In the supporting categories, Amy Madigan is currently predicted to win Best Supporting Actress, while Sean Penn leads the Best Supporting Actor race with a projected probability of 69 percent.

In other categories, Cinemal Value is projected to win Best International Feature Film. Meanwhile Ciner’s currently holds a smaller projected chance in the Best Original Screenplay race, sitting at around 25 percent in prediction market forecasts.

One of the more surprising aspects of the Best Actor race is the position of Timothée Chalamet. Earlier in the season, many awards watchers considered him one of the strongest contenders. However, his chances appear to have slipped slightly according to prediction market trends.

Some observers have speculated that recent comments made by Chalamet about ballet and opera being art forms that “no one cares about anymore” may have affected public perception among parts of the artistic community. The remarks sparked criticism from artists and performers, including ballet star Misty Copeland, who responded publicly to the comments.

Whether those remarks actually influence Oscar voting remains unclear. Awards races often shift rapidly in the final days before the ceremony, and the Academy’s voting body can produce unexpected results.

For now, though, the data from prediction markets suggests that Michael B. Jordan and One Battle After Another could be the biggest winners when the envelopes are finally opened on Oscar night.

Nicole Kidman has revealed that one thing can instantly ruin an intimate scene for her and it has nothing to do with acting chemistry. Speaking on the Las Culturistas podcast hosted by Bowen Yang and Matt Rogers, the Oscar winning actor admitted she is extremely sensitive to smell and that bad breath from a co star is an immediate dealbreaker while filming romantic scenes.

Kidman explained that smell plays a major role in how she reacts to people around her. “I’m very smell sensitive. I’m either drawn to or drawn away based on a smell,” she said during the podcast conversation.

The actress said the situation becomes especially difficult when filming intimate scenes. According to Kidman, even the most attractive actor cannot overcome bad breath in that moment.

“You could be the most gorgeous guy and if you came at me with bad breath, I’m like no, no, no. If I say breathe on me and I have to recoil, I’m out. You could not offer me enough money,” she said.

Kidman even recalled a specific moment while filming the HBO drama Big Little Lies, where she starred opposite Alexander Skarsgård as the troubled couple Celeste and Perry.

She remembered calling out Skarsgård after he ate a falafel sandwich before they had to film kissing scenes together.

“When Alexander Skarsgård ate a falafel sandwich before we did the scenes in Big Little Lies,” Kidman recalled, saying she immediately told him to put the sandwich away because she was supposed to be kissing him on camera.

“I’m meant to be kissing you and into you. Put away the falafel now. Because the bad breath does not turn me on,” she said.

Kidman added that while smelling good is important, the most important factor for her is the mouth itself.

“The taste of the mouth and the smell of the mouth is very important to me,” she explained.

During the podcast, Kidman also revealed who she believes smells the best out of everyone she has met. According to the actress, that title goes to none other than Rihanna.

When the hosts mentioned they had heard rumors about Rihanna’s incredible scent, Kidman confirmed them without hesitation, saying the global superstar smells “intoxicating.”

Doja Cat has taken back her criticism of Timothée Chalamet, openly admitting that her viral reaction to his ballet and opera comments was partly driven by internet outrage culture and the desire for clicks. In a TikTok video addressing the situation, the singer confessed that she had never actually attended a ballet or seen an opera, despite joining the wave of criticism directed at the actor.

Doja Cat explained that she knew Chalamet’s comments were something she could leverage in order to get people to connect with her online. According to her, it was an easy opportunity to generate attention in a modern internet environment where outrage often translates into engagement.

“I knew that Timothée’s goof up was something that I could leverage in order for people to connect with me and mess with me, and it’s easy. It’s a modern way to garner clicks and likes,” she said in the video.

She then admitted something that completely flipped the conversation. Doja Cat revealed that despite criticizing Chalamet, she has never actually attended the art forms she was defending.

“I’ve never been to a ballet. I’ve never seen an opera,” she said, explaining that she simply jumped into the criticism because the internet rewards those reactions.

The artist also said she wanted the same validation she saw others receiving online. “I wanted to be a pat on the back the way everybody else is patting each other on the back in the comment sections. I wanted to look like a hero,” she said.

However, she admitted the experience did not feel as satisfying as she expected. After receiving the attention she wanted, she realized she did not enjoy it as much as she thought she would.

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“And when I got it, I didn’t like it so much,” she explained, adding that sometimes she says things impulsively and later regrets them. “Sometimes I think something and then I’m like, never mind. So never mind.”

Her comments essentially confirmed that her criticism of Chalamet was less about the art forms themselves and more about the culture of online outrage that dominates social media conversations today.

The situation has also sparked debate about whether Chalamet’s original comments were actually that controversial in the first place. Many people argue that while ballet and opera remain culturally significant, they are not art forms that the average person regularly attends or follows.

That is why some observers believe the backlash toward Chalamet may have been driven more by the internet’s tendency to amplify outrage than by genuine disagreement. In many ways, his comment may simply reflect what a large number of people quietly think, even if they would never say it publicly.

With Doja Cat now admitting that she joined the criticism without firsthand experience, the entire episode has become a reminder of how quickly online narratives can form and how easily people can jump into cultural debates for engagement rather than genuine discussion.