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Joji – LOVE YOU LESS Song Lyrics

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Song name – Love You Less
Singer – Joji

Check out LOVE YOU LESS Song Lyrics by Joji

(Ooh-ooh)
(Ooh-ooh)
Ooh-ooh
Ooh-ooh

Keep gettin’ less of you
When I give you the best of me
Maybe my love is just too much
Can’t get enough of you, no, no
But you won’t set me free
You want me the more I don’t show up

When I’m ready, you’re not ready
Tryna carry this love and it’s heavy, yeah

I’m obsessed, you’re not sure
If I love you less, will you love me more?
I pull back, you come forward (Ooh-ooh)
If I love you less, will you love me more? (Ooh-ooh)

Ooh-ooh
Ooh-ooh

Wastin’ my breath
‘Cause you like it bettеr when there’s nonе left
When I’m not in your bed
Only time you want me there

But I want you so bad
Wanna give you everything that I have
This is how you should love me, yeah

I’m obsessed, you’re not sure
If I love you less, will you love me more?
I pull back, you come forward (Ooh-ooh)
If I love you less, will you love me more? (Ooh-ooh)

Ooh-ooh
Ooh-ooh

When I’m ready, you’re not ready (Ooh-ooh)
Tryna carry this love and it’s heavy, yeah (Ooh-ooh)
Ooh-ooh
If I love you less, will you love me more? (Ooh-ooh)
Ooh-ooh
If I love you less, will you love me more?

The Killers – Mr. Brightside Song Lyrics

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Song name – Mr. Brightside
Singer – The Killers

Check out The Killers – Mr. Brightside Song Lyrics

Comin’ out of my cage and I’ve been doin’ just fine
Gotta, gotta be down because I want it all
It started out with a kiss, how did it end up like this?
It was only a kiss, it was only a kiss
Now I’m falling asleep and she’s calling a cab
While he’s having a smoke and she’s taking a drag
Now they’re goin’ to bed and my stomach is sick
And it’s all in my head, but she’s touching his

Chest now
He takes off her dress now
Let me go
And I just can’t look, it’s killing me
And taking control

Jealousy
Turning saints into the sea
Swimming through sick lullabies
Choking on your alibis
But it’s just the price I pay
Destiny is calling me
Open up my eager eyes
‘Cause I’m Mr. Brightside

I’m comin’ out of my cage and I’ve been doin’ just fine
Gotta, gotta be down because I want it all
It started out with a kiss, how did it end up like this?
(It was only a kiss) It was only a kiss
Now I’m falling asleep and she’s calling a cab
While he’s havin’ a smoke and she’s taking a drag
Now they’re goin’ to bed and my stomach is sick
And it’s all in my head, but she’s touching his

Chest now
He takes off her dress now
Let me go
‘Cause I just can’t look, it’s killing me
And taking control

Jealousy
Turning saints into the sea
Swimming through sick lullabies
Choking on your alibis
But it’s just the price I pay
Destiny is calling me
Open up my eager eyes
‘Cause I’m Mr. Brightside

I never
I never
I never
I never

Prabhas After Baahubali: Box-Office Hits, Misses & What Lies Ahead

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Few stars in Indian cinema today command the kind of pan-India openings that Prabhas does. Yet, a closer look at his post-Baahubali box-office record tells a story the trade understands well: openings are no longer the issue — sustainability is.

Saaho was the first signal. It opened big across languages, rode initial curiosity, and recovered enough ground to avoid outright failure. But the film also exposed a crucial vulnerability — without narrative grip, even a Prabhas film bleeds sharply after the first weekend.

That warning was ignored with Radhe Shyam. Despite lavish production values and aggressive multi-language marketing, the film collapsed almost uniformly. The takeaway for the trade was blunt: genre mismatch plus weak content equals irrecoverable loss, irrespective of star value.

Adipurush escalated the risk further. Conceptually massive and culturally sensitive, it arrived with unprecedented expectations. While early collections were strong on paper, the film’s post-release reception was so damaging that long-term credibility — not just box-office returns — took a hit. For distributors, it was a reminder that negative word-of-mouth now travels faster than promotional spends can compensate.

The correction came swiftly with Salaar: Part 1 – Ceasefire. By leaning unapologetically into mass action, controlled world-building, and a familiar cinematic grammar, the film delivered what exhibitors wanted most: repeat audiences. It may not have been a critics’ darling, but it restored Prabhas’ reliability as a theatrical force.

Kalki 2898 AD took the recovery further — but with an important distinction. This was not a one-man show. As a multi-starrer mounted on a visionary canvas, Kalki worked because Prabhas was part of a universe, not the sole load-bearing pillar. The result: a global blockbuster and renewed confidence in large-scale Indian event cinema.

FilmSaaho (2019)Radhe Shyam (2022)Adipurush (2023)Salaar: Part 1 – Ceasefire (2023)Kalki 2898 AD (2024)
Genre / PositioningAction thriller, pan-India launchRomantic drama, repositioning attemptMythological spectacleMass action franchiseSci-fi mythological epic (multi-starrer)
Est. Budget (₹ Cr)*325–350*250–300*350–500*270–400*~600*
Worldwide Gross (₹ Cr)420–440140–215300–390*620–7001,000–1,200
Trade OutcomeAverage to Semi-Hit (Hindi saved the film)FlopTrade Loss / UnderperformerHitBlockbuster
Critical ReceptionMixedNegativeLargely NegativePositive (mass-oriented)Largely Positive

For the upcoming release – The Raja Saab, expectations are calibrated realistically. A positive opening weekend seems almost assured. The real test will begin post-Day 3 — word of mouth, genre alignment, and execution will determine whether the film settles into blockbuster territory, remains a front-loaded performer, or…

Rahu Ketu Trailer Out: Pulkit Samrat, Varun Sharma Bring Cosmic Comedy to the Big Screen

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The makers of Rahu Ketu, backed by Zee Studios and Blive Productions, have finally unveiled the much-awaited trailer—and it promises a riotous cinematic ride where mythology collides with modern madness. Blending quirky humour, sharp writing, and a deeper cosmic message, the trailer sets the tone for a film that aims to entertain while subtly encouraging audiences to reflect on their actions.

The trailer opens on a powerful note with veteran actor Piyush Mishra, whose unmistakable voice lends gravitas as he introduces the mythological significance of Rahu and Ketu. Rooted in ancient folklore, his narration grounds the story before launching viewers into a chaotic world where divine forces intervene in very human lives. The result is a refreshing mix of fantasy and contemporary comedy.

Leading the madness are Pulkit Samrat and Varun Sharma, who showcase effortless chemistry and impeccable comic timing. Samrat plays an ambitious character driven by shortcuts and big dreams, bringing charm and unpredictability to the screen. Sharma, known for his mastery of situational comedy, once again shines with his blend of physical humour and sharp observational wit, adding layers of hilarity to the narrative.

Speaking about the film, Pulkit Samrat shared that fantasy-driven stories have always intrigued him. He said that stepping into the colourful, chaotic universe of Rahu Ketu was a joyful experience, especially because the film presents mythological concepts in a fun, accessible way for younger audiences.

Varun Sharma echoed similar sentiments, explaining that the humour in Rahu Ketu is rooted in everyday human flaws. According to him, the film doesn’t just aim to make people laugh—it reflects real-life behaviour through exaggerated chaos, madness, and comedy.

Shalini Pandey appears in a bold and confident avatar, bringing emotional depth and strength to the story. Her character plays a crucial role in anchoring the film’s moral compass amid the chaos. She described Rahu Ketu as one of the most enjoyable journeys of her career, praising director Vipul Vig for encouraging creative freedom and collaboration.

The supporting cast further elevates the trailer. Chunky Pandey delivers yet another memorable comic performance, while Amit Sial adds restraint and intensity, grounding the high-energy narrative with conviction.

What truly sets Rahu Ketu apart is the arrival of the mythological figures themselves, pushing the story into a philosophical space built around the idea that actions have consequences. Packed with humour, chaos, and cosmic justice, Rahu Ketu is set to hit theatres nationwide on January 16, 2026.

Priyadarshan Reacts Strongly After Arshad Warsi Calls Hulchul a Bad Experience

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A surprising controversy has surfaced around the 2004 hit film Hulchul, after actor Arshad Warsi recently described his experience working on the movie as a “bad experience.” Directed by acclaimed filmmaker Priyadarshan, the comment has left the director shocked and emotionally hurt, prompting him to respond publicly for the first time.

Speaking to Midday, Priyadarshan expressed his disbelief over Arshad’s statement, admitting that it deeply upset him. “I was very upset when I read what he said. I could be wrong, and maybe it has been misinterpreted, but if he has actually said this, I am shocked,” the director shared. Priyadarshan went on to recall that after Hulchul was released, Arshad had personally called him to express gratitude for the role.

“After the release, he told me, ‘Priyan sir, I never thought I would get this kind of appreciation,’” Priyadarshan said. The filmmaker added that Hulchul was a clear commercial success, making Arshad’s recent claim even more painful. “It was a big hit, yet Arshad has called it a flop film. That has really pained me. Why would he say that when it was one of my successful films?” he asked.

Priyadarshan emphasized that Arshad’s performance was well received by audiences and critics alike. “People loved and appreciated his role in Hulchul. I am deeply hurt by these accusations. He had no reason to complain,” the director concluded.

Arshad Warsi, meanwhile, had spoken about the issue during an interview with The Lallantop last month. Recalling how he came on board the film, Arshad said writer Neeraj Vora had approached him with the project and pitched his role as being similar to Akshay Kumar’s iconic character in Hera Pheri. Believing it to be a leading role, Arshad immediately agreed.

However, Arshad claimed that he only realized his character was that of a sidekick once he reached the film sets. He added that even Priyadarshan was unaware of the initial pitch and only knew that Arshad was cast to play a particular character.

Hulchul, a Hindi remake of the Malayalam classic Godfather (1991), featured a massive ensemble cast including Kareena Kapoor, Suniel Shetty, Paresh Rawal, Jackie Shroff, Amrish Puri, and others. Made on a budget of approximately ₹10 crore, the film went on to earn over ₹32 crore at the box office, cementing its status as a commercial success.

Yash Drops Rukmini Vasanth’s First Look in Toxic — Fans Say She’s the Film’s Darkest Surprise!

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Yash’s upcoming action drama Toxic: A Fairy Tale for Grown-Ups continues to dominate headlines as the makers unveil yet another striking character poster. Following the buzz created by Tara Sutaria’s first look, the spotlight has now shifted to actress Rukmini Vasanth, whose introduction as Mellisa has instantly amplified excitement around the much-anticipated film.

Taking to Instagram, Yash personally shared Rukmini’s first-look poster and introduced her character with the caption, “Introducing Rukmini Vasanth as MELLISA in – A Toxic Fairy Tale For Grown-Ups.” The poster presents Rukmini in a stunning high-rise gown, exuding elegance with an underlying intensity that hints at the layered nature of her role. Fans quickly flooded the comments section with heart emojis and praise, lauding her powerful screen presence and glamorous transformation.

Toxic, directed by National Award-winning filmmaker Geetu Mohandas, has been generating massive anticipation due to its ambitious scale, international technical crew, and stellar ensemble cast led by Yash. Earlier, the makers revealed Tara Sutaria’s first look as Rebecca, a character described as both fragile and fiercely commanding. The poster depicted Rebecca amid a gilded chaos, suggesting vulnerability intertwined with authority.

Speaking about her role, Tara Sutaria shared that Toxic marks a radical departure from her previous work. She revealed that stepping into this gritty, volatile world challenged her creatively and emotionally. Tara also praised the filmmaking approach of Yash and Geetu Mohandas, calling the process “incomparable” and unlike anything she had experienced before.

Written by Yash and Geetu Mohandas and directed by Mohandas, Toxic: A Fairy Tale for Grown-Ups is being simultaneously filmed in Kannada and English, with dubbed versions planned in Hindi, Telugu, Tamil, Malayalam, and several other languages—highlighting the film’s strong global vision.

The film features an impressive technical lineup, with National Award winner Rajeev Ravi handling cinematography, Ravi Basrur composing the music, Ujwal Kulkarni overseeing editing, and TP Abid serving as production designer. Adding to the excitement, the high-octane action sequences are choreographed by Hollywood action director JJ Perry, known for the John Wick franchise, alongside acclaimed action specialists Anbariv and Kecha Khamphakdee.

Produced by Venkat K. Narayana and Yash under KVN Productions and Monster Mind Creations, Toxic is set for a grand theatrical release on March 19, 2026. The release coincides with major festive celebrations such as Eid, Ugadi, and Gudi Padwa, positioning the film for a massive box-office opening.

Agastya Nanda Opens Up on Fame, Family and Pressure

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Actor Agastya Nanda, who recently made his big-screen debut with Sriram Raghavan’s war biopic Ikkis, has spoken candidly about growing up amid two of India’s most influential families and whether the weight of their legacy brings pressure. In a video shared by IMDb on YouTube, Agastya addressed the topic with clarity and maturity, offering insight into how he views his place in cinema.

During the conversation, director Sriram Raghavan asked Agastya if being born into families of “legends” creates an unspoken burden. The young actor responded by saying that while he deeply respects his lineage, he does not allow it to define his journey. “I don’t take that pressure in the slightest because I know that’s not my legacy to own,” Agastya said. “My surname is Nanda because I’m my father’s son first. I focus on making him proud, and that’s a legacy I carry very heavily.”

Agastya is the son of Shweta Bachchan and industrialist Nikhil Nanda, making him the grandson of legendary actors Amitabh Bachchan and Jaya Bachchan. He is also the nephew of Abhishek Bachchan and Aishwarya Rai Bachchan. Despite this iconic family tree, Agastya remains grounded about his individuality as an actor.

Speaking about his famous relatives, he added, “I admire their work, I love their work. But I don’t think I can ever be them. So, it’s not even worth spending time thinking about it.” Instead, Agastya chooses to focus on carving his own path, guided by personal growth rather than comparisons.

Ikkis, directed by Sriram Raghavan, is a war biopic based on the life of Second Lieutenant Arun Khetarpal, the youngest recipient of India’s highest military honour, the Param Vir Chakra. The film also stars Dharmendra, Jaideep Ahlawat, Simar Bhatia, Suhasini Mulay, Sikander Kher, Vivan Shah, and Rahul Dev. It released in theatres on January 1, 2026.

Produced by Dinesh Vijan under Maddock Films, Ikkis opened with ₹7 crore nett at the Indian box office and has earned ₹21.08 crore so far, according to Sacnilk.com. The screenplay was written by Sriram Raghavan along with Arijit Biswas and Pooja Ladha Surti.

Earlier this week, Agastya’s sister Navya Naveli Nanda shared a photo of him with Sriram Raghavan on Instagram. Alongside the picture, Agastya wrote an emotional note: “This was, is, and always will be the most special character I got to play. Thank you, Arun Khetarpal. Love, Agastya.”

Agastya previously made his acting debut in Zoya Akhtar’s The Archies (2023), and with Ikkis, he takes a significant step forward in establishing his own cinematic identity.

Critics Choice Awards Go Viral After Timothee Chalamet’s Sweet Moment With Owen Cooper

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One of the most heartwarming and unexpected highlights from Sunday night’s Critics’ Choice Awards at the Barker Hangar in Santa Monica didn’t happen on stage—it unfolded quietly on the sidelines. Rising British actor Owen Cooper and Hollywood favourite Timothée Chalamet shared a brief but unforgettable interaction that quickly became one of the most talked-about moments of the evening.

The two actors were spotted pausing for a friendly chat, holding hands and posing together for photographs in a candid exchange captured on video. The clip, later shared by E! News, spread rapidly across social media, with fans praising the genuine warmth and mutual admiration between the stars. The spontaneous moment struck a chord, showcasing a rare display of camaraderie across generations in the film industry.

At just 16 years old, Owen Cooper made Critics’ Choice Awards history by becoming the youngest-ever winner at the ceremony. The young actor has been steadily gaining attention for his powerful breakout performance in Adolescence, a Netflix drama created by Stephen Graham. His win marked a major milestone and solidified his reputation as one of Britain’s most promising new talents.

Meanwhile, Timothée Chalamet had a triumphant night of his own. The actor took home the Best Actor award for his performance in Marty Supreme, beating out strong competition that included Leonardo DiCaprio and Michael B. Jordan. Visibly emotional as he accepted the award, Chalamet admitted to feeling overwhelmed by the moment.

“I’ve got a lot of people to thank and I don’t know if I’ll be up here again,” he said, acknowledging the calibre of fellow nominees. He went on to praise the Marty Supreme team, calling them an “ultra-talented, hard-working group,” before confessing, “I’m more nervous than I thought I’d be.”

Chalamet also paid tribute to director Josh Safdie, thanking him for crafting a nuanced story without moralizing the audience. “Thank you for this dream,” he concluded.

One of the most emotional moments of the night came when Chalamet acknowledged his partner, Kylie Jenner, during his speech. Turning toward her, he expressed gratitude for their relationship and support, telling her he couldn’t have done it without her. Cameras caught Jenner mouthing, “I love you too,” from the audience.

Together, Chalamet’s tender words, Jenner’s reaction, and his wholesome interaction with Cooper turned the Critics’ Choice Awards into a night defined by authenticity, emotion, and unforgettable human connection.

Deepika Padukone’s Bodyguard Steals the Spotlight With Emotional Birthday Post — Fans Are Touched!

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Bollywood superstar Deepika Padukone celebrated her birthday on January 5, and while she received an outpouring of love from fans and celebrities alike, one heartfelt wish stood out for its warmth and sincerity. Deepika’s longtime bodyguard, Jalaluddin Shaikh, took to Instagram to share a touching birthday message that quickly captured the internet’s attention.

The post featured a candid photograph of Deepika and Jalaluddin sharing a joyful moment. Dressed in a chic mini dress, Deepika looked effortlessly glamorous as she laughed freely, radiating warmth and ease. Standing beside her, Jalaluddin appeared proud and genuinely happy, reflecting the strong bond and mutual respect they share. Alongside the photo, he wrote, “Wishing you many many more happy returns of the day. God bless you always.” The simplicity and sincerity of the message struck a chord with fans, who praised the unseen emotional connections behind celebrity lives.

To mark her birthday, Deepika also hosted an intimate pre-birthday gathering with her fans, where she engaged in a candid conversation about her life and career. During the chat, she opened up about her upcoming projects and addressed questions about her return to the romantic comedy genre—one of her most loved film spaces.

Responding to a fan who asked when audiences could see her in a rom-com again, Deepika said she hopes it happens very soon. She admitted that romantic comedies are among her favourite genres both as an actor and as an audience member. However, she also expressed concern about whether the current cinematic climate is receptive to such films, noting that audiences today may be seeking different kinds of stories. Still, she added that strong audience demand could help bring rom-coms back into the spotlight.

Meanwhile, Deepika recently made headlines due to rumours of a possible reunion with Ranbir Kapoor in Ayan Mukerji’s next project, reportedly inspired by the classic Chori Chori. On the work front, she is gearing up for the release of King, starring Shah Rukh Khan and his daughter Suhana Khan, along with an ensemble cast. She also has an upcoming sci-fi film directed by Atlee, where she will share screen space with Allu Arjun, making her future slate one of the most anticipated in Bollywood.

Radhika Apte Slams Bollywood’s Idea of Love: ‘Obedience Is Power, Not Passion’

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Actor Radhika Apte has never shied away from uncomfortable conversations, and her latest remarks on love, control, and toxic storytelling in cinema are no exception. Fresh off her performance in Saali Mohabbat, the actor has spoken candidly about the dangers of romanticising obsession, emotional abuse, and power dynamics in films—particularly in mainstream Indian cinema.

In Saali Mohabbat, Radhika plays a woman who commits an extreme act after discovering her husband’s infidelity. However, the actor is clear that her character’s actions should not be misread as an expression of intense or passionate love. Speaking to Hindustan Times, Radhika explained that the breaking point depicted in the film stems from prolonged injustice rather than emotional obsession.

“That’s the problem,” she said. “I don’t think what happens in the film comes from passionate love. It comes from accumulated, acute injustice and repeated mistreatment. I don’t like to glorify that as love for a partner or anyone else.”

Radhika further criticised the cultural tendency to label suffering and self-sacrifice as devotion. According to her, repeatedly compromising one’s happiness to please another person cannot and should not be defined as love. “In our culture, these acts are mistaken as love. But it’s not love when you have to constantly compromise your happiness,” she stated firmly.

Calling out long-standing cinematic tropes, the actor took aim at narratives that frame obedience and submission—especially by women—as respect, romance, or virtue. “Whether it’s your husband, his family, or even your parents, blindly listening and doing whatever they want is not love,” she said. “If someone expects you to compromise your happiness for them, that’s not love. Obedience is not love—it’s power and control. And I’m sick of it being called love or respect.”

Radhika didn’t hold back while addressing the broader impact of such portrayals on society. She described the glorification of obsession and control as “awful and horrible,” adding that filmmakers must take responsibility for the stories they tell. “We should stop making these films. We are portraying controlled power as passion, and that’s a huge mistake,” she said.

Saali Mohabbat is a drama-thriller set in a small town, centring on a housewife whose quiet life spirals after two sudden deaths change everything. Rather than romanticising trauma, the film focuses on emotional silence, suppressed anger, and psychological fallout.

The film stars Radhika Apte alongside Sauraseni Maitra, Divyendu Sharma, Anshumaan Pushkar, and Anurag Kashyap, and is produced by Jyoti Deshpande, Dinesh Malhotra, Vipin Agnihotri, and Manish Malhotra.