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YOONA – Wish to Wish Song Lyrics

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Song name – Wish to Wish
Singer – Yoona

Check out Wish to Wish Song Lyrics by Yoona

This Time Forever
One Dazzling Star, A Moment With You
You Shined On Me So I Could Shine Countlessly
I’ll Be Shining For You (I’m Calling)
I Hear It From Far Away
Our Story That We Shared Together
When The Wind Blows
I’ll Come To Meet You, So Will You Wait For Me

Even If Time Passes Again
Forever
I’ll Stay By Your Side
Starlight Falling
A Sweet Night Like Tonight

The Winter I Waited For, Christmas With You
Snow Falls Down
Remember This Moment
The Precious Times We Shared
I Promise
I’ll Hold Both Your Hands Tight Just Like Now
I Hope You’ll Always Be The One Who Shines
Ooh-Ooh, Ooh-Ooh

Do You Remember
The Moment Our Hearts Reached Each Other
The Day We First Met
Do You Remember How We Looked Back Then

The Winter I Waited For, Christmas With You
Snow Falls Down
Remember This Moment
The Precious Times We Shared
I Promise
I’ll Hold Both Your Hands Tight Just Like Now
I Hope You’ll Always Be The One Who Shines

A Song I Want To Sing For You
Will You Remember It
I Just Want To Walk Together
On A Street Filled With Starlight, Just The Two Of Us

I Promise
I’ll Hold You Tight Just Like Now
Always For You
Wish To Wish For You

I Hope You’ll Always Be The One Who Shines

Rashmika Mandanna Breaks Down: The Girlfriend’s Toughest Scene

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Rahul Ravindran’s romantic drama The Girlfriend, starring Rashmika Mandanna and Dheekshith Shetty, released in theatres last month and earned widespread praise from both critics and audiences. While the film has been appreciated for its honest portrayal of toxic relationships, the director has now revealed the emotional toll one particular scene took on Rashmika—leaving her completely shattered on set.

In a recent conversation with The Hollywood Reporter India, Rahul Ravindran opened up about filming what he described as the most difficult and emotionally draining sequence in the movie. The scene, known as the “door sequence,” was so intense that Rashmika was left sobbing uncontrollably after the camera stopped rolling.

“The toughest scene, which was pretty gut-wrenching for both Rashmika and me, was the door sequence,” Rahul said. “That was the seed of the film. It was something I had seen in my own life.” The scene shows Rashmika’s character, Bhooma, discovering abusive words written across her dorm room door—a moment that becomes a turning point in the story.

What made the scene even more powerful was Rahul’s unconventional approach to preparing Rashmika for it. Instead of asking her to think like her character, he asked her to think like herself. “For this one scene, I told her I’m not going to ask you to think like Bhooma. I’m going to ask you to think like Rashmika,” he revealed.

Rahul encouraged the actress to confront painful memories from her own life. He asked her to remember moments when she had been abused or hurt—sometimes even by strangers. According to the director, Rashmika often masks pain with optimism, but for this scene, he asked her to let go of that instinct. “I told her to set that aside, take all that in and let it come out,” he said.

To keep the emotion raw and real, Rashmika was not shown the door beforehand. The camera captured her reaction the very first time she saw it. When the shot ended, Rahul immediately sensed something was wrong. “I didn’t even say ‘Take okay’. I just went to the door and went inside,” he recalled.

What he saw was heartbreaking. “She was a mess. She was broken. She was sobbing uncontrollably. For about 20 minutes, she just kept sobbing,” Rahul said, adding that something deeply buried had surfaced after years of suppression.

Written and directed by Rahul Ravindran, The Girlfriend follows Bhooma Devi, a postgraduate student deceived into a toxic relationship with Vikram (Dheekshith Shetty). Produced by Dheeraj Mogilneni and Vidya Koppineni, the film also stars Anu Emmanuel and Rao Ramesh in key roles.

Zeeshan Ayyub Reveals Why Shah Rukh Khan’s Humility Is Unmatched

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Shah Rukh Khan’s reputation as a warm and gracious host has long been celebrated in the film industry. From personally escorting guests to their cars to making everyone feel at home at his Mumbai residence, Mannat, stories of his generosity are well known. However, actor Zeeshan Ayyub believes that Shah Rukh Khan’s true humility is revealed not in these grand gestures, but in the quiet, everyday ways he treats people who often go unnoticed on film sets.

Zeeshan, who has worked with Shah Rukh Khan in films like Raees and Zero, recently opened up about his experiences while speaking to Shubhankar Mishra on his YouTube channel. According to him, the real measure of a person’s character lies in how they treat working-class individuals—especially those who do physical labour and earn modest wages.

“Many stars will come and drop you at the gate,” Zeeshan said, “but for me, the real test is how someone treats people who do physical labour for less money.” By that standard, he added, Shah Rukh Khan consistently stands apart. “That’s how I judge a human being. Shah Rukh never misses greeting these people.”

Zeeshan went on to recall several moments from their time on set that left a lasting impression on him. One incident, in particular, highlighted Shah Rukh’s instinctive respect for others. “If he walks out of a door and the doorman opens it for him, even if Shah Rukh is in the middle of a serious conversation, he will stop, turn around, give the doorman his full attention and say thank you,” Zeeshan shared. “That is a sign of greatness.”

The actor emphasized that it wasn’t the act itself, but the sincerity behind it that truly mattered.

Zeeshan also spoke about Shah Rukh’s sense of responsibility during long shooting schedules. If a shoot needed to extend beyond the planned hours, Shah Rukh wouldn’t assume compliance from junior artists. Instead, he would personally address them. “If he wants to extend a shoot by half an hour, he will go to the microphone and apologise,” Zeeshan said, adding that Shah Rukh politely asks for their consent despite knowing they’re usually prepared for longer hours.

According to Zeeshan, this mindset stems from Shah Rukh’s upbringing, not his stardom. “He thinks it’s his film, and because of him the delay has happened,” he explained. “So he feels it’s his duty to ask people personally.”

In an industry driven by hierarchy and power, Zeeshan believes these small, consistent acts of respect are what truly define Shah Rukh Khan’s greatness—quiet proof that humility doesn’t need a spotlight.

Agastya Nanda: Ikkis Music Unlocked My Character’s Soul

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After entertaining people with some great numbers like Sitaare, Ban Ke Dikha Ikkis, Tera Aashiq, and Sajda, the team of the highly anticipated war saga Ikkis is proud to announce that the complete music album of this upcoming cinematic production has been launched.

Speaking on his views on the album, first-time actor Agastya Nanda discussed his personal experience of finding his character in this album so relatable, being a young soldier struggling through and coping with the realities of war. Speaking on his album getting so much appreciation for its songs, Agastya stated that he is reliving some of his most truthful and heartfelt experiences from the shoot through this album.

“Music has played a massive part in me understanding my character and what his emotion journey is all about,” he revealed. “Going back to the album reminds me of moments that were very emotional and very close to my heart,”

Actress Simar Bhatia, who has appeared alongside Agastya in the TV show Ikkis, shared similar views. “The album is highly meaningful because the songs are not just background scores to the film. It is after all, an extension of the characters, which makes it even more special,” said Simar Bhatia.

Adding to the already developing hype for the film, Agastya has also gained accolades for his debut effort from none other than his famous grandfather, Amitabh Bachchan. The superstar wrote on his blog, “Proud of you, grandson, for having performed just like perfection in every shot.”

Amitabh Bacchan wrote a very emotional post looking back at Agastya’s life, from birth through to when he came into the film industry. Amitabh remembered when Agastya’s mother, Shweta Bacchan, had been rushed to Breach Candy Hospital in her last stages of labour. Big B remembered holding Agastya in his hands just a few days after birth, checking if his eyes are blue.

Right from the times when Agastya pulls at his beard as a child to his choice to become an actor, it was all very emotional for Amitabh Bachchan. This was evident in his tweets when he stated that whenever Agastya appeared on screen in the show Ikkis, he could not take his eyes off the screen. By its stirring background score, soulful acting performance, and emotional support, Ikkis is steadily mounting curiosity – not only as a war film, but also as an intensely subjective cinematic experience for its actors and its makers.

MS Dhoni Brings Festive Cheer To Salman Khan’s 60th Birthday Celebration

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Bollywood superstar Salman Khan marked a significant milestone as he turned 60 on December 27, celebrating the occasion with a private and intimate gathering at his Panvel farmhouse. True to his personality, the actor chose warmth, reflection, and close companionship over a grand public spectacle, making the evening a memorable one for family and a handful of close friends.

One of the most talked-about moments of the night was the arrival of former Indian cricket captain MS Dhoni, who attended the celebration with his wife Sakshi Dhoni and their daughter Ziva. The presence of the cricketing legend added a special charm to the occasion and instantly caught the attention of fans and media alike. Photos and videos of the Dhoni family arriving at the farmhouse quickly went viral on social media, with admirers celebrating the rare crossover of two of India’s most revered icons.

Salman Khan and MS Dhoni share a bond built on mutual respect, discipline, and shared values. While they belong to different worlds—cinema and cricket—their journeys reflect dedication, resilience, and an unwavering connection with the masses. Dhoni’s presence at the celebration symbolised this enduring camaraderie, making the evening even more meaningful for fans who admire both personalities.

Despite Salman’s stature as one of Bollywood’s biggest superstars, the birthday celebration remained understated and personal. Family members were at the heart of the gathering, reinforcing the actor’s long-standing preference for intimate celebrations. His sister Arpita Khan Sharma arrived with her husband Aayush Sharma, while veteran screenwriter and Salman’s father, Salim Khan, was also present, accompanied by other close members of the Khan family.

Adding to the star presence, actor Randeep Hooda attended the celebration with his wife Lin Laishram. Television host and actor Maniesh Paul brought his trademark enthusiasm to the evening, briefly entertaining photographers with a cheerful bhangra step before heading inside. The guest list reflected a careful balance—close friends, family, and a few well-wishers who have shared personal and professional ties with Salman over the years.

Unlike lavish industry parties often associated with milestone birthdays, Salman’s 60th was more about reflection and togetherness. Those present described the evening as calm, warm, and filled with genuine conversations rather than noise and spectacle. The setting of the Panvel farmhouse, away from the bustle of the city, further reinforced the sense of privacy and comfort that Salman values deeply.

As Salman Khan celebrates six decades of life, his professional journey continues to remain as active as ever. The actor was last seen in Sikandar, a film that further showcased his mass appeal and box office pull. Even after decades in the industry, Salman remains one of the most bankable stars in Indian cinema, with fans eagerly awaiting every new announcement.

Currently, Salman is gearing up for Battle of Galwan, a war drama inspired by the 2020 Indo-China clash in the Galwan Valley. The film is expected to present Salman in a powerful and intense avatar as an Indian Army officer. Directed by Apoorva Lakhia, best known for Shootout at Lokhandwala, the project also stars Chitrangda Singh in a pivotal role. With its patriotic theme and real-life inspiration, Battle of Galwan is already generating considerable buzz.

Sources suggest that fans won’t have to wait too long for a glimpse of the film, as a new poster and teaser are expected to be unveiled soon. The project marks another important chapter in Salman Khan’s illustrious career, reflecting his continued willingness to take on challenging and meaningful roles even after decades at the top.

As Salman Khan steps into his 60s, his birthday celebration served as a reminder of what truly defines him—strong family bonds, enduring friendships, and a grounded approach to life despite unparalleled stardom. With unwavering fan support and exciting projects lined up, the superstar shows no signs of slowing down, proving that age is merely a number in his remarkable cinematic journey.

Krystle D’Souza Vs Ayesha Khan: “I Feel Sad For Trolls” After Shararat Comparison Row

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The song Shararat from the upcoming film Dhurandhar has taken the internet by storm, quickly establishing itself as one of the biggest musical sensations of the year. Sung by Jasmine Sandlas and Madhubanti Bagchi, the peppy dance number features Krystle Dsouza and Ayesha Khan, whose effortless chemistry and vibrant screen presence have struck a chord with audiences across platforms.

What truly amplified Shararat’s popularity is its catchy hook step, which has snowballed into a viral Instagram reel trend. From fans and influencers to well-known personalities, everyone seems eager to recreate the move. Adding a delightful twist to the trend, choreographer Vijay Ganguly’s mother and television actor Rupali Ganguly’s mother also joined in, winning hearts online. Taking the song’s global appeal a notch higher, international pop star Nick Jonas used Shararat as a pre-show hype track, further cementing its cross-border popularity. Unsurprisingly, the music video has already garnered millions of views on YouTube, with fans calling it a repeat-worthy dance anthem.

While Shararat has largely been celebrated as the “dance number of the year,” a section of social media users sparked an unnecessary debate by comparing Krystle Dsouza and Ayesha Khan, questioning who “stole the limelight.” Amid the chatter, choreographer Vijay Ganguly publicly praised both actors for their dedication and performances, highlighting the effort each brought to the screen.

Addressing the comparisons, Krystle Dsouza, in an exclusive conversation with News18 Showsha, strongly advocated for celebrating the song’s spirit rather than indulging in divisive commentary. She emphasised that Shararat is a powerful example of women coming together—on screen and behind the scenes. “Four women have come together and that’s one of the best things about Shararat,” she said, referring to herself, Ayesha Khan, and singers Jasmine Sandlas and Madhubanti Bagchi.

Krystle expressed disappointment over trolls who attempt to praise one performer by pulling another down. “I see comments like, ‘She did better than the other.’ But it’s not about that. Who cares? Just enjoy the song and have fun,” she remarked. She added that such remarks ignore the reality that every artist brings their own journey, struggles, and strengths to a project. “We all work hard and try to be consistent year after year,” she said, calling these comparisons “sad” and “unnecessary.”

Unfazed by online negativity, Krystle further stated that dismissive comments should not be allowed to overshadow collective effort. “To take that away with one such comment is just stupid and immature,” she said, pointing out that many such remarks often come from women themselves. Stressing the importance of solidarity, she added, “As women, the least we can do is support another woman. If they can’t support, then they should just keep quiet.”

A long-time advocate of sisterhood, Krystle believes that progress lies in mutual encouragement rather than competition. “We should push and build each other. A world filled with supportive women is beautiful,” she shared. Recalling her experience watching the final cut of the song, she said the visual of herself and Ayesha dancing while Jasmine and Madhubanti sang felt deeply empowering. “I was like, ‘Wow, I love the world I live in,’” she noted.

Krystle also had nothing but praise for her co-star Ayesha Khan. Calling her “amazing,” she highlighted Ayesha’s grace and dancing skills. “She’s so beautiful and such a great dancer. Watching her do her thing and letting her shine was a beautiful part of the process,” Krystle said, making it clear that there was never any sense of competition between them.

Another aspect that has resonated with viewers is how Shararat manages to be a high-energy dance number without sexualising women. Krystle agreed that this balance added to the song’s appeal. “The fact that it took the story ahead was something I appreciated,” she said. However, she also clarified that she enjoys watching sensual dance numbers when they are presented tastefully. “I love watching women do sensual item songs, as long as they’re shot aesthetically,” she admitted.

Speaking candidly about her own comfort zone, Krystle added that she may not yet be bold enough to take on such performances herself. “For now, I don’t have the guts. So I’m glad that Shararat turned out the way it did,” she concluded.

GloRilla – MARCH Song Lyrics

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Song Name – March
Singer – Glorilla

Check out March Song Lyrics by Glorilla

GloRilla
Ugh, ugh (B100, Go Grizz)
On the gang, gang
On the, on the, on the gang, gang, gang

These hoes scary, diamonds clarity, b*tch I’m legendary (B*tch, I’m the biggest)
Big Glo pull up shittin’ on hoes, stunnin’ like Meech and Terry (Woo, woo)
When I’m in North Memphis, me and my bitches

Security ain’t necessary (Stamp that)
Nigga talm ’bout he don’t f*ck with Glo, ho, do what’s after February (March)
These hoes scary, I ain’t never worried, Glo get b*tches’ buried (Ho)
Why you callin’ my phone lookin’ for your nigga? Ho, I ain’t his secretary (The fuck?)
You hoes get hurt, I get money, tell that shit to Jеrry
Bitch talkin’ ’bout she don’t f*ck with Glo, ho, do what’s after February (March)

Ridin’ with somе YN’s and some AR’s
F*ck a diss song, I’ma pull a ho card
Only pullin’ up for the m*therf*ckin’ back end
This a bad lil’ bitch in charge
Ridin’ with some YB’s, ridin’ with some switches
Ridin’ with another b*tch nigga, I’m pimpin’
Ride ’til the wheels fall off with who?
If the nigga ain’t got good head, dismiss him (Ho)
Jet black, bust down these inches (Jet)

Smackin’ hoes if Glo get mentioned (Bitch)
Can’t diss me and come to my city (Facts)
I’ll beat a ho ass, like, take that (Take that)
That’s Glo pullin’ up in that Maybach (Skrrt)
If you don’t mean that shit, don’t say that (What?)
In the gym, I done got that weight back (Ugh)
Droppin’ hits, these hoes can’t shake back

These hoes scary, diamonds clarity, bitch I’m legendary (B*tch, I’m the biggest)
Big Glo pull up shittin’ on hoes, stunnin’ like Meech and Terry (Woo, woo)
When I’m in North Memphis, me and my b*tches
Security ain’t necessary (Stamp that)
Nigga talm ’bout he don’t f*ck with Glo, ho, do what’s after February (March)
These hoes scary, I ain’t never worried, Glo get *itches’ buried (Ho)
Why you callin’ my phone lookin’ for your nigga? Ho, I ain’t his secretary (The fuck?)
You hoes get hurt, I get money, tell that shit to Jerry
B*tch talkin’ ’bout she don’t f*ck with Glo, ho, do what’s after February (March)

Slappin’ mama, sisters, cousins, aunties, kids
I’m just playin’, snatchin’ niggas’ brothers, daddy’s, uncle’s wigs
I’m just sayin’, slidin’ down in any block (Why you doin’ that?)
‘Cause I’m an original gangster (Okay)
And all of you b*tches some opps (Why you say that?)
‘Cause they some original pranksters (Ugh)
Say, she don’t like me? Cool, I eat, sleep, shit and fuck the same damn way
Caught my nigga cheatin’, went and got the best head of my life the same damn day
Poppin’ my shit, why not? They gon’ hate on the big, young, lit bitch anyway
F*ck January, February (Yeah), get to marchin’, ho

These hoes scary, diamonds clarity, bitch I’m legendary (B*tch, I’m the biggest)
Big Glo pull up shittin’ on hoes, stunnin’ like Meech and Terry (Woo, woo)
When I’m in North Memphis, me and my bitches
Security ain’t necessary (Stamp that)
Nigga talm ’bout he don’t f*ck with Glo, ho, do what’s after February (March)
These hoes scary, I ain’t never worried, Glo get b*tches’ buried (Ho)
Why you callin’ my phone lookin’ for your nigga? Ho, I ain’t his secretary (The fuck?)
You hoes get hurt, I get money, tell that shit to Jerry
B*tch talkin’ ’bout she don’t f*ck with Glo, ho, do what’s after February (March)

JADE – Frozen Song Lyrics

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Song Name – Frozen
Singer – Jade

Check out Frozen Song Lyrics by Jade

You only see what your eyes want to see
How can life be what you want it to be?
You’re frozen when your heart’s not open
You’re so consumed with how much you get
You waste your time with hate and regret
You’re broken when your heart’s not open

Mm, if I could melt your heart
Mm, we’d never be apart
Mm, give yourself to me
Mm, you hold the key

Now there’s no point in placing the blame
And you should know I suffer the same
If I lose you, my heart will be broken (Mm)
Love is a bird, she needs to fly (She needs to fly)
Let all the hurt inside of you die
You’re frozen when your heart’s not open (Mm)

Mm, if I could melt your heart
Mm, we’d never be apart (We’d never be apart)

Mm, if I could melt your heart
Mm, we’d never be apart
Mm, give yourself to me
Mm, you hold the key (Ah)
Mm, if I could melt your heart (Oh)
Mm, never be apart, no
Mm, ooh, give yourself to me
Mm, oh, you hold the key

SUICIDEBOYS – 2009 Reggie Bush Song Lyrics

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Song name – 2009 Reggie Bush
Band – Suicideboys

Check out 2009 Reggie Bush Song Lyrics by SUICIDEBOYS

(Pull the trigger, Budd Dwyer, hahaha)
(It’s a smash)
Northside, northside, northside (Northside)
Northside, northside, northside (Northside)
(Indiana Slicky)
Northside, northside, northside (Northside)
Fort Wayne, ayy, ayy
Northside, northside, northside (Northside)

Yessir, it’s that white playa, world shaper, get so lit, he flip the breaker (Get up off my d*ck)
Dope up on my razor, hundred acres, what the f*ck’s a neighbor? (Get up off my d*ck)
I done hit the majors, and at best they just a D1 hater (Get up off my d*ck)
All my crackers shoot like lakers, feel like Ninja with the taper yeah (Get up off my d*ck)
Yeah, blunt fat as Brendan Fraser, smoking like a f*ckin’ nuisance (Get up off my d*ck)
Done f*cked a b*tch to get some Xanax up in Massachusetts (Get up off my d*ck)
I don’t give two f*cks, sipping two cups, bumping Via Crucis (Get up off my d*ck)
Shades on like DB Cooper, meds got me in a stupor (Get up off my d*ck)
Down to shoot it, guess that I was born to die a hooper (Get up off my d*ck)

Might die a junkie but f*ck ’em, I ain’t gon’ die a loser (Get up off my d*ck)
Indiana $licky, off a big 10 like a hoosier (Get up off my *ick)
Crash Rarri’s, Ferris Bueller, I’m way too hot to cool off (Get up off my d*ck)
Beat his a*s on a Thursday like he Mason Rudolph (Get up off my d*ck)
Get bored with rap, might run for mayor just to make some new laws (Get up off my d*ck)
Got my morals from some dope fiends, grew up in pool halls (Get up off my d*ck)
Sip drank and put that Screw on (Get up off my d*ck)
Grandma was cutting coupons, got babies raising newborns (Get up off my d*ck)
Daddy said, “F*ck that, make it right, don’t give a f*ck ’bout two wrongs” (Get up off my d*ck)
The f*ck is off? I’m too on, I’m popping pills in Tucson (Get up off my d*ck)
Pussy wanna throw them hands? I’m beating him down till he need new bones (Get up off my d*ck)

Get the f*ck off my d*ck, ho
Get the f*ck off my d*ck (Get off my d*ck)
Get the f*ck off my d*ck , ho
Get the f*ck off my d*ck (Get off my d*ck)
Get the f*ck off my d*ck, ho
Get the f*ck off my d*ck (Get off my d*ck)
Get the f*ck off my d*ck, ho
Get the f*ck off my d*ck (Get off my d*ck)

Southside, southside, southside (7th Ward)
Southside, southside, southside (7th Ward)
Southside, southside, southside (7th Ward)
Southside, southside, southside (7th Ward)

Grip the .45, I’ma slide by at nighttime
Blinded by the light, out of sight at the right time
Strange apparitions in the sky may be a sign that I’ma die
So I hold my 3’s high, reppin’ 59
Coughin’ up a demon, now it’s staring at me scheming, glare gleaming
So I flick my cigarette up in its right eye
Super Black Eagle 3, Max 7 Realtree
Smoked him with one shot, therefore altering the timeline
Hoppin’ in my bayberry Calais, riding by all these Jezebels
Ho, nice try, I already met a girl, rang them wedding bells
Never had intent to sell, I would always do it
I hope my enemies getting well, I know they ’bout to lose it
Yeah, this shit can be confusing, but I find it kinda soothing
I’m waiting on my death, tired of all this endless looping
Catch me on stage any day
I don’t care if they cheering or they booing, I cross the dollar sign and rue it
Ask me where the f*ck I been, they say, “Duckboy, where you at?”
Isolating, left the chat, roll it back to back to back

Miss me with that shit ho
Miss with that shit (Miss me with that shit)
Miss me with that shit ho
Miss with that shit (Miss me with that shit)
Miss me with that shit ho
Miss with that shit (Miss me with that shit)
Miss me with that shit ho
Miss with that shit

SUICIDEBOYS – Leviticus Song Lyrics

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Song Name – Leviticus
Band – Suicideboys

Check out Leviticus Song Lyrics by SUICIDEBOYS

Because your guilt is great
Because your sins are flagrant
I have done these things to you
Therefore, all who have devoured you shall be devoured
(You did good $lick)
And all your foes, everyone of them shall go into captivity
(It’s a Smash)
And those who plundered you shall be plundered
And those who prey on you, I will make ’em pray
For I will restore health to you, and your wounds I will heal
Declares the Lord

Praise thе mighty God, take me out of this façade
Lord, I’vе had enough of all this pain and suffering
I’ve lost count, I can’t add it up
Fightin’ off demons one by one, but now there’s legions of ’em comin’ for me, seethin’
‘Cause I got washed clean in Christ’s blood
Raise my sword up to the sky, that’s when lightning struck
Point it at the enemy, he’s tremblin’, his psyche f*cked
Wash all my sins away, Lord, send a mighty flood
Raise me out of this chaos, I’ll be welcomin’ the righteous dove

As I walk through the valley of the shadow of death
I shall fear no man, I shall fear no evil
As I walk through the valley of the shadow of death
I shall fear no man, I shall fear no evil
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Pray for peace, prepare for war!
Put me on the front lines covered in your blood
If it be the day I die, I pray I die in martyrdom
Sheddin’ out my flesh, smokin’ demons got me high
Jesus wept, for God, I step, but first the old me had to die
Fresh up out the f*ckin’ grave
Armored up, mask on, Grey Five Nine the new crusade
My destination where the darkness waits
For even though I’m walkin’ through the valley, I am unafraid